Janine Marmot

Inspired by the writings of Iain Sinclair, a father and daughter trace the footsteps of their colonialist ancestor to the Peruvian jungle. Their journeys flip between continents and centuries to produce an original mediation – part documentary, part fiction – on fate, family and the search for Eldorado.

Orhan Pamuk – Turkey’s Nobel laureate for Literature – opens a museum in Istanbul. A museum that’s a fiction: its objects trace a tale of doomed love in '70s Istanbul. The film takes a tour of the objects as the starting point for a trip through images, landscapes and the chemistry of the city. A film about Istanbul, love, memory and loss.

自宅に踏み込んだ男たちに恋人ナディアを拉致された青年スレーター。だが男たちを追っていた彼が家に戻ると、そこにはナディアの死体と、窓の外にはパトカーが。「助かりたければ言う通りにしろ」との電話に従い、彼はバイオ企業、ブランド・ニュー・ユー社へ向かう。同社によると自宅の死体は別人で、ナディアは過去の記憶と人生を捨て、“リセット”したという。葛藤の末、スレーターも彼女を追うためリセットを決意する。

In the almost six decades that Bown worked for The Observer, she became renowned for insightful, highly individualistic portraits of the famous. Some of these portraits are now regarded as classics of the genre - Samuel Beckett, Queen Elizabeth II, The Beatles, Bertrand Russell, Mick Jagger and Margaret Thatcher. For the first time, she spoke candidly about her career and revealed how her very personal approach to the taking of portraits is informed by a deep sense of loss and abandonment. This private portrait is enhanced by a series of insightful interviews with Jane’s peers, family, colleagues, friends, and of course some of her subjects.

When Kelly meets Victor on the dance floor of a Liverpool nightclub, the attraction is instant. After wandering through the night they find themselves at her flat, making love with a passion and urgency that neither had experienced before. Both Kelly and Victor are struggling to get by as best they can, while the people around them are choosing illegal lifestyles; she is escaping a brutish former lover, while he is being dragged into a world of drugs. It's when they make love that their darker instincts take over.

Jakob arrives at the Institute Benjamenta (run by brother and sister Johannes and Lisa Benjamenta) to learn to become a servant. With seven other men, he studies under Lisa: absurd lessons of movement, drawing circles, and servility. He asks for a better room. No other students arrive and none leave for employment. Johannes is unhappy, imperious, and detached from the school's operation. Lisa is beautiful, at first tightly controlled, then on the verge of breakdown. There's a whiff of incest. Jakob is drawn to Lisa, and perhaps she to him. As winter sets in, she becomes catatonic. Things get worse; Johannes notes that all this has happened since Jakob came. Is there any cause and effect?

‘The Cardinal and the Corpse' marks the beginning of Petit’s loose partnership with writer Iain Sinclair. There’s a nod towards narrative here involving a book-search launched by graphic novelist Alan Moore and a dealer (the dapper but barking Driffield), but it’s little more than an excuse to showcase a number of authors and other miscreants.

Tony Rayns presents the work of the 'Fifth Generation' and other innovative filmmakers who emerged during the 1980s in China.

Examines the early 1980s Hong Kong filmmaking community. Tony Rayns interviews some of the new generation of filmmakers and figures from the wider film culture.

Ali is a 12-year-old boy living in a small town in Iran whose mother disappeared when he was very young. His father has now married. Troubled, craving his father’s attention, he loses the injured bird he’s been diligently caring for, and sets out to exact revenge, whatever the consequences.