No Go (2019)

에단 헌트는 세계를 위협하는 테러 조직 신디케이트의 수장 솔로몬 레인을 우여곡절 끝에 체포했지만, 그의 잔당들은 여전히 세계 각지에서 테러를 일삼는다. 에단 헌트와 그의 팀은 테러조직의 핵무기 소지를 막기 위해 미션에 착수한다. 에단 헌트는 작전 수행 중 예상치 못한 결단을 내리게 되고, 중앙정보국 CIA는 그를 견제하기 위해 상급 요원 어거스트 워커를 파견한다. 최악의 테러 위기와 라이벌의 출현 속, 팀이 행한 모든 선의의 선택들이 최악의 결과로 돌아오면서 미션은 점점 더 예측할 수 없는 상황으로 치닫게 되는데...

어느날 갑자기 당신이 벤허의 주인공이 되어 콜로세움을 질주하고, 서부개척시대에 미녀를 사로잡는 로맨틱한 카우보이가 되고, 또 우주에서 무중력 속의 결투를 벌이는 투사도 될 수 있다면? 그야말로 시공을 초월해 상상하는 모든 것이 현실이 되는 마법같은 1주일이 펼쳐진다면... 당신은 무엇을 이루고 싶습니까? 코미디의 지존 아담 샌들러 주연의 시공을 넘나드는 판타지 블록버스터! "베드타임 스토리"를 보시면서 상상해 보십시오. 당신의 꿈☆은 이루어 집니다!

프라이스 가문은 몇 세대에 걸쳐서 매우 실용적이고 보수적인 남성화를 만들어왔다. 휘청대는 가업을 물려받은 젊은 찰리 프라이스는 사업체를 파산의 위기에서 구하기 위해 예상 밖의 디자인 자문 위원을 두게 된다. 그는 건방진 여장남자 카바레 가수로, 그의 충격적인 스타일과 와일드한 디자인은 꽉 막힌 낡은 공장에 신선함을 불어넣는다.

경제적으로 어려움을 겪는 폴은 제나와 딘을 끌어들여 납치 계획을 벌인다. 세 명의 부자 대학생들을 납치해 각 백만 불씩 몸값을 요구한다. 가족들은 폴의 요구대로 돈을 보내며 일이 잘 풀리는 듯 했지만 납치된 학생들이 탈출을 시도하며 한 명이 총에 맞는 사고가 발생한다. 결국 두 명 학생이 도망을 치고 폴 일행은 그들을 쫓지만 상황은 걷잡을 수 없는 파국으로 치닫는다. 폴은 엉망이 된 계획 속 살기위해 새로운 플랜을 세우는데...

Kings should be treated courteously! At least, that's what famous music critic Georg thinks. But he finds himself counting pennies when his chief editor suddenly fires him from the Viennese newspaper for which he has been writing for decades. While keeping his dismissal a secret from his psychotherapist wife Johanna, whose mind is occupied solely by getting pregnant, Georg begins to plot his revenge.

Mathew is a graduate in software engineering, but is now jobless. He is waiting for his good time to get a good job. Mathew has borrowed some money as loan. Now he cannot give it back as he has no job. Mathew's childhood friend Jeena Johnykkutty is ready to help him as she could. She has a job. Her father Johnykkutty does not like Mathew and he always tries to trouble Mathew whenever he gets a chance. At this time Mathew's good time arrives; but along with it many problems too. The gripping events that follow plot the rest of 'Neram'.

The life of a father and son and their life experience when son tries to breakup with his lover.

Stathis loves bikes, Rena wants to dance all the time and Aleksis goes crazy for rock music. They are three crazy siblings. One of them, Stathis, doesn't seem capable to keep a job and when he loses his girlfriend, his mother decides to give him what he loves the most, a motorcycle!

After losing their jobs, Dasan and Vijayan have no hope of finding work in Kerala. They plan to escape to Dubai, but end up in Chennai. Can they find luck there?

Arun Khanna is a spy for the Indian government whose aid is enlisted to stop ISI Chief Ishak Khan. Khan is trying to build a nuclear bomb with which he can liberate Kashmir from the Indians. A battle of wits ensues. When Khan detonates a bomb at Khanna's engagement party to a fellow spy, Khanna's resolve is only strengthened. Now not only does he have to fight Khan, but he also has to track down his missing fiancee.

Siby is unmindful of his duties towards his family, but is in the pursuit of making some easy money via various fraudulent means. To escape one of the troubles he courted, he goes on an assignment to an old palace in a forest-ridden Cheenkannippara, which has a never-before effect on him.

"Hi, I am Tony" is a psycho thriller based on happenings in a day in Bangalore.Sameer (Asif Ali)and Tina (Mia) elopes to Bangalore after their days of love.They live in a flat owned by Achayan (Biju Menon). Tony (Lal)comes to their flat after he had an encounter with them.

50-year-old Jim (Gerald Chew, "Apprentice", Cannes Film Festival 2016 Un Certain Regard) loses his high-flying job in status-conscious Singapore, but his ego and pride compel him to hide this from his wife (Amy J Cheng, "Crazy Rich Asians") and daughter. His only confidante is his best friend (Sivakumar Palakrishnan, "A Yellow Bird", Cannes Film Festival 2016 Critics' Week). Desperately clinging onto the material symbols of his past success, he unlocks a hibernating malevolent force, with sinister roots in long-buried secrets. As his dream life crumbles around him, worlds collide, the lines between then and now become increasingly blurred, and Jim descends into a waking nightmare. REPOSSESSION is a bold, genre-bending film, with an ever-evolving, haunting soundscape from Golden Horse Award-winning composer Teo Wei Yong ("A Land Imagined").

Charlie (Nedumudi) and Gopu (Ratheesh) are small time con artists who get by life doing petty thefts. They meet Unni (Mohanlal), another jobless young man. Reluctantly Unni joins the other two and try to rob from a car owned by Guruji (Madhu). They get caught but Guruji takes them to his plantation and gifts them 10,000 rupees each under the condition that they need to meet him a year later at the same place and tell him what they did with the money.

'Kaafiron Ki Namaaz' is about a recently court martialed army officer, a writer and a musician who confess their most personal secrets to each other on a rainy Christmas Eve somewhere in Srinagar, Kashmir. What begins as a dramatic discussion between the army officer and the writer in an old, abandoned hotel soon turns into a chilling meeting raising some pertinent issues. Meanwhile, the writer's camera assistant stands as a mute spectator and records everything on his camera.

A weary dance-hall girl in a Panama saloon is given the choice of jail or going with a rough-and-tumble oil driller's jungle oil-field in order to pay him back for being slipped a mickey and robbed.

Three brothers, who are jobless, lead a carefree life and make money by cheating people. Their lives take a turn when they learn that one of them is the son of a rich man.

After years spent living off the modest wealth of his in-laws, a man hatches a desperate plan that draws his respectable middle-class family into a vortex of crime.

The film takes us into the life of a nine- year old girl, who takes respite in drawing despite the fact that to fulfil her little aspirations like going to school, she has to navigate difficult geographical terrains and occasionally a curfew or a crossfire. By zooming into the microcosm of the girl's life, this short film endeavors to portray the larger story of Kashmir and the negotiations the people in any contested territory have to make in order to deal with the fissures in their geographical and personal identities. As a conscious act of resistance against the infidelity of language, there are no dialogues in the film.

Chronicles from Kashmir seeks to create a sense of “balance”: between differently positioned voices that emerge when speaking about Kashmir; between differently placed narratives on the “victim”/“perpetrator” spectrum. While there is an inevitable streak of political commentary that runs throughout the work – a political current that cannot be escaped when talking about Kashmir – Chronicles from Kashmir does not espouse any one political ideology. We see ourselves as being artists and educators, using aesthetics and pedagogy to engage audiences with diverse perspectives from/about the Valley.