Amor de Plástico (2019)

This film skewers the audience's prejudices when the subtitles abandon their usual chore of translating what is said and start talking directly to the audience.

1971 год. Глэм-рок врывается на музыкальную сцену. Брайан Слейд оказывается в центре внимания. Он вместе с американским рокером Куртом Уайлдом завоевывают мир. 1974 год. Неожиданно на пике карьеры Брайан решает имитировать свою смерть на сцене. 1984 год. Десять лет со дня исчезновения Слейда. Журналист Артур Стюарт расследует это дело и докапывается до правды. События совпали с пиком сексуальной революции в Англии, которая сопровождалась массовыми беспорядками, волнениями молодежи, рок-концертами, похожими на ад, и реками кокаина.

Углубленный взгляд на изображение трансгендерных людей в Голливудских картинах и влияние этих историй на повседневную жизнь трансгендеров и американскую культуру.

История знаменитого фотографа Роберта Мэпплторпа - известном в 1970-х, прославившегося съемками знаменитостей. После знакомства с порнозвездой Бенджамином Грином фотограф увлекся гомоэротизмом, обнаженной натурой - и на протяжении последних лет помимо звезд снимал голых людей и орхидеи.

Кена и Зики — близкие подруги, пускай их семьи и разделяет политическая вражда. Когда в девушках пробуждается любовь друг к другу, они оказываются перед выбором между своим счастьем и безопасностью.

Emily has just been dumped by her girlfriend, kicked out of her apartment, and fired from her job. Her best friend hooks her up with a new gig: personal assistant to a dominatrix. But when Emily falls for her new boss -- and her new boss's boyfriend -- she must decide what risks are worth taking for love. 2 in the Bush is an unconventional romantic comedy about dungeons, a fish named Archimedes, and the many forms that love takes.

The day after New Year's Eve in 2000.

A very personal look at the history of cinema directed, written and edited by Jean-Luc Godard in his Swiss residence in Rolle for ten years (1988-98); a monumental collage, constructed from film fragments, texts and quotations, photos and paintings, music and sound, and diverse readings; a critical, beautiful and melancholic vision of cinematographic art.

Что-то вот-вот кардинально изменится. Мы можем только быть свидетелями этого.

A very personal look at the history of cinema directed, written and edited by Jean-Luc Godard in his Swiss residence in Rolle for ten years (1988-98); a monumental collage, constructed from film fragments, texts and quotations, photos and paintings, music and sound, and diverse readings; a critical, beautiful and melancholic vision of cinematographic art.

Set in Brittany, a detective called Nicolas Luhel is asked to unravel the circumstances of a teenage boy's death. The main suspect is the boy's father. Shattered by the suicide of the main witness, Nicolas lets himself get snared by the strange and fascinating influence that the father exerts on everyone around him. Eventually, Luhel discovers the truth about the murder and feels that the law is inadequate to deal with it. As a consequence, he decides to destroy the evidence and keep it a secret.

A very personal look at the history of cinema directed, written and edited by Jean-Luc Godard in his Swiss residence in Rolle for ten years (1988-98); a monumental collage, constructed from film fragments, texts and quotations, photos and paintings, music and sound, and diverse readings; a critical, beautiful and melancholic vision of cinematographic art.

A man reflects on the role religion plays in his life.

A visual barrage of nature, colors, and scenery combining into a montage that overwhelms the senses, playing with Wesendock Lieder's Richard Wagner piece.

A film about using nature as a way to deal, cope and escape depression, a sense of melancholy and loss clouds over the film.

15 seconds a day for 365 days. This is the basic premise of the "Year Feature" challenge taken on by filmmaker Scotty Leonard. But within this challenge, Scotty creates a visceral self-portrait, exploring what it takes to be an underground filmmaker, cat-owner, boyfriend, and low-level assistant in New Mexico's film industry in the year 2021. Get ready for psychedelic dreamscapes, caffeinated mania, eccentric soundtracks, Japanese-speaking cats, street art, and more as Scotty explores what routines and detours make his troubled existence so unique.

Displaying the faces and voices of transgender youth, the documentary short shows the authenticity of queer and trans people living in Toronto, while simultaneously discussing the struggles for self-acceptance that people who do not conform to cisgender and heteronormative ideals of gender face. Andy Nguyen, trans director and film student, captures his trans friends in their natural state on 16mm film shot on a Bolex h16 camera. Accompanied by narration written and recited by Salem Rao, this film represents that trans people exist and this is what we look like. Regardless of the obvious everyday transphobia, trans people find community and uniqueness within each other and themselves.

Andrea and the simbionte travel to Toledo; when they arrive, they find a lonely bus station, which slowly turns off the lights for them. In the silence that surrounds them, Andrea watches the moment pass and with it her certainty about her future dream with the simbionte, feeling that everything she experiences is actually a memory.

A man who is paranoid and deluded by his own conspiracies that someone out there is after him must come to terms with the root of his suffering.

Nova, immersed in metaphors that cross her unconscious, is guided by fate, door to door.