Dounia Sichov

On an impulse to reconnect with her origins, Freddie, 25, returns to South Korea for the first time, where she was born, before being adopted and raised in France. The headstrong young woman starts looking for her biological parents in a country she knows so little about, taking her life in new and unexpected directions.

In 2022, Mantas Kvedaravičius went back to Ukraine, Mariupol, at the heart of the war, to be with the people he had met and filmed in 2015. Following his death, his producers and collaborators have put all their strength into continuing transmitting his work, his vision and his films. Also a PhD in anthropology, Mantas Kvedaravičius wished to testify as a filmmaker as far as possible from the agitation of the media and the politicians. With huge force and sensitivity, Mariupolis 2 depicts life as it continues amidst the bombing and reveals images that convey both tragedy and hope.

In a countryside house where they are meant to explore the troubles in their sexuality, three women spend days and nights apprehending their inner demons. A serene German therapist and a kind-hearted social worker supervise them, help them and try to maintain the fragile balance of the group. During 26 days, in the midst of summer, Geisha, Léonie and Eugénie will have to refrain from breaking down, tame the whispers from present times and consider the future.

Dainius, a young rock singer, locks himself away in a secluded country house surrounded by swamps. Hoping to meet his beloved in dreamland, the musician is eagerly assisted in his studies by a local boy exploited by moonshiners.

Called to Rome to stop an imminent terrorist bombing, a soldier desperately seeks news of his imprisoned brother — a rebel with knowledge that could thwart the attack. Navigating the capital's darkened streets, he races to a series of ominous encounters to keep the Vatican from being blown to bits.

Cancer appeared one morning on her right breast and suddenly life became fragile and precious. A filmmaker decided to chronicle time passing, with all its beautiful simplicity. The film diary of a family, pieces of an Argentinian fiction film that wants to be completed, a tumor that dreams to be loved, two hunters looking for something to kill. The film glides between reality and fiction as the filmmaker tries to grasp the essence of his passing life.

Vikken is transgender. He’s about to take hormones for the first time. He records his voice that will disappear, and summons the figures of the past from all over the world for an intimate dialogue with himself.

Vikken is transgender. He’s about to take hormones for the first time. He records his voice that will disappear, and summons the figures of the past from all over the world for an intimate dialogue with himself.

Vikken is transgender. He’s about to take hormones for the first time. He records his voice that will disappear, and summons the figures of the past from all over the world for an intimate dialogue with himself.

Clint is a dead man who lives alone in a frozen tundra. However, this isolation cannot bring either evasion or peace. One night, he begins a journey where he must confront his dreams, memories, and visions, crossing the darkness into the light.

A documentary about the concrete sections of the Berlin Wall that have been acquired by institutions or individuals since 1989 and are now scattered across the USA. Cherished or abandoned, they have become silent witnesses to recent history.

Following the death of her two children, Isadora Duncan created the solo Mother in which a mother cradles her child in a moment of extreme tenderness, then lets it go. A century later, four women encounter this heart-rending dance.

In a cheap brothel at the foothills of an Athenian fortress, a man recounts the magnificent events of his life. His search for love and glory is retold and relived by many: a prostitute with an unredeemable past, a gangster haunted by bad luck, an icon painter who has no faith - In one of the stories, the man finds his riches, in another he becomes a vagabond prophet, in yet another he returns home to his wife. Memories betray him, but he knows for sure that in one of these lives, he will be killed.

A devoted but underappreciated housewife's brief taste of autonomy as a mall cleaner (where she is a popular, model employee) is threatened by pending layoffs.

Abel Ferrara headlines a film retrospective and a series of concerts in France dedicated to songs and music from his films. Preparations with his family and friends will form the material of this self portrait, showing another side of the director of legendary films BAD LIEUTENANT, THE KING OF NEW YORK and THE ADDICTION. Ferrara is joined on stage by past collaborators, including composer Joe Delia, actor-singer Paul Hipp and his wife actress Cristina Chiriac for concerts at the Metronum in Toulouse and the Salo Club in Paris in October 2016.

With the collapse of the Soviet Union, Buran, the Soviet response to the NASA space shuttle programme, during the Cold War, was discontinued. Twenty-five years on, a photographer found one prototype of the five that were built, in an abandoned hangar of the Russian launch site in Kazakhstan. The Buran that made the programme's only orbital flight is no more, but nine-year-old Leo is convinced that someone hid it, somewhere in Siberia, and that he will find it. With Elizabeth, he rummages through satellite images, travelling the world in search of traces of the vessel, all without leaving the French seaside, where he spends his holidays. What they need is someone who helps find lost objects. A Siberian tiger will steer them in the right direction. This is a treasure hunt that blurs the limits between imagination and reality and whose sense of urgency contrasts with the long indolent Summer days.

Jean-François, Ronald, Alexis, Cédric, Benoit and Maxim are gladiators of modern times. From the strongman to the top-class bodybuilder, to the veteran who has become a trainer, they all share the same definition and obsession with overcoming their limitations. They are waiting for the next competition, working hard in the gym and following extreme diets.

Rokas and Inga, a couple of young Lithuanians, volunteer to drive a cargo van of humanitarian aid to Ukraine. They cross the vast snowy lands of the Donbass region, drifting into the lives of those affected by the war.

An English mother and her teenage son spend a week preparing the sale of their remote holiday house in the South of France. Fifteen-year-old Elliot struggles with his dawning sexuality and an increasing alienation from his mother, Beatrice. She in turn is confronted by the realisation that her marriage to his father, Philip, has grown loveless and the life she knows is coming to an end. When an enigmatic local teenager, Clément, quietly enters their lives, both mother and son are compelled to confront their desires and, finally, each other.

Living somewhere in present-day Quebec, Boris Malinowski has achieved all his goals. A freethinker, open-minded and proud, he also displays a certain arrogance when it comes to his successes. For some time now, his wife Béatrice, a Canadian government minister, has been bedridden, suffering from a mysterious depression. To escape from his wife’s agony, Boris begins a relationship with a colleague, Helga, and gets close to Klara, a young woman who works as a maid in Boris’s home. The sudden appearance of a stranger in his life forces Boris to come face-to-face with the world, with everything he takes for granted, with all his certainties.

In high summer, Sasha suddenly dies. Her death brings two virtual strangers, her boyfriend Lawrence and sister Zoé, closer together, sharing their grief and the burden of their loss in Berlin, Paris and New York.

We are with Pasolini during the last hours of his life, as he talks with his beloved family and friends, writes, gives a brutally honest interview, shares a meal with Ninetto Davoli, and cruises for the roughest rough trade in his gun-metal gray Alfa Romeo. Over the course of the action, Pasolini’s life and his art (represented by scenes from his films, his novel-in-progress Petrolio, and his projected film Porno-Teo-Kolossal) are constantly refracted and intermingled to the point where they become one.

The renowned French Magnum photographer - again and always - uses his sublime camera and whole being to reveal a parallel world of prostitution and drugs, punctuated by exhausted bodies and lost souls in Cambodia, Russia and India. Disturbing surely, but also transcendental.

In cities like Paris there are countless people from Eastern Europe who have forsaken their homelands because they can see no future there. Lucia and her little daughter Marussia are two such people. They have been thrown out by the Russian acquaintances they were staying with and must tramp the streets with their trolley suitcases searching for somewhere else to live. A Russian Orthodox priest offers them their first night's shelter. They spend the second night in a homeless hostel and party through the third with a chance acquaintance. On the fourth night they sleep clandestinely in a cinema and on the fifth with a Russian artist in a hotel … Lucia is good-looking, dresses elegantly and is certainly not shy of men. This serves the mother and her daughter well. In spite of all the uncertainties in their lives, the two frequently share tender moments.

August in Paris' suburbs, seven friends are gathered to spend a week in the city where they grew up. The city is empty and the days pass by under a deep blue sky. Each of them has a reason to be there: some still live there, some come back to see their family, some are searching their childhood, some want to escape boredom or eventually searching for love. They are all bearing the fact that these moments they are sharing are maybe the last ones.

ある国の国王と王妃の間に生まれた美しい姫アナスタシアに、魔女が16歳で死ぬという魔法をかける。しかし、3人の妖精たちが魔法をかけ直し、アナスタシアは長い眠りのあと16歳で目覚めることに。深い眠りについたアナスタシアは、100年の間、夢の中で冒険を繰り広げていた。そして、やがて目覚めた16歳のアナスタシアはハンサムな青年と出会い……。＜シャルル・ペロー原作「眠れる森の美女」とアンデルセン原作「雪の女王」の二つの童話を題材に、長い眠りから目覚めた16歳の美しい姫と青年の愛をエロチックに描く官能映画。カトリーヌ・ブレイヤ監督が、童話では語られない少女のその後の禁断の世界を映し出す。誰もが知る童話の大胆なアレンジ、感受性豊かで美しい性描写など、ブレイヤ監督だからこその演出手腕が光る。＞