Silvana Bezzola Rigolini

In 2022, an exhibition on the Swiss painter-sculptor Flavio Paolucci was planned in a German museum. The museum had reserved a white wall on which the artist was to create a work. Everything was ready, but the pandemic prevented the 88-year-old artist from travelling. So Flavio Paolucci had the idea of creating this mural in his studio and then destroying it.

When filmmaker Elettra Fiumi inherited her father Fabrizio Fiumi’s archives, she discovered a man she knew nothing about. Fabrizio, along with the group of radical architects called 9999, imagined architectural innovations and anticipated a future that is still forthcoming. He was also founder of the Florence Film Festival. In coming to know her father, Fiumi unveils a visionary genius we don’t know enough about.

The story of the life, loves and work of US writer Patricia Highsmith (1921-95), told through her unpublished diaries, her own voice and that of those who knew her, both family and close friends.

A promising Italian cartoonist lands in Buenos Aires in 1950, with the dream of reaching the United States, to discover that, for him, America will be Argentina. The country immediately overwhelms him with its massive economic boom and a cultural scene among the most vibrant in the world. We are at the dawn of Argentina's most delirious decade, and the young immigrant feels that the vast promise of this country is within his grasp. His name will indeed make itself known: Hugo Pratt.

Only a Child is an omnibus animation short that gives shape and colour to Severn Suzuki's original speech at the UN Summit in Rio (1992): a child's desperate call to action for our planet's future.

Daniel Kemény returns twenty years later to the place of his childhood, the village of Pietrapaola in Calabria. In search of lost time, the filmmaker collects musical accounts, brings together their protagonists and gives these memories a new life, thus playing the generous transmitter who helps keep alive the oral history of a world whose popular traditions are dying off.

The film tells of the radical life-search by the Swiss writer Paul Nizon, born 1929 in Bern, Switzerland, who became what “he was meant to be” in Paris. Now 90-year-old, Paul Nizon grants insights into his life and work in a self-ironic, direct manner. The intimate portrait of a great literary outsider emerges, for whom the risk of life and the risk of writing merge into one and the same work of art.

The outbreak of the economic crisis in Spain led thousands of horses (a symbol of prestige in the years of plenty for nouveau-riches) to be abandoned by their owners. On the southeastern coast of Spain, a 45-year-old British woman, aided by her volunteer helpers, has set up a rescue farm; a modern-day Noah’s Arc that offers refuge and healing to undernourished and tortured horses (and other animals). A humble yet noble tale of perseverance and endurance and a parable for our times, which applies to people as well: once our shine comes off, society deems us redundant.

A film about the Swiss Italian poet Fabio Pusterla and his creative poetic process, his struggle to find an honest language, one which adheres to the personal experience and is able to unfold a hidden truth that creates a strong and profound bond with the other, with his public.

Impaired vision-friendly documentary about blindness.

By coincidence rather than by design, the Swiss chemist Albert Hofmann makes a sensational discovery in the spring of 1943. He realizes that he is dealing with a powerful molecule that will have an impact that reaches far beyond the scientific world. THE SUBSTANCE is an investigation into our troubled relationship with LSD, told from its beginnings to today.