Back to the Drive-in (2022)

コミック作家のクレイは、ボストンの空港から別居中の妻子へ連絡を取るが、充電切れで携帯電話が通話不能となってしまう。やむなく彼が公衆電話に切り替えようとしていると、彼の周囲で携帯電話を使用していた人々が突如狂暴になり、無差別な殺し合いを始める思わぬ事態に。その場をなんとか逃れたクレイは、やがて地下鉄の車掌のトムら、何人かと仲間になり、互いに助け合いながら、妻子の住むニューハンプシャーへと向かう。

Mayhem starts when a gang of bikers is accused of a sadistic rape in a small town.

A nostalgic, informative history of drive-in movie theaters, featuring extensive archival photographs and interviews with Leonard Maltin, John Bloom, Samuel Z. Arkoff, Barry Corbin and many others... Drive-In Movie Memories is a film celebration of America's greatest icon of youth, freedom and the automobile. What began as an auto parts owner's business venture to make some easy money accidentally became a magical place where romance, fun and a sense of community flourished. This film chronicles the drive-in's birth and development, its phenomenal popularity with audiences of all ages, its tragic decline, and its inevitable comeback as a classic form of Americana.

The fate of a washed-up horror actor intersects with a psychotic sniper on a killing spree.

The goings-on at a typical drive-in on a summer night.

[19:30 | 35mm (1.85) | Stereo Sound | 2013] The Broken Altar is a portrait of open-air theaters documented under the strange light of day, emptied of the once present hum of human voices, radioed-in soundtracks and tires on gravel. Scripting the landscape and exploring the residue of a cinematic history, The Broken Altar forms a sculptural treatment of the architectural artifacts of these abandoned and barren spaces: speaker boxes rise from tall grass like grave markers and the screens themselves are monumental, sepulchral in their peeling whiteness.

死んだはずの女友達が悪魔の力で復活！？ 儀式を信じるオカルト集団に追われた男2人が繰り広げる一発逆転劇！ 薬物に溺れて人生崖っぷちの男2人が、おかしな街で奇妙な出来事に巻き込まれていく予想不可能なブラック・コメディ！

A young soldier who was thought to be killed in the line of duty in Vietnam returns home shortly thereafter, much to the confusion of his family. Upon his return, he exhibits strange, withdrawn behavior and begins wandering the streets at night.

In 1974, Terry commits a murder and pins it on his twin brother, Todd. Ten years later, Todd escapes from a mental institution on the same day as Terry’s murderous instincts resurface.

Kim Taylor inherits her grandfather's drive-in theatre. She must raise $25,000 over one weekend or the bank will take the property from her.

Libbie is assigned to her paper's sexual advice column, "Dear Collete". She is taking over the job of Harry a crusty old journalist who shows her the pro's and cons of the job while running on a tight deadline to get the column finished for the morning's paper. During the course of the evening they reply to a wide variety of sexual experiences submitted by the readers, some these include, sex in a threesome at a drive-in theatre, sex in a gymnasium, and sex in a library where the "Silence Please" sign gives the male librarian an advantage over the female readers.

Two police detectives try to catch a serial killer who is stalking a rural California drive-in theater, randomly killing people with a sword.

In the near future, drive-in theatres are turned into concentration camps for the undesirable and unemployed. The prisoners don't really care to escape because they are fed and they have a place to live which is, in most cases, probably better than the outside. Crabs and his girlfriend Carmen are put into the camp and all Crabs wants to do is escape.

It's the closing night at the last drive-in theater in America and Cecil B. Kaufman has planned the ultimate marathon of lost film prints to unleash upon his faithful cinephile patrons. Four films so rare that they have never been exhibited publicly on American soil until this very night! With titles like Wadzilla, I Was a Teenage Werebear, The Diary of Anne Frankenstein, and Zom-B-Movie, Chillerama not only celebrates the golden age of drive-in B horror shlock but also spans over four decades of cinema with something for every bad taste.

A video documentary/road trip that celebrates the drive-in movie theater's impact on the United States, and pays homage to the people who keep the few remaining ones fully operational. Features interviews with horror movie maker John Carpenter, movie critic John I. Bloom (aka "Joe Bob Briggs"), Michael Wallis, author of "Route 66: The Mother Road," and others.

Sola Powers, special agent with Extra Terrestrial Affairs, jumps into action when a drive-in cinema showing a UFO invasion movie is attacked by a real UFO. Sola literally uses all cinematic tools to defeat the ruthless intruders.

A short experimental documentary is filmed at the last drive-in movie theater in Los Angeles, located in a desolate area called the City of Industry. Floating within a backdrop of smokestacks, beacon towers and passing trains, dislocated Hollywood images filled with apocalyptic angst are re-framed and reflected through car windows and mirrors as the displacement of the radio broadcast soundtrack collides with the projections upon and surrounding the multiple screens. In VINELAND, the nocturnal landscape is seen as a border zone aglow with dreamlike illusions revealing overlapping realities at the intersection of nostalgia and alienation.

In Thorold, Ontario in the summer of 1996, a movie legend was made when a real-life tornado hit a drive-in theatre during a screening of Twister. But how much truth really lies inside this tale of life (or weather) imitating art?

Unable to purchase a $50,000 digital projector, a group of film fanatics in rural Pennsylvania fight to keep a dying drive-in theater alive by screening only vintage 35mm film prints and working entirely for free.

A collection of Drive In Movie Intermission ads from the 1950's - 1960's.