SPEED - NOT THAT NICE (2022)

人間世界のカーレースに憧れ、レーサーになることを夢見ているカタツムリのテオ。ある日テオは車のエンジンに巻き込まれるトラブルに見舞われ、気づくと超スピードで走れるようになっていた。彼は自らを“ターボ”と名乗り、夢を実現させるべく憧れのインディレースに出場することを決意する。

前作においてオーウェン・ショウ率いる国際犯罪組織を仲間たちと打倒することに成功し、レティを取り戻すことに成功したドミニクであったが彼女の記憶喪失は戻らず、レティとの関係に苦悩する。また、息子のジャックの送迎を慣れない車で行うという平和な日々を送るブライアンであったが、かつての刺激を恋しく思う言動を妻のミアに打ち明ける。ミアは2人目の子供を身ごもっているが、ブライアンをより束縛してしまうのではないかと妊娠の件を打ち明けられていないことをドミニクに吐露する。

レティ(ミシェル・ロドリゲス)と幼い息子のブライアンと共に穏やかに暮らすドミニク(ヴィン・ディーゼル)の前に、実の弟ジェイコブ(ジョン・シナ)が刺客となって現れ、次々に攻撃を仕掛けてくる。かつての宿敵サイファー(シャーリーズ・セロン)ともつながるジェイコブは、ある恐ろしい計画を実行しようとしていた。彼らの陰謀を阻止するため、ドミニクはファミリーと一丸となって立ち向かう。

アトランタで評判のトラック野郎バンディット。大金持ちから28時間期限付きビール運送の挑戦を受けた彼は、先導用のトランザムを用意して大爆走を開始する。超ド級のカー・アクション。

コニー・アイランドの寂れた海岸。古いアパートに住む孤独な未亡人サラは、ある日、大好きなTVのクイズ番組から出演依頼の電話を受け、ダイエットを決意する。一方その一人息子ハリーと恋人マリオンのもとに、友人のタイロンが麻薬密売の話を持ちかける。一時はそれぞれに人生がうまく回り始めたかに思えたのだが……。

Set in the golden era of Grand Prix Racing '1' tells the story of a generation of charismatic drivers who raced on the edge, risking their lives during Formula 1's deadliest period, and the men who stood up and changed the sport forever.

Harold Meadows is a shy, stuttering bachelor working in a tailor shop, who is writing a guidebook, The Secret of Making Love, for other bashful young men. Fate has him meet rich girl Mary, and they fall in love. But she is about to wed an already married man, so our hero embarks upon a hair-raising daredevil ride to prevent the wedding.

新幹線の乗客を人質にとった爆弾脅迫事件が発生した。爆弾は走行中の新幹線に仕掛けられており、列車の速度が時速80キロ以下になると爆発するという。巧みなポイント切り替えによって、新幹線は速度を維持したまま南下していく。だが、その終点は間近に迫りつつあった。

Between 2007 and 2011, 725 Quebecers aged 16 to 24 were killed in car accidents. Excessive speed and alcohol were involved in half of these deaths. To try to understand what is going on in these young drivers' heads when they get behind the wheel, host and documentary filmmaker Paul Arcand met with some of them. On one hand, he gives a voice to these young people who love driving fast. On the other hand, he provides a forum for two accident victims who were injured both physically and psychologically. Finally, the director meets the mother of little Bianca Leduc, who was killed by a drunk driver while she was in the care of her babysitter, and the parents of Michael Borduas, 23, who is severely disabled from an accident.

Lonigan and his partner Tony, two drug dealers, shoot two cops who attempt to set them up, and run away with a million bucks and the drugs, which they stash in a red Corvette Stingray in a used car lot. When they attempt to recover their stash with their leader, Abigail, they find out that two happy-go-lucky dudes, Elmo and Al, have bought the car. They quickly pursue the two along with the police who think that the car's new owners are the criminals.

A World War I deserter competes in the first long-distance motorcycle race.

A poetic look at the life and legacy of legendary author Philip K. Dick (1928-1982), who wrote over over a hundred short stories and 44 novels of mind-bending sci-fi, exploring themes of authority, drugs, theology, mental illness and much more.

Sequel to the SPEED - "WE SEE U" movie. Once again directed, filmed and edited by Jack Rudder. Music recorded, mixed and mastered by Elliott Gallart at The Chameleon Studios.

The central premise of Speed is an intriguing one, that human beings are the only species capable of exceeding the speed limit that nature intended. Clarkson sets out to explore both what compels us to pursue these limits--often at considerable risk to our own safety--and what effect the quest has on us. The result was an immensely engaging series, a few highlights of which are collected on this video. The best moments are those that find Clarkson sticking to the brief: interviewing the aristo-twit tobogganers of the Cresta Run; trying to understand why he, an experienced driver, will never be as fast as Michael Schumacher or Colin McRae; a musing on the qualities needed to be a fighter pilot; an examination of the extraordinary sport of speed-skiing, in which cat-suited kamikazes hit speeds of up to 150 miles an hour.

Mike loves his fast cars and his hot women. When he fancies the girlfriend of the local street racing king, Fox, he gets way in over his head in racing for his girl, his money and his life. Through racing, sex, nightclubs and small road trips the film depicts what it was like to be a teenager in Australia in the 1980's.

It’s a paradox. Never before in history we have worked more efficiently. Never before we have saved time with more sophisticated technologies. Anyway, nearly all of us are feeling an increasing pressure of time. It seems that the same technology that has been invented to make our life better and easier, is now enslaving us. Why?

What it takes to hold a land-speed record.

A radical remix of the recent Transformers film, via synthetic collapse and critical revenge on its old & new fascist tropes > celebrating SPEED. NOISE. + DANGER. The fervent declarations & violent poetry of the Futurists are superimposed on the mythic morphology of the Autobot blockbuster’s machine mayhem. Images of death & destruction reign in a delirium of transformations as, to quote Marinetti: “We Decompose the Universe!”

UGOサーキットで国際A級500cc決勝(全日本選手権ロードレース第8戦)が開催。バイクレーサー北野晶夫と大木圭史の宿命の対決は、ゴール直前で北野が大木に追い抜かれて終了、勝負は最終戦にもつれ込んだ。北野はその美貌とセックステクニックを駆使し、複数のパトロンからチーム維持のための資金を得ていた。10億ドルの遺産を引き継ぎ国際的なコングロマリットのオーナーになったクリスティーン・アダムスが来日すると、北野はさっそく彼女に接近し、見事に資金を調達するのだった。そして北野はついに最終戦を迎えるのだが…。

とある殺人現場を目撃したために、組織に命を狙われるようになったクラブ歌手が、裁判の日まで修道院でかくまわれるハメに。しかし、元々下町で下品に育った彼女がそんなに神聖にできるはずもなく、やがて、聖歌隊をゴスペル風に改造し……。