The Tapestry (1976)

The story of two seventeen year old boys. They are wearing medals around their necks. They have their pockets full of chewing gum something that they chew ceaselessly. They are wearing blue jeans. They spend the day along the beach front in Cannes looking for girls to win over.

A small movie crew shooting a love scene in a wooded valley with Tammy and Pete, is surprised by the appearance of Dolores, a semi-nude woman who wanders through the background. The crew follows her, in hopes of photographing her for the motion picture. They find Dolores and her friend, Lee, sunbathing amidst the rocks and waterfalls, and the women invite the crew to picnic beside their cabin. After lunch Dolores and Lee row and swim in the lake while Tammy stays inside the cabin studying her script. Tammy grows restless, takes off her nightgown, and joins Dolores and Lee outside.

Guillaume de Burlador is a private tutor who hits a low point sufficiently severe for him to contemplate a somewhat theatrical suicide. Instead he is taken off by flying boat to a mad French colonial possession bedecked by mad servants and crazy decor. Three educated and rather gorgeous women live there, and they hire him to tutor a young teenager, but more with plans to seduce him in mind.

エディ・マーフィ主演の大ヒット・コメディの続編。ザムンダ王国のアキーム王子が国王に就こうとした時に、本人も知らな息子ラヴェルがいると判明。娘しかいないアキームは、ラヴェルを皇太子に望む父ジャファ国王の意思を組み、再びニューヨークへ飛ぶ。

When the boyfriend of a rich, bored socialite dies from a weak heart, she finds herself attracted to the doctor who treated him, a hard-working idealist decidedly different from the usual spoiled society rich kids she is used to.

Incense, Sweaters, and Ice is a new feature film inspired by the idea that anything one does while being watched is a performance. The film follows three protagonists—Mrs. Queen Esther Bernetta White, Girl, and WB (“whiteboy”)—as they navigate the dramas of surveillance, moving between looking, being looked at, and remaining unseen. How does the ever present potential image affect the way we act and the way we see ourselves? By examining how cinema now happens in real time, Syms works between the documented and the live to find the lie.

"Sapovnela" means "the flower that nobody can find." We present this film without subtitles (the voiceover was forced on us by the censorship in the counter-revolutionary times, but the film was banned anyway due to its ending). This was my first attempt at combining music and colors. Also, this is a story about the old florist Mikhail Mamulashvili who created wonderful compositions in his small garden. -- Otar Iosseliani

When Petula and Dorothy cover up the accidental murder of one jerk boyfriend, they hatch a hilarious scheme to collect a huge ransom.

Toronto, Canada, 1899. William Lyon Mackenzie King (1874-1950) fervently believes that he is destined to become Prime Minister, but to do so he will first have to fight his personal obsessions and overcome the many obstacles he will encounter on his tortuous path to power.

After the renewed flings with their former lovers prove to be disastrously unlike the romantic memories, an unfaithful couple returns to each other.

2015年、ルーマニアで起こったライヴハウス火災をきっかけに明らかになった医療汚職事件を追うドキュメンタリー。命より利益が優先された果てに発生した、国家を揺るがす事態に、地元スポーツ紙の記者が迫る。

Racecar-driver Lou Larrigan gets mixed up with a crooked gang of racetrack promoters, and is in love with Ruth Morgan, whose father is marked as a victim by the gang.

In this B potboiler, a college professor finds himself suspected of a murder on his school's campus.

A young married woman sells her body, not just for money, to guests at the motel where she works as a receptionist.

A scientist develops a powder that he believes will have the effect of distorting reality for those who take it. To test its effect tries it out on his assistant, a dog, himself and two young couples.

A young man is sent to "La Maca," a prison in the middle of the Ivorian forest ruled by its inmates. As tradition goes with the rising of the red moon, he is designated by the Boss to be the new "Roman" and must tell a story to the other prisoners. Learning what fate awaits him, he begins to narrate the mystical life of the legendary outlaw named "Zama King" and has no choice but to make his story last until dawn.

When two employees of a clothing factory are murdered, the shadow of suspicion falls upon a lowly stock boy.

Class barriers threaten the budding romance of two young lovers striving to realize their artistic ambitions.

In 1856, two women forge a close connection despite their isolation on the American frontier.

Anna, an artist, is obsessed with the invasion of alien doubles bent on total destruction. Her schizophrenia is reflected in the juxtapositions of long movie camera takes with violently edited montages: private with public spaces; black & white with colour, still photographs with video, earsplitting sounds with disruptive camera angles. Anna uses her body like a map; after a devastating quarrel with her lover, she paints red stitches on herself. Watching their scenes together, we realize how seldom, if ever before, the details of sexual intimacy have been shown in film from the point of view from a woman. Export privileges rupture over unity and never settles for one-dimensional solutions