PROLIX (2024)

深夜の公園でカップルを盗み撮りした売れっ子カメラマンのトーマス（デヴィッド・ヘミングス）。そのことに気づいたカップルの女性（ヴァネッサ・レッドグレーヴ）は、彼にネガを出せと迫る。しかし、彼女に別のネガを渡したトーマスが本物を現像してみると、そこに映されていたものは…。

A journey through a composite galaxy of artificial light.

Memories cascade and fade as Bonny remembers the one she loved and the life they lived on the run...

Coming out of an accident with amnesia, Sophie Bauer tries to reshape herself in the eyes of those who knew her best.

The wife of an abusive criminal finds solace in the arms of a kind regular guest in her husband's restaurant.

The tragicomedy of the absurd, is based on the works of Daniil Kharms (1905-1942). Trying to recreate reality 30s, who came to the flowering of creativity Harms, the director plays the style of filming, acting at that time and enters into the picture, "the aged" sound. Thus, it is possible to achieve maximum reliability of the author's text and sound to help the viewer to immerse themselves in the atmosphere in which he lived and worked classic absurdity. This is - a world of illusions, allusions and associations, reflecting a stream of consciousness of the creator living in an era of silence.

In an urban Indian city, A struggling actor battles for his career, but his friend who loses money in a scam deal commits an action that puts both of their lives in danger. The three last days before the incident follows the struggling actor, an ambitious filmmaker, a wannabe hustler, an opportunist, a lover and two cinephile thugs, through an inter-twining vignette of their lives.

The year is 2157. An alien organization with ultra-high technology, 'Eed', invades the Earth. As the Earth fa ces extinction, Elka, a descendant of the lost continent Atlantis, looks with the help of a super power computer Delta 8988, for the last hero who may be able to save the world. It turns out to be Oh Haesung who lives in the 20th century. Marie, a special agent sent from Elka, comes to the year 1996 with the important mission of fetching Haesung. However, Eed also finds out about Haesung and sends an assassin.

Superman's pal Jimmy Olsen gets his own story. Boy meets girl. Boy loses girl. Boy meets boy!

Here I am. A mind backed up by delusion of previous condition. Free or humiliated? Who is ashamed? Me or you? It is so hard to share one's secret.

Zhang Xianchi is a man thrown into the Cultural Revolution and its afterimage, plunged into the ideological deadlocks of the era and suffering its consequences beyond it. Born into a family that supports the nationalist Kuomintang, Zhang eventually became a leftist and joined the Communist Party. But his family’s background eventually catches up with him, and in a series of bureaucratic measures, he is labelled as a Rightist, leading to a slew of irrational yet life-affecting consequences. His story is told through an exhilarating hybrid of forms, blending documentary-styled interviews and spectral theatrical displays within an ever-mutating studio-space. Hypnagogic in its imagery and ironic in attitude, Mr. Zhang Believes is a tour-de-force treatise of a man caught within dogmatic political maneuverings, which it critiques indirectly with creative and stoic fervour.

とある砂漠ではりつけにされ、裸の子どもたちに石を投げつけられているキリストに似た風ぼうの盗賊（ホラシオ・サリナス）。自力で十字架から降り立った彼は、居合わせた男と共に町へ向かう。町ではキリスト像を売る太った男たちに捕らえられ、鏡の部屋に閉じ込められてしまう盗賊だったが、何とか部屋から脱出し……。

Five lonesome cowboys get all hot and bothered at home on the range after confronting Ramona Alvarez and her nurse.

A Marine on leave from Vietnam becomes involved with hippies, communes and drug-running.

Heaven is a beautiful, clean suburban paradise as long as they follow one simple rule: DO NOT communicate with "The Evil One" that dwells on the other side of a giant wall that circles the town. One day after chasing one he discovers a talking kitten with a broken leg a small child crawls through a hole in the wall and meets the Evil One, who attempts to teach him the forbidden knowledge that was previously hidden from them all.

The first Surrealist film perestroika years.

In this innovative blend of documentary and fiction, Rosa and Paloma, two trans Latina sex workers in Queens, New York, fight transphobic violence, persecution from the police, and defend their cases of trafficking in an increasingly anti-migration political environment in the U.S.

The plot begins with them and ends with humanity. This author wanted to show continuity: the first love and the supposed last is an indivisible whole of one eternal Love.