テレビのドキュメンタリー番組を制作中の女性レポーター・アンヘラは、通報を受けた消防隊に同行してとあるアパートを訪れる。そこには血まみれになって立ちつくす1人の老婆がいた。老婆は駆けつけた警察官を突然襲いはじめ……。閉ざされたアパートの中で想像を絶する恐怖に見舞われる人々の姿を、手持ちカメラ目線によるドキュメンタリー・タッチの映像で描き出し、本国スペインで大ブームを巻き起こしたパニック・ホラー。
カイラは新進のシネマトグラファー。いつか監督として自分の作品を撮りたいと思っているが、今は小さな仕事をこなす毎日。カイラは付き合っていたレストラン・オーナーのシドへの気持ちが薄れ、映画プロデューサーのラグーと浮気したりもするが、本当にラグーが好きなのかはわからずにいた。とにかくなにもかも、自分の気持ちすらわからず、カイラは悶々としていた。あるとき、ムンバイで住んでいた家を追い出されたカイラは、気が進まないながらもゴアの実家で1カ月ほど過ごすことにする。悩み多きカイラは、ちょうどの機会だと知り合いに紹介されたゴアに住む著名な精神科医、「ジャグ」ことジャハンギール・カーン医師の診断とカウンセリングを受けることにする。
Loner Mark Lewis works at a film studio during the day and, at night, takes racy photographs of women. Also he's making a documentary on fear, which involves recording the reactions of victims as he murders them. He befriends Helen, the daughter of the family living in the apartment below his, and he tells her vaguely about the movie he is making.
A free-wheeling chronicle of the Munich sex film industry in the 1970s.
キンバリー・ウェルズはアメリカの地方テレビ局の女性リポーター。硬派ニュースの記者を志していたが普段は日常のたわいもないニュースを担当していた彼女だった。原子力発電所のドキュメンタリー特番の担当となり、カメラマンのリチャード・アダムスとともに取材に赴く。コントロールルームを見学中、原子力発電所は何らかのトラブルを起こしたようだった。そこは撮影禁止の場所だったにもかかわらず、アダムスは密かにそのときのコントロールルームの様子を撮影していた。
A cameraman is knocked over during a football game. His brother-in-law, as the king of the ambulance-chasing lawyers, starts a suit while he's still knocked out. The cameraman is against it until he hears that his ex-wife will be coming to see him. He pretends to be injured to get her back, but also sees what the strain is doing to the football player who injured him.
Since the invention of cinema, the standard format for recording moving images has been film. Over the past two decades, a new form of digital filmmaking has emerged, creating a groundbreaking evolution in the medium. Keanu Reeves explores the development of cinema and the impact of digital filmmaking via in-depth interviews with Hollywood masters, such as James Cameron, David Fincher, David Lynch, Christopher Nolan, Martin Scorsese, George Lucas, Steven Soderbergh, and many more.
As a visually radical memoir, CAMERAPERSON draws on the remarkable footage that filmmaker Kirsten Johnson has shot and reframes it in ways that illuminate moments and situations that have personally affected her. What emerges is an elegant meditation on the relationship between truth and the camera frame, as Johnson transforms scenes that have been presented on Festival screens as one kind of truth into another kind of story—one about personal journey, craft, and direct human connection.
Ellie Parker, an aspiring actress from Australia, lives a hectic Hollywood lifestyle, perpetually trying to land the role that will elevate her career. Living with her lothario musician boyfriend, Justin, Ellie is far from happy, finding support primarily from her friend Sam. But when Ellie meets Chris after a minor traffic accident, she sees new potential for both romance and her life in general.
Documentary following the history of America's first cinematographers.
A documentary about the Russian filmmaker Andrei Tarkovsky. The film was an episode of the French documentary film series Filmmakers of our time. The title of the film is a play on the title of Solzhenitsyn's novella One Day in the Life of Ivan Denisovich.
1895 is a picture about the life of brothers Auguste and Louis Lumiere, who have immortalized their names as inventors of cinematography. What inspired them?
Cinematographer Carlos Macovich met Yuliet Ortega, a young "jinetera" (prostitute) from Havana, when he shot a video in Cuba, starring model Fabiola Quiroz. When he realized that the two women had not seen their respective fathers for many years, he made this documentary, which is also a reflection on the process of filmmaking.
A very special encounter between legendary American cinematographer Vilmos Zsigmond and young French director Pierre Filmon. A personal journey with the brightest shadowmaker and his friends.
A boy who is kicked out of his post-apocalyptic camp is forced to try and find a new home, as well as, civilisation without being caught by the unknown beings that lie ahead.
Frank Connor, stills photographer on The Elephant Man, discusses his work on the film as well as the evolution of his career, with some very interesting comments about the 'old days' and David Lynch's working methods.
The sort film “Baker Street Live” is being produced for December 2016 exhibition “The Masterpieces of Russian Cinematography”. The film is aiming to intrigue the viewer by the strength of British culture taking place within Russian cinematography influencing and shaping the soviet and modern Russian society. The story of two puppets – Sherlock Holmes and Dr Watson - undertaking an investigation and finding the lost pages scattered around London by which they are mostly intrigued. As the puppets keep finding page by page, they unveil their own story as if one discovers himself from within. And as ever, the successful investigation by Serlock results in the re-union of the lost pages with their lawful owner.
A teenager decides to shut himself off from the world around him after receiving bad news.
