Business is Business (1971)

Desperate for a good story, a sex-addicted journalist throws himself into the world of high-class escorts when he starts following a Stanford-educated prostitute.

Three young boys pool their money and pay V, a kindhearted prostitute, to strip for them. Afterward, she drives them home to the suburbs -- but then her car breaks down. It's just as well, though, because a mobster named Waltzer is after her, and V realizes the suburbs are the perfect place to hide. But things get a lot more complicated when V falls in love with Tom, a single father who is unaware of her real profession.

Nester Patou, a naive police officer, is transferred to the red light district in Paris and organizes a raid on a dodgy hotel running as a brothel. In doing so he inadvertently disrupts the corrupt system of the police and the pimps union, and even nets his station superior. Fired from his job, Nester goes to the local bar for a drink and befriends a pretty young lady named Irma la Douce. Upon realizing she is a prostitute, Nester invents a crazy scheme to keep her from seeing other men.

ニューヨークの開業医ビルとアリスの倦怠期を迎えている夫妻は、ビルの患者で友人のジーグラー夫妻が開いたクリスマス・パーティーに招かれる。このパーティでビルはピアニストであり旧友のニックと再会し、アリスはビルと別れて個別にパーティーを楽しむことにしたが、ビルは女性たちに誘惑され、一方でアリスはハンガリー人の紳士に誘惑される。

A serial killer strikes fear in the hearts of residents of Hamburg during the early 1970s.

インド・コルカタの売春窟に暮らしながら取材をするカメラマンのザナ・ブリスキーは、ここで暮らす子どもたちに出会った。渡したカメラで思い思いに写真を撮る子どもたちに感銘を受けたザナは、彼らを売春窟から救い出そうと決意。学費を集めるために、子どもたちの撮った作品の写真展を開くことにする。

Chronicles the early days of The Beatles in Hamburg, Germany. The film focuses primarily on the relationship between Stuart Sutcliffe, John Lennon, and Sutcliffe's girlfriend Astrid Kirchherr.

Caye is a young prostitute whose family is unaware of her profession. She meets her striking Dominican neighbour Zulema, an illegal immigrant, after she finds her in the bathroom, badly beaten up. They strike up a close friendship unbeknownst to Caye's xenophobic co-workers.

A series of intertwining tales involve "pleasure seekers and pleasure providers" during the course of one night in Geylang, Singapore's red-light district. There are three distinct stories, united only by the presence of characters from all the stories in a streetside eatery:

Marc Schrader, a rookie cop caught red-handed with drugs in a police raid of an illegal rave, joins a homicide investigation conducted by Chief Inspector Minks. The victim is a naked young woman with the skin stripped off her back, killed as she staggered into traffic. As Schrader and Minks investigate the murder, the case is complicated by a finger found in the stomach of the victim. Forensic examination proves the finger belongs to Nobert Günzel, who was previously convicted of rape and assault. The police raid Günzel’s residence, and discover a blood-stained table with restraints and bits of human flesh in his basement. They also find video equipment and preserved, tattooed skin from the victim’s back. Soon, they found dead bodies buried in the garden. Günzel then goes missing.

The story of two prostitutes working in the Amsterdam Red Light district, and the many strange and unusual men they meet through their work.

Guna, a mentally-disturbed man, imagines a fictitious character of a woman to be his future wife. One day, he sees a girl in a temple and assumes that she is his imaginary love and kidnaps her.

Adapted from a sex-stuffed cult novel, LALAPIPO (a play on the phrase “A Lot of People”) follows divergent seedy strands of sexual and narrative spaghetti through the sticky Tokyo night. There’s a chubby freelance writer who’s so obsessed with masturbating to the sound of his upstairs neighbors going at it that he forgets to deal with his own love life and when he finally does have sex he is immediately filled with self-loathing. The upstairs neighbor’s story then splits off like an amoeba: she’s an office lady seduced by a “talent scout” who is falling down the sex industry ladder, moving from hostess, to massage girl, to private karaoke attendant. The talent scout’s story then splits off and runs in its own direction, revealing the sorry state of this young pimp’s soul. From there, the movie takes more and more time to consider the lives of more and more characters until the entire Japanese sex industry is filled with the wailing of lost souls.

A jobless young couple, Yoshigi and Tsutue, wind up at the outskirts of the Suzaki red-light district in Tokyo. Tsutue talks her way into a job pouring sake for male customers at a small bar run by a sympathetic older woman, while Yoshigi is shunted off into a nearby noodle shop, where he gets a job delivering noodles. Tsutue charms and runs off with one of her clients. Yoshigi, ignoring the attentions of a sweet co-worker, pursues Tsutue.

A member of the jieitai ("Self-Defense Force"; i.e. Japanese military) is on leave and finds a woman giving birth in a graveyard in the former Yoshiwara district. He takes her to an inn to gove birth, and stays on a few days as she recovers, but becomes fascinated with the strange people he meets there, particularly the owner, who visits a house in his courtyard every day to talk and give food to his mother. He says she is very sick and can't leave bed, but no one else has ever been inside or seen her.

Four old college friends in their forties come together in a time of trouble and despair. Old joy relives, but the harsh reality of their problems can't satisfy them and eventually endangers their friendships.

Amsterdam's world-famous red-light district is the fascinating backdrop to the story of plucky prostitute Lina as she searches for Mr Right. Lina thinks she has found true love with American punter Sean, but she may be treading a fine line between fantasy and reality. Could Sean be her Prince Charming or will she end up heartbroken? With hard-won access to this notoriously secretive, hidden world, Sexwork, Love & Mr Right will be a revealing and thought-provoking documentary with multiple supporting narratives from experienced punters to wise madams. As streetwise sexworker Lina navigates the highs and lows of her precarious new relationship, the film asks can sexworkers ever really find true love?

An investigation into the nature of the sex trade in Thailand.

Filmmakers Holly Dale and Janis Cole explore the culture of Davie Street, located in the underbelly of Vancouver, where dozens of prostitutes work and live every day. Surprisingly, they find that the sex trade there is stable and largely non-violent, and that the women who work on Davie Street meet daily to discuss safety and health issues and don't use pimps. The film also includes candid interviews with the prostitutes and footage of negotiations with potential clients.