Lisandro Alonso

From first love to first divorce, Romina and Flor experience different stages of their lives together, in Argentinian director Constanza Novick's exploration of friendship between women.

From first love to first divorce, Romina and Flor experience different stages of their lives together, in Argentinian director Constanza Novick's exploration of friendship between women.

A father and daughter journey from Denmark to an unknown desert that exists in a realm beyond the confines of civilization.

A father and daughter journey from Denmark to an unknown desert that exists in a realm beyond the confines of civilization.

Lisandro Alonso returns to La Pampa, to the same locations of Freedom, to shoot his Carta para Serra (or Sin título), with a camera that seems to float among the vegetation. He has the company of Misael Saavedra, and yet instead of looking back (or making a tribute to his actors, because that was the subject in Fantasma) this movie seeks to be a prologue for his next one.

Lisandro Alonso creates a face-to-face encounter with the wild in the beguiling and enigmatic, a moment observed in a seemingly floating abyss.

The exhibition 'The Complete Letters' features epistolary works defined by cinematographic creation. This is an experimental communication format used between pairs of film directors. Although each director is situated in a location geographically distant from that of their partner, they are united by their willingness to share ideas and reflections on all that motivates their work. Within this space of freedom, the directors featured in the exhibition examine their affinities and differences, within an environment of mutual respect and simultaneity of interests and with notable formal variants established in each of the correspondences.

The exhibition 'The Complete Letters' features epistolary works defined by cinematographic creation. This is an experimental communication format used between pairs of film directors. Although each director is situated in a location geographically distant from that of their partner, they are united by their willingness to share ideas and reflections on all that motivates their work. Within this space of freedom, the directors featured in the exhibition examine their affinities and differences, within an environment of mutual respect and simultaneity of interests and with notable formal variants established in each of the correspondences.

A sailor takes a short leave to visit his hometown and see if his mother is still alive.

A sailor takes a short leave to visit his hometown and see if his mother is still alive.

A sailor takes a short leave to visit his hometown and see if his mother is still alive.

A solitary man's only pastime is to go to a movie theatre, the Teatro San Martín, on Corrientes Avenue in Buenos Aires. There he exorcises his ghosts.

A solitary man's only pastime is to go to a movie theatre, the Teatro San Martín, on Corrientes Avenue in Buenos Aires. There he exorcises his ghosts.

A solitary man's only pastime is to go to a movie theatre, the Teatro San Martín, on Corrientes Avenue in Buenos Aires. There he exorcises his ghosts.

A solitary man's only pastime is to go to a movie theatre, the Teatro San Martín, on Corrientes Avenue in Buenos Aires. There he exorcises his ghosts.

Vargas, a 54 year old man, gets out of jail in the province of Corrientes, Argentina. Once released, he wants to find his now adult daughter, who lives in a swampy and remote area. A deep mystery surrounds him.

Vargas, a 54 year old man, gets out of jail in the province of Corrientes, Argentina. Once released, he wants to find his now adult daughter, who lives in a swampy and remote area. A deep mystery surrounds him.

Vargas, a 54 year old man, gets out of jail in the province of Corrientes, Argentina. Once released, he wants to find his now adult daughter, who lives in a swampy and remote area. A deep mystery surrounds him.

Filmed in digital by Juan Manuel Seoane, this documentary explores the shooting of "Los Muertos" by Lisandro Alonso through a montage of raw recordings where no one talks to or explains anything to the camera. Editing by Delfina Castagnino and Lisandro Alonso. (FILMAFFINITY)

Zapa is a locksmith in a quiet and little town lost somewhere in the province of Buenos Aires. The work is quite slow, and hours seem to pass slowly. Polaco, the owner of the shop, sends him on a job that consists of opening a safe at an office. The next day, Zapa is imprisoned for being responsible of robbing the place. Ismael, his uncle, a retired policeman, bails him out and sends him to Buenos Aires. Zapa becomes an aspiring officer in the Buenos Aires Police. He gets to his new home city, takes the instructional course, works at a precinct, has a love affair with a teacher and starts to see his life turn into a strange fiction.

A woodcutter goes about his work.

A woodcutter goes about his work.

A woodcutter goes about his work.

A woodcutter goes about his work.

A woodcutter goes about his work.

A woodcutter goes about his work.

A German baroness and her ailing husband arrive at a mansion in the middle of the countryside in Argentina in the decade of the 30s.

Two boys are sitting on the street, drinking alcohol and talking.

Two boys are sitting on the street, drinking alcohol and talking.

Two boys are sitting on the street, drinking alcohol and talking.

In 1870, four different stories happen in four different places in the world.

In 1870, four different stories happen in four different places in the world.