Amor de Plástico (2019)

This film skewers the audience's prejudices when the subtitles abandon their usual chore of translating what is said and start talking directly to the audience.

デヴィッド・ボウイの曲名から取られた映画タイトルでも示す通り、７０年代ロンドンのグラム・ロック全盛期を見事に描ききった話題の映画。ユアン・マクレガーと共に主役を演じ一躍スターの座に上りつめたジョナサン・リース・マイヤーズからしばらく目が離せません。

An investigation of how Hollywood's fabled stories have deeply influenced how Americans feel about transgender people, and how transgender people have been taught to feel about themselves.

A look at the life of photographer Robert Mapplethorpe from his rise to fame in the 1970s to his untimely death in 1989.

Kena and Ziki long for something more. Despite the political rivalry between their families, the girls resist and remain close friends, supporting each other to pursue their dreams in a conservative society. When love blossoms between them, the two girls will be forced to choose between happiness and safety.

Emily has just been dumped by her girlfriend, kicked out of her apartment, and fired from her job. Her best friend hooks her up with a new gig: personal assistant to a dominatrix. But when Emily falls for her new boss -- and her new boss's boyfriend -- she must decide what risks are worth taking for love. 2 in the Bush is an unconventional romantic comedy about dungeons, a fish named Archimedes, and the many forms that love takes.

The day after New Year's Eve in 2000.

A very personal look at the history of cinema directed, written and edited by Jean-Luc Godard in his Swiss residence in Rolle for ten years (1988-98); a monumental collage, constructed from film fragments, texts and quotations, photos and paintings, music and sound, and diverse readings; a critical, beautiful and melancholic vision of cinematographic art.

Something is about to change drastically, and the only thing to do is to witness it.

A very personal look at the history of cinema directed, written and edited by Jean-Luc Godard in his Swiss residence in Rolle for ten years (1988-98); a monumental collage, constructed from film fragments, texts and quotations, photos and paintings, music and sound, and diverse readings; a critical, beautiful and melancholic vision of cinematographic art.

Set in Brittany, a detective called Nicolas Luhel is asked to unravel the circumstances of a teenage boy's death. The main suspect is the boy's father. Shattered by the suicide of the main witness, Nicolas lets himself get snared by the strange and fascinating influence that the father exerts on everyone around him. Eventually, Luhel discovers the truth about the murder and feels that the law is inadequate to deal with it. As a consequence, he decides to destroy the evidence and keep it a secret.

A very personal look at the history of cinema directed, written and edited by Jean-Luc Godard in his Swiss residence in Rolle for ten years (1988-98); a monumental collage, constructed from film fragments, texts and quotations, photos and paintings, music and sound, and diverse readings; a critical, beautiful and melancholic vision of cinematographic art.

A man reflects on the role religion plays in his life.

A visual barrage of nature, colors, and scenery combining into a montage that overwhelms the senses, playing with Wesendock Lieder's Richard Wagner piece.

A film about using nature as a way to deal, cope and escape depression, a sense of melancholy and loss clouds over the film.

15 seconds a day for 365 days. This is the basic premise of the "Year Feature" challenge taken on by filmmaker Scotty Leonard. But within this challenge, Scotty creates a visceral self-portrait, exploring what it takes to be an underground filmmaker, cat-owner, boyfriend, and low-level assistant in New Mexico's film industry in the year 2021. Get ready for psychedelic dreamscapes, caffeinated mania, eccentric soundtracks, Japanese-speaking cats, street art, and more as Scotty explores what routines and detours make his troubled existence so unique.

Displaying the faces and voices of transgender youth, the documentary short shows the authenticity of queer and trans people living in Toronto, while simultaneously discussing the struggles for self-acceptance that people who do not conform to cisgender and heteronormative ideals of gender face. Andy Nguyen, trans director and film student, captures his trans friends in their natural state on 16mm film shot on a Bolex h16 camera. Accompanied by narration written and recited by Salem Rao, this film represents that trans people exist and this is what we look like. Regardless of the obvious everyday transphobia, trans people find community and uniqueness within each other and themselves.

Andrea and the simbionte travel to Toledo; when they arrive, they find a lonely bus station, which slowly turns off the lights for them. In the silence that surrounds them, Andrea watches the moment pass and with it her certainty about her future dream with the simbionte, feeling that everything she experiences is actually a memory.

A man who is paranoid and deluded by his own conspiracies that someone out there is after him must come to terms with the root of his suffering.

Nova, immersed in metaphors that cross her unconscious, is guided by fate, door to door.