Agnès Delahaie

参加作品

The Second Twin
Producer
Middle-aged attorney Pierre falls for a young woman who dances in a discotheque to work her way through medical school. The lovestruck lawyer can't bring himself to leave his wife over the young woman. When the dancer's wealthy suitor is murdered, Pierre is accused of the crime.
ジャンヌ・ダルク裁判
Producer
1431年、百年戦争の最中、ノルマンディーのルーアン(Rouen)。オルレアンの乙女 "ジョーン・オブ・アークは、敵対するフランス軍に捕らえられ、敵であるイギリス軍が監督する教会裁判所で不当な裁判にかけられる。
スリ
Producer
貧しい大学生ミシェルは、ふとしたきっかけで、自分にスリの才能があることを発見する。一度は刑事に捕まったものの、証拠不十分で釈放されるや、再び他人の財布を狙い出す。やがてその手口は、仲間を引き込んだ組織的なものになっていった……。「抵抗」では“脱獄”をリアルにスリリングに描いたR・ブレッソンが、今度はその焦点を“スリ”に当てた作品で、実際の手口を紹介しながら、人間不信の孤独な青年の姿を描く。素人ばかりの出演者から生まれるリアリティと、様々なスリの描写によって生み出されるサスペンスが混然となった迫真の傑作だ。
End of Desire
Producer
Normandy, second half of the nineteenth century. Jeanne Dandieu lives in a manor house with her parents and their servant Rosalie. She gets to know Julien, a handsome man, whom she soon marries. Her happiness is short-lived as she finds out that not only has Julien married her for her money but he cheats on her as well, with Rosalie to crown it all.
居酒屋
Producer
自然主義文学の傑作といわれるエミール・ゾラの小説を、クレマンが忠実に映画化。19世紀の半ばのパリの裏町、主人公のジェルヴェーズは内縁の夫に裏切られ、屋根職人と所帯を持つ。しかしその後、彼は事故に遭い、家計は彼女が洗濯屋の仕事で支えることになる。アル中となった亭主は先夫を同居させ、二人のヨリが戻っても平静に見えたが……。
Three Women
Coralie Cachelin (segment "Héritage, L'")
The short stories of Guy de Maupassant enjoyed a renaissance in the early 1950s, thanks in great part to the Max Ophuls production Le Plaisir. In Trois Femmes, three De Maupassant stories are dramatized, each conveying the central theme of women falling in love. In the first, a black female carnival entertainer causes an uproar when she falls in love with a white soldier. In the second, a young bride is pressured into having a baby to collect a huge inheritance. And in the final episode, a pregnant girl is "adopted" and protected by a small circle of friends. In standard De Maupassant fashion, each of the three stories in Trois Femmes is capped by a surprise twist.
Justice Is Done
Nicole Vaudrémont dite Yvonne
Elsa Lundenstein is accused of having murdered her lover. The jury discusses the case vividly. All members are somehow prejudiced because of personal life experience and subsequently each member reads something different into the presented facts.