Milena Mancini

Altiero Molino is a twenty-six-year-old digital entrepreneur who’s returning to Ventotene with his model husband in order to gather his old friends together around his ailing father so as to treat him to one last holiday in this place which is so special to him. He didn’t expect to find the island all abuzz with Sabry Mazzalupi’s marriage to her partner Cesare. This young woman, who’s the awkward daughter of Roman shopkeeper Ruggero, has become an online celebrity and her wedding is a global event attracting the media as well as mysterious emissaries from the new political regime. These two tribes of vacationers, two seemingly irreconcilable sides of Italy, are destined to come together during the Ferragosto holiday for an ultimate showdown.

An Italian middle-class family, during lunch, talks about the problems that afflict our nation.

After a terrorist attack in Rome, the government urges the population not to leave their houses: several couples clash during isolation. Shot during the first COVID-19 lockdown.

Through the rehearsals and the tour of the show based on Uncle Vanya by Anton Chekhov, Vinicio Marchioni takes us to the Italian province destroyed by the earthquake and the places of the Russian writer. The Vanja earthquake starts from the Chekhovian masterpiece to investigate Italian post-earthquake immobility through the tragicomic gaze of Chekhov, making the public aware of the extraordinary human strength of the writer. A journey into the Italian theatrical creation; a journey in the earthquake that destroyed central Italy; a journey into the words and soul of Anton Chekhov.

A 22 year-old Bangladeshi-Italian Muslim boy meets a beautiful, exciting Italian girl who makes him re-analyze his beliefs and culture.

A woman and her 10-year-old son face, in their own way, the mourning for the death of the husband and father, which took place in a factory, while the waiting and the recollection for the day of the funeral grow all around.

Mirko and Manolo are best friends and live in the suburbs of Rome. They both live in poor conditions with their single parents, are still in school and struggle with occasional odd jobs to make ends meet. Together they share dreams of women, of sex and money, of a better life to come. Then, after killing a man in a hit-and-run one night, they get involved with the local mafia and their lives change dramatically.

While her best friend Vale can afford to be a full-time performer, aspiring dancer Eli has an unemployed husband and four children to take care of, and works all day long in a cafe on the opposite side of the city, meaning she has to wake up before dawn and comes home late at night. Her kind and effervescent nature still manages to overcome this hardships.

At 39 years of age Mirko has just left prison. In the outskirts of Rome, a new future waits for him. When he is elected president of the homeowners’ committee, he realises that he can dream of a different kind of existence. Not only for himself and his family, but for the whole suburb where he lives. This film deals with a “bandit” who, with the help of his best friend Boccione, wants to turn the indifference of the suburb into solidarity and the roads into luxuriant fields of tomatoes, becoming the bearer of a happiness he does not know how to reach. It is the story of a fragile and irrational dream: offering a future to those who do not even believe they deserve a present.

During the first half of 2002, Kylie Minogue toured Europe and Australia. This DVD captures it. Live In Manchester is a good concert that explores Kylie's musical catalog rather well from her days as a manufactured pop tart princess to her current status as icon and electro-pop diva. The concert occurs in seven different acts meant to display Kylie in some of the different manifestaions she has adopted throughout her career. Cultural references are everywhere in this concert. There's a nod to Keith Haring, and many others from Staney Kubrick, burlesque, and sci-fi flicks. It's all hard to catch, but done very well.

Hot off the heels of her 2001 World Tour, Kylie Minogue graces the stage for one final performance in her homeland of Australia. Filmed in Sydney, this theatrical extravaganza spans Kylie's 15-year musical evolution, including hits like "I Should Be So Lucky," "Better The Devil You Know," and the Top 10 smash, "Can't Get You Out Of My Head." From the catchy opening number, "Love Boat," to the sultry interpretation of Olivia Newton-John's "Physical," Kylie's energy never slows down