Micki Joanni

参加作品

レッド・バロン
ADR Editor
第1次世界大戦下のドイツ帝国。プロイセン軍人貴族の家庭に育った青年リヒトホーフェンは、戦闘機部隊に加わり、瞬く間に頭角を現わし始める。正々堂々と戦い、敗者にも手を差しのべる彼の高潔な戦いぶりは敵からも一目置かれ、やがてトレードマークの赤い機体から《レッド・バロン》の異名を全欧中に轟かしていく。だが一方、その名声は軍上層部からプロパガンダに利用され、度重なる親友の戦死も重なり、彼を疲弊させていく。
Picasso in Munich
Editor
In this surrealist film director Picasso can awaken from the dead. He steals a paintings painted by himself of a couple of wealthy psychiatrists. When Picasso meets Takla Bash, a patient of the psychiatrists, Picasso falls in love. Although it is his own daughter, he remembers an incredible love affair, in which a film with a blue cow plays a role. In the majority of the paintings shown in the film are works of Herbert Achternbusch.
Hick's Last Stand
Editor
Hick's Last Stand.
I Know the Way to the Hofbrauhaus
Editor
Comedy shot without a script on Super-8mm as a silent film, with intertitles later inserted between scenes. What unfolds is a familiar Achternbusch tale in which the protagonist (here his alter-ego, Hick) is driven by a mad longing and becomes irretrievably lost. Unable to meet the demands of the workaday world, Hick wanders alone through the city and, as in many of Achternbusch's films, enters an intermediate realm in which the dead interact with the living: he encounters and falls in love with a mummy, searches for an Egyptian queen, and stalks the inner regions of the hereafter, which lie in the middle of Munich.
Heilt Hitler!
Editor
Stalingrad, 1942: just as he is complaining about the "blockheads" who are in control, a German named Herbert gets hit. Fast forward forty years after the war to Munich's Hofgarten, where in front of the patched-up ruins of the Army Museum Herbert reappears, mistakenly believing he is still in Stalingrad, which the victorious Germans have destroyed and rebuilt in the image of Munich
Die Olympiasiegerin
Editor
The Ghost
Editor
Jesus (played by the director) returns to present-day Bavaria, walks around Munich in a somewhat dazed manner and strikes up an affair with a nun, arguing that they are married anyway. Therefore, he refers to himself as "Ober" (waiter), obviously the male form of "Oberin" (Mother Superior). He occasionally transforms into a snake when being afraid and is finally carried up into the sky by the nun, who transforms into a bird of prey. (IMDB review)