Dounia Sichov

Uma coreana que foi criada na França retorna à Coreia do Sul pela primeira vez. Ela decide procurar seus pais biológicos, mas sua jornada toma um rumo surpreendente.

In 2022, Mantas Kvedaravičius went back to Ukraine, Mariupol, at the heart of the war, to be with the people he had met and filmed in 2015. Following his death, his producers and collaborators have put all their strength into continuing transmitting his work, his vision and his films. Also a PhD in anthropology, Mantas Kvedaravičius wished to testify as a filmmaker as far as possible from the agitation of the media and the politicians. With huge force and sensitivity, Mariupolis 2 depicts life as it continues amidst the bombing and reveals images that convey both tragedy and hope.

In a countryside house where they are meant to explore the troubles in their sexuality, three women spend days and nights apprehending their inner demons. A serene German therapist and a kind-hearted social worker supervise them, help them and try to maintain the fragile balance of the group. During 26 days, in the midst of summer, Geisha, Léonie and Eugénie will have to refrain from breaking down, tame the whispers from present times and consider the future.

Dainius, a young rock singer, locks himself away in a secluded country house surrounded by swamps. Hoping to meet his beloved in dreamland, the musician is eagerly assisted in his studies by a local boy exploited by moonshiners.

Um soldado americano estacionado em Roma com o Vaticano explodido embarca numa viagem de herói para descobrir e defender-se contra um inimigo desconhecido que ameaça o mundo inteiro.

Cancer appeared one morning on her right breast and suddenly life became fragile and precious. A filmmaker decided to chronicle time passing, with all its beautiful simplicity. The film diary of a family, pieces of an Argentinian fiction film that wants to be completed, a tumor that dreams to be loved, two hunters looking for something to kill. The film glides between reality and fiction as the filmmaker tries to grasp the essence of his passing life.

Vikken is transgender. He’s about to take hormones for the first time. He records his voice that will disappear, and summons the figures of the past from all over the world for an intimate dialogue with himself.

Vikken is transgender. He’s about to take hormones for the first time. He records his voice that will disappear, and summons the figures of the past from all over the world for an intimate dialogue with himself.

Vikken is transgender. He’s about to take hormones for the first time. He records his voice that will disappear, and summons the figures of the past from all over the world for an intimate dialogue with himself.

Clint, um homem atormentado pelo passado, decide se isolar em uma casa nas montanhas. Nesse ambiente frio e hostil, ele vive sozinho e, em alguns raros momentos, interage com viajantes e nativos que não falam seu idioma e que visitam sua cafeteria. O isolamento, porém, não é o bastante para que Clint encontre paz. Certa noite, confrontando seus problemas, ele acaba embarcando em uma viagem interna por meio de sonhos, memórias e delírios. Em Sibéria, Abel Ferrara repete sua parceria com o ator Willem Dafoe. Juntos, eles voltam a explorar a intimidade e as aflições do homem, como fizeram em Tommaso (2019) e Pasolini (2014), mas de uma forma mais mítica e lúdica.

A documentary about the concrete sections of the Berlin Wall that have been acquired by institutions or individuals since 1989 and are now scattered across the USA. Cherished or abandoned, they have become silent witnesses to recent history.

Em abril de 1913, depois da morte de seus dois filhos, a dançarina Isadora Duncan cria um solo de despedida, intitulado "Mãe". O espetáculo apresenta uma mãe embalando o filho pela última vez antes de deixá-lo ir. Um século depois, quatro mulheres conhecem esta dança comovente.

In a cheap brothel at the foothills of an Athenian fortress, a man recounts the magnificent events of his life. His search for love and glory is retold and relived by many: a prostitute with an unredeemable past, a gangster haunted by bad luck, an icon painter who has no faith - In one of the stories, the man finds his riches, in another he becomes a vagabond prophet, in yet another he returns home to his wife. Memories betray him, but he knows for sure that in one of these lives, he will be killed.

A devoted but underappreciated housewife's brief taste of autonomy as a mall cleaner (where she is a popular, model employee) is threatened by pending layoffs.

Abel Ferrara headlines a film retrospective and a series of concerts in France dedicated to songs and music from his films. Preparations with his family and friends will form the material of this self portrait, showing another side of the director of legendary films BAD LIEUTENANT, THE KING OF NEW YORK and THE ADDICTION. Ferrara is joined on stage by past collaborators, including composer Joe Delia, actor-singer Paul Hipp and his wife actress Cristina Chiriac for concerts at the Metronum in Toulouse and the Salo Club in Paris in October 2016.

With the collapse of the Soviet Union, Buran, the Soviet response to the NASA space shuttle programme, during the Cold War, was discontinued. Twenty-five years on, a photographer found one prototype of the five that were built, in an abandoned hangar of the Russian launch site in Kazakhstan. The Buran that made the programme's only orbital flight is no more, but nine-year-old Leo is convinced that someone hid it, somewhere in Siberia, and that he will find it. With Elizabeth, he rummages through satellite images, travelling the world in search of traces of the vessel, all without leaving the French seaside, where he spends his holidays. What they need is someone who helps find lost objects. A Siberian tiger will steer them in the right direction. This is a treasure hunt that blurs the limits between imagination and reality and whose sense of urgency contrasts with the long indolent Summer days.

Jean-François, Ronald, Alexis, Cédric, Benoit and Maxim are gladiators of modern times. From the strongman to the top-class bodybuilder, to the veteran who has become a trainer, they all share the same definition and obsession with overcoming their limitations. They are waiting for the next competition, working hard in the gym and following extreme diets.

O filme conta a história de Rokas, um jovem da Lituânia, que nunca viveu a guerra, mas cresceu à sombra dela. Transportando um caminhão de ajuda humanitária de Vilnius para a Ucrânia, ele entra numa viagem de descoberta e sacrifício, cruzando fronteiras entre países, entre pessoas.

Uma mãe e seu filho vão ao sul da França passar uma semana em uma casa de verão que estão tentando vender. Neste cenário, a desintegração da família toma forma e as coisas tornam-se mais complicadas com a entrada de um enigmático rapaz na vida dos dois.

Living somewhere in present-day Quebec, Boris Malinowski has achieved all his goals. A freethinker, open-minded and proud, he also displays a certain arrogance when it comes to his successes. For some time now, his wife Béatrice, a Canadian government minister, has been bedridden, suffering from a mysterious depression. To escape from his wife’s agony, Boris begins a relationship with a colleague, Helga, and gets close to Klara, a young woman who works as a maid in Boris’s home. The sudden appearance of a stranger in his life forces Boris to come face-to-face with the world, with everything he takes for granted, with all his certainties.

Sasha (Stéphanie Daub-Laurent), uma jovem francesa de 30 anos, morre subitamente na cidade de Berlim, onde vivia com o namorado, Lawrence (Anders Danielsen Lie). Nesse momento de perda, a família e o namorado estão devastados. O trágico evento acaba unindo dois estranhos: o namorado Lawrence e a irmã, Zoé (Judith Chemla).

Um olhar caleidoscópico sobre o último dia do cineasta italiano Pier Paolo Pasolini, em 1975.

The renowned French Magnum photographer - again and always - uses his sublime camera and whole being to reveal a parallel world of prostitution and drugs, punctuated by exhausted bodies and lost souls in Cambodia, Russia and India. Disturbing surely, but also transcendental.

In cities like Paris there are countless people from Eastern Europe who have forsaken their homelands because they can see no future there. Lucia and her little daughter Marussia are two such people. They have been thrown out by the Russian acquaintances they were staying with and must tramp the streets with their trolley suitcases searching for somewhere else to live. A Russian Orthodox priest offers them their first night's shelter. They spend the second night in a homeless hostel and party through the third with a chance acquaintance. On the fourth night they sleep clandestinely in a cinema and on the fifth with a Russian artist in a hotel … Lucia is good-looking, dresses elegantly and is certainly not shy of men. This serves the mother and her daughter well. In spite of all the uncertainties in their lives, the two frequently share tender moments.

August in Paris' suburbs, seven friends are gathered to spend a week in the city where they grew up. The city is empty and the days pass by under a deep blue sky. Each of them has a reason to be there: some still live there, some come back to see their family, some are searching their childhood, some want to escape boredom or eventually searching for love. They are all bearing the fact that these moments they are sharing are maybe the last ones.

On the heels of the mesmeric “Bluebeard” comes this wonderfully idiosyncratic, heady and erotic exploration of another classic Charles Perrault fairy tale by French cinema’s endlessly probing and brilliant provocateuse. Time-tripping with a truly precocious heroine, we follow a once-cursed six-year-old princess as she awakens a century later at the ripe old age of 16.