Amor de Plástico (2019)

This film skewers the audience's prejudices when the subtitles abandon their usual chore of translating what is said and start talking directly to the audience.

1970년대 영국에서 유행하던 글램록 최고의 스타인 브라이언 슬레이드(조나단 리스 마이어스 분)가 월드투어 콘서트에서 암살되는 사건이 벌어진다. 그러나 이 사건은 그의 자작극이었다는 것이 곧 밝혀지고, 브라이언은 많은 이들의 비난을 받는다. 그 후 그는 무대에서 사라지며 사람들에게 점차 잊혀진다. 10년 후, 뉴욕 헤럴드의 기자 아서 스튜어트(크리스찬 베일 분)는 당시 자작극의 특집 기사를 맡아 영국으로 방문한다. 어린 시절 브라이언의 열렬한 팬이었던 아서는 기사 작성을 위해 브라이언의 전 매니저와 그의 부인 맨디(토니 콜렛 분), 그리고 동료이자 스캔들 상대였던 커트 와일드(이완 맥그리거 분)를 차례로 만나며 자신의 우상이었던 브라이언을 회상하게 된다. 그러면서 모두에서 잊혀졌던 브라이언의 놀라운 진실을 만나게 되는데...

할리우드는 트랜스 커뮤니티에 어떤 영향을 끼쳤을까. 그 빛과 그늘을 조명하는 다큐멘터리. 선도적인 트랜스 창작자와 사상가들이 진솔한 견해와 분석을 들려준다.

A look at the life of photographer Robert Mapplethorpe from his rise to fame in the 1970s to his untimely death in 1989.

케냐의 젊은 여성 케나와 지키는 좋은 아내가 되는 것 이상의 삶을 원한다. 그들은 가족 간의 경쟁 구도에도 불구하고 친구가 되어, 서로의 비인습적인 욕망과 꿈을 응원한다. 우정은 점차 사랑이 되고, 그들은 안정적인 삶과 행복이라는 기로 앞에 놓인다.

Emily has just been dumped by her girlfriend, kicked out of her apartment, and fired from her job. Her best friend hooks her up with a new gig: personal assistant to a dominatrix. But when Emily falls for her new boss -- and her new boss's boyfriend -- she must decide what risks are worth taking for love. 2 in the Bush is an unconventional romantic comedy about dungeons, a fish named Archimedes, and the many forms that love takes.

2000년 첫날, 집안 곳곳에는 새해를 맞이했던 설레임의 흔적들이 남아있는데…” 밀레니엄이 지나간 아침에 황량한 고층빌딩 속에서 살아가는 사람들의 일상이 보여진다. 벌거벗은 사람들이 높은 빌딩 마천루에서 맞이하는 새 천년의 새 아침을 그리고 있다.

역사를 표현하는 영화의 힘과 더불어 성과 죽음의 이미지를 그린다.

Something is about to change drastically, and the only thing to do is to witness it.

A very personal look at the history of cinema directed, written and edited by Jean-Luc Godard in his Swiss residence in Rolle for ten years (1988-98); a monumental collage, constructed from film fragments, texts and quotations, photos and paintings, music and sound, and diverse readings; a critical, beautiful and melancholic vision of cinematographic art.

Set in Brittany, a detective called Nicolas Luhel is asked to unravel the circumstances of a teenage boy's death. The main suspect is the boy's father. Shattered by the suicide of the main witness, Nicolas lets himself get snared by the strange and fascinating influence that the father exerts on everyone around him. Eventually, Luhel discovers the truth about the murder and feels that the law is inadequate to deal with it. As a consequence, he decides to destroy the evidence and keep it a secret.

A very personal look at the history of cinema directed, written and edited by Jean-Luc Godard in his Swiss residence in Rolle for ten years (1988-98); a monumental collage, constructed from film fragments, texts and quotations, photos and paintings, music and sound, and diverse readings; a critical, beautiful and melancholic vision of cinematographic art.

A man reflects on the role religion plays in his life.

A visual barrage of nature, colors, and scenery combining into a montage that overwhelms the senses, playing with Wesendock Lieder's Richard Wagner piece.

A film about using nature as a way to deal, cope and escape depression, a sense of melancholy and loss clouds over the film.

15 seconds a day for 365 days. This is the basic premise of the "Year Feature" challenge taken on by filmmaker Scotty Leonard. But within this challenge, Scotty creates a visceral self-portrait, exploring what it takes to be an underground filmmaker, cat-owner, boyfriend, and low-level assistant in New Mexico's film industry in the year 2021. Get ready for psychedelic dreamscapes, caffeinated mania, eccentric soundtracks, Japanese-speaking cats, street art, and more as Scotty explores what routines and detours make his troubled existence so unique.

Displaying the faces and voices of transgender youth, the documentary short shows the authenticity of queer and trans people living in Toronto, while simultaneously discussing the struggles for self-acceptance that people who do not conform to cisgender and heteronormative ideals of gender face. Andy Nguyen, trans director and film student, captures his trans friends in their natural state on 16mm film shot on a Bolex h16 camera. Accompanied by narration written and recited by Salem Rao, this film represents that trans people exist and this is what we look like. Regardless of the obvious everyday transphobia, trans people find community and uniqueness within each other and themselves.

Andrea and the simbionte travel to Toledo; when they arrive, they find a lonely bus station, which slowly turns off the lights for them. In the silence that surrounds them, Andrea watches the moment pass and with it her certainty about her future dream with the simbionte, feeling that everything she experiences is actually a memory.

A man who is paranoid and deluded by his own conspiracies that someone out there is after him must come to terms with the root of his suffering.

Nova, immersed in metaphors that cross her unconscious, is guided by fate, door to door.