Agnès Delahaie

Filmes

Amante Infiel
Producer
Middle-aged attorney Pierre falls for a young woman who dances in a discotheque to work her way through medical school. The lovestruck lawyer can't bring himself to leave his wife over the young woman. When the dancer's wealthy suitor is murdered, Pierre is accused of the crime.
O Processo de Joana d'Arc
Producer
Rouen, Normandy, 1431, durante a Guerra dos Cem Anos. Após ser capturada por soldados franceses pertencentes a uma facção oposta, Joana of Arc, Dama de Orleans, é injustamente julgada por um tribunal eclesiástico supervisionado por seus inimigos ingleses.
O Batedor de Carteiras
Producer
Michel é um jovem que começa a bater carteiras por prazer e pela emoção do roubo, e isso vira uma compulsão. Ele é preso, percebe o choque que isso causa em sua mãe e em seus amigos e reflete sobre seus atos. Porém, depois de solto, ele se junta a um ladrão veterano e volta ao crime. Sua consciência pesa, bem como a memória de sua mãe. Também a presença de Jeanne, uma jovem por quem se apaixona, lhe faz pensar em deixar o crime, o que acontece de forma irônica.
Uma Vida
Producer
Normandy, second half of the nineteenth century. Jeanne Dandieu lives in a manor house with her parents and their servant Rosalie. She gets to know Julien, a handsome man, whom she soon marries. Her happiness is short-lived as she finds out that not only has Julien married her for her money but he cheats on her as well, with Rosalie to crown it all.
Gervaise, A Flor do Lodo
Producer
An adaptation of Émile Zola’s 1877 masterpiece L’assommoir, the film is an uncompromising depiction of a lowly laundress’s struggles to deal with an alcoholic husband while running her own business.
Three Women
Coralie Cachelin (segment "Héritage, L'")
The short stories of Guy de Maupassant enjoyed a renaissance in the early 1950s, thanks in great part to the Max Ophuls production Le Plaisir. In Trois Femmes, three De Maupassant stories are dramatized, each conveying the central theme of women falling in love. In the first, a black female carnival entertainer causes an uproar when she falls in love with a white soldier. In the second, a young bride is pressured into having a baby to collect a huge inheritance. And in the final episode, a pregnant girl is "adopted" and protected by a small circle of friends. In standard De Maupassant fashion, each of the three stories in Trois Femmes is capped by a surprise twist.
O Direito de Matar
Nicole Vaudrémont dite Yvonne
Uma médica é acusada do assassinato de seu marido por eutanásia.