Back to the Drive-in (2022)

만화가인 클레이 리델(존 쿠삭)은 공항에서 아내와 통화하던 중 휴대폰에서 흘러나오는 정체 모를 전파에 의해 공항 내에 있는 사람들이 미치광이처럼 날뛰며 서로를 공격하는 끔찍한 광경을 목격한다. 이상한 전파에 노출되지 않은 사람들은 송신탑을 찾아 피난을 떠나고, 클레이는 피난 중 만난 괴짜 무신론자 톰 맥코트(사무엘 L. 잭슨)와 엄마를 잃은 소녀 앨리스(이사벨 퍼만)와 함께 자신의 아내와 아들을 구하기 위해 미쳐버린 세상 속으로 뛰어드는데… 과연, 클레이는 멸망 끝에 있는 세상에서 아내와 아들을 만날 수 있을까?

Mayhem starts when a gang of bikers is accused of a sadistic rape in a small town.

A nostalgic, informative history of drive-in movie theaters, featuring extensive archival photographs and interviews with Leonard Maltin, John Bloom, Samuel Z. Arkoff, Barry Corbin and many others... Drive-In Movie Memories is a film celebration of America's greatest icon of youth, freedom and the automobile. What began as an auto parts owner's business venture to make some easy money accidentally became a magical place where romance, fun and a sense of community flourished. This film chronicles the drive-in's birth and development, its phenomenal popularity with audiences of all ages, its tragic decline, and its inevitable comeback as a classic form of Americana.

텍사스의 저격 살인범 찰스원을 모델로 한 톰슨은 단정하고 정상적이고 건전한 청년이지만 총기에 매혹되어 있다는 문제가 있다. 그는 자동차 뒤에 작은 무기고를 차려 늘 가지고 다닌다. 카메라를 톰슨의 소규모 전선 뒤에 배치한 이 영화도 바로 그 집착위에서 움직인다.

The goings-on at a typical drive-in on a summer night.

[19:30 | 35mm (1.85) | Stereo Sound | 2013] The Broken Altar is a portrait of open-air theaters documented under the strange light of day, emptied of the once present hum of human voices, radioed-in soundtracks and tires on gravel. Scripting the landscape and exploring the residue of a cinematic history, The Broken Altar forms a sculptural treatment of the architectural artifacts of these abandoned and barren spaces: speaker boxes rise from tall grass like grave markers and the screens themselves are monumental, sepulchral in their peeling whiteness.

A pair of slackers get in way over their heads when they try to dump the body of a dead girlfriend in the basement of a drive-in movie theater where a satanic cult performs ritual sacrifices.

A young soldier who was thought to be killed in the line of duty in Vietnam returns home shortly thereafter, much to the confusion of his family. Upon his return, he exhibits strange, withdrawn behavior and begins wandering the streets at night.

토드와 테리는 쌍둥이 형제다. 부모를 따라 자동차 극장에서 영화를 보다가 부모가 잠시 한눈 판 사이에 테리가 나와서 카섹스를 즐기던 청춘남녀에게 도끼로 무차별 학살하고 난 후 피 묻은 도끼를 토드에게 넘겨주어 어린 토드는 졸지에 살인 누명을 쓰고 10년 동안 정신병원에 감금된다​. 10년 후 토드가 정신병원을 탈출했다는 소식이 들려오는 가운데 테리와 친구들은 파티를 즐기고 있고 이 와중에 테리가 어린 시절의 잔인성이 다시 나오면서 친구들을 차례 차례로 살해하고 다시 토드에게 누명을 씌울려고 하는데...

Kim Taylor inherits her grandfather's drive-in theatre. She must raise $25,000 over one weekend or the bank will take the property from her.

Libbie is assigned to her paper's sexual advice column, "Dear Collete". She is taking over the job of Harry a crusty old journalist who shows her the pro's and cons of the job while running on a tight deadline to get the column finished for the morning's paper. During the course of the evening they reply to a wide variety of sexual experiences submitted by the readers, some these include, sex in a threesome at a drive-in theatre, sex in a gymnasium, and sex in a library where the "Silence Please" sign gives the male librarian an advantage over the female readers.

Two police detectives try to catch a serial killer who is stalking a rural California drive-in theater, randomly killing people with a sword.

In the near future, drive-in theatres are turned into concentration camps for the undesirable and unemployed. The prisoners don't really care to escape because they are fed and they have a place to live which is, in most cases, probably better than the outside. Crabs and his girlfriend Carmen are put into the camp and all Crabs wants to do is escape.

4인의 감독이 보여주는 코믹 호러 옴니버스. 질펀한 B 호러 팬이라면 놓치지 말 것. 한 시골마을 자동차 극장이 폐업 전 마지막 날, 희귀한 고전 영화 4편을 상영한다. 괴물 정자 <와질라>, 남자만 사랑하는 <웨어 베어>, 안네의 일기를 쓴 <안네 프랑켄쉬타인>, 현실이 된 <좀비 영화>. (2012년 제16회 부천국제판타스틱영화제)

A video documentary/road trip that celebrates the drive-in movie theater's impact on the United States, and pays homage to the people who keep the few remaining ones fully operational. Features interviews with horror movie maker John Carpenter, movie critic John I. Bloom (aka "Joe Bob Briggs"), Michael Wallis, author of "Route 66: The Mother Road," and others.

Sola Powers, special agent with Extra Terrestrial Affairs, jumps into action when a drive-in cinema showing a UFO invasion movie is attacked by a real UFO. Sola literally uses all cinematic tools to defeat the ruthless intruders.

A short experimental documentary is filmed at the last drive-in movie theater in Los Angeles, located in a desolate area called the City of Industry. Floating within a backdrop of smokestacks, beacon towers and passing trains, dislocated Hollywood images filled with apocalyptic angst are re-framed and reflected through car windows and mirrors as the displacement of the radio broadcast soundtrack collides with the projections upon and surrounding the multiple screens. In VINELAND, the nocturnal landscape is seen as a border zone aglow with dreamlike illusions revealing overlapping realities at the intersection of nostalgia and alienation.

In Thorold, Ontario in the summer of 1996, a movie legend was made when a real-life tornado hit a drive-in theatre during a screening of Twister. But how much truth really lies inside this tale of life (or weather) imitating art?

Unable to purchase a $50,000 digital projector, a group of film fanatics in rural Pennsylvania fight to keep a dying drive-in theater alive by screening only vintage 35mm film prints and working entirely for free.

A collection of Drive In Movie Intermission ads from the 1950's - 1960's.