Jusqu'ici, tout va (2022)

銀幕のセックス・シンボルと謳われ、謎の死を遂げた大スター、マリリン・モンローの知られざる恋愛秘話を映画化。ミシェル・ウィリアムズ演じるマリリンが、『王子と踊り子』撮影中に、第3助監督と恋に落ちる姿を描く。

Italy, 1970. An increasing legion of harmless warriors begins a peaceful struggle for sexual freedom through pornography, shaking and shocking religious authorities and conservative political institutions. They are ironic, happy, crazy. They are dreamers, defenders of definitive communion between body and soul. But they were censored and humiliated. They were mistreated and arrested for demanding loud a new cultural renaissance.

Spain, 1970s. A Clockwork Orange, a film considered by critics and audiences as one of the best works in the history of cinema, directed by Stanley Kubrick and released in 1971, was banned by the strict Franco government. However, the film was finally premiered, without going through censorship, during the 20th edition of the Seminci, the Valladolid Film Festival, on April 24, 1975. How was this possible?

心身ともに疲弊した映画監督が昔を回想し、記憶の旅を繰り広げていく。スペインの世界的名匠、ペドロ・アルモドバル監督がアントニオ・バンデラス主演で放った自伝的作品。ペネロペ・クルスが特別出演している。

Hawaii, May 1977. After the success of Star Wars, George Lucas and Steven Spielberg meet to find a new project to work on together, the former as producer, the latter as director. The story of how the charismatic archaeologist Indiana Jones was born and how his first adventure, released in 1981, triumphed at box offices around the world.

A group of college students, led by Claudia, decide to investigate a local tower that has figured prominently in disturbing reoccurring dreams Claudia has been having. They are suspended from school for their antics, but Claudia learns from one of the female staff members that the person in the dream is a student who killed herself years before and that the headmistress has seen her ghost.

The fantastic story of how an ancient martial art, Chinese kung fu, conquered the world through the hundreds of films that were produced in Hong Kong over the decades, transformed Western action cinema and inspired the birth of cultural movements such as blaxploitation, hip hop music, parkour and Wakaliwood cinema.

Movie stars and members of the film industry make fun of several narrative and visual clichés that are as shocking and aesthetic as they are often truly ridiculous.

On a dark and rainy night, a historic and regal Taipei cinema sees its final film: 1967 martial arts feature "Dragon Inn". As the film plays, the lives of the theater's various employees and patrons intersect, and two ghostly actors arrive to mourn the passing of an era.

Deep Throat, a pornographic film directed by Gerard Damiano, a film-loving hairdresser, and starring Linda Lovelace, a shy girl manipulated by a controlling husband, was released in 1972 and divided audiences, who began to talk openly about sex, desire and female pleasure; but also about violence and abuse; and about pornography, until then an almost clandestine industry, as a revolutionary cultural phenomenon.

Hollywood, 1930s. Tod Hackett, a young painter who tries to make his way as an art director in the lurid world of film industry, gets infatuated with his neighbor Faye Greener, an aspiring actress who prefers the life that Homer Simpson, a lone accountant, can offer her.

A mostly true account of future Hollywood star Errol Flynn's sea adventures in the early thirties, sailing from Australia to Papua in search of gold, along with his best friend Rex, a former Canadian smuggler; Dook, a handy English gentleman; and Charlie, a grumpy old sailor.

This feature-length documentary delves into the trilogy, opening with the inspiration and vision for the new Batman films and inching its way toward the Rises finale and the culmination of nearly a decade of creative blood, sweat and tears. Candid, thoughtful and extensive, and comprised of revealing behind-the-scenes footage, countless interviews, audition tapes (with Christian Bale and Cillian Murphy doning the cape and cowl), and a narrative grip and momentum all its own, it leaves no stone unturned.

A hilarious introduction, using as examples some of the best films ever made, to some of Slovenian philosopher and psychoanalyst Slavoj Žižek's most exciting ideas on personal subjectivity, fantasy and reality, desire and sexuality.

A journey into the labyrinthine heart of ideology, which shapes and justifies both collective and personal beliefs and practices: with an infectious zeal and voracious appetite for popular culture, Slovenian philosopher and psychoanalyst Slavoj Žižek analyzes several of the most important films in the history of cinema to explain how cinematic narrative helps to reinforce prevailing ethics and political ideas.

Likely in June 1897, a group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

In the sixties, Swedish filmmaker Ingmar Bergman (1918-2007) built a house on the remote island of Fårö, located in the Baltic Sea, left Stockholm and went to live there. When he died, the house was preserved. A group of very special cinephiles, came from all over the world, travel to Fårö in search of the genius and his legacy. (An abridged version of Bergmans video, 2012.)

In 1939, boy-wonder Orson Welles leaves New York, where he has succeeded in radio and theater, and, hired by RKO Pictures, moves to Hollywood with the purpose of making his first film.

The Amazon rain forest, 1979. The crew of Fitzcarraldo (1982), a film directed by German director Werner Herzog, soon finds itself with problems related to casting, tribal struggles and accidents, among many other setbacks; but nothing compared to dragging a huge steamboat up a mountain, while Herzog embraces the path of a certain madness to make his vision come true.

A personal and captivating account of the extraordinary life and work of Ingrid Bergman (1915-82), a young Swedish woman who became one of the most celebrated actresses in world cinema.