Tetsuaki Matsue

参加作品

音楽
Producer
When you're a bored teenager looking for thrills, sometimes the only thing you can turn to is rock 'n roll. Having no skill, money, or even a full set of drums, a feared trio of high school delinquents nevertheless decide they are destined for musical glory in a quest to impress their only friend Aya, avoid a rival gang, and – most importantly – jam out.
劇場版シネマ狂想曲 名古屋映画館革命
Self
Documentary about the crazy cinephile Atsushi Tsuboi, vice president of the Nagoya art theatre "cinemaskhole".
映画 山田孝之3D
Director
Interview with Yamada Takayuki about his life, career and interests.
フラッシュバックメモリーズ 3D
Director
Didgeridoo performer GOMA developed higher brain dysfunction as the result of an expressway accident. While looking back on his rehabilitation and recovery with his family's help, animation recreates his “flashbacks” - incongruous images that suddenly appear in his brain. This completely new style of 3D movie that blends past footage, flashbacks, and studio performances is also emphatically a story of familial love.
Sawada
Director
Seven women and one man gathered for the first anniversary of a movie director. Six cameras recorded the night at the same time with 8mm insert.
トーキョードリフター
Director
Tokyo Drifter acts as an ode to Tokyo, with a very simple premise: a musician (Kenta Maeno) wanders around various darkened areas of the city on a rainy night in May with his guitar, singing songs about life, love, and Tokyo itself. Matsue and Maeno together take the city in all its gritty glory and attempt to shine a light on the darkness.
進化
Nakagawa shot “Coming Future” on the nights of December 24 and 25, 2010 in Shibuya, making it his location for an idealized Bohemia in the heart of Tokyo. Interesting interviews/discussions with Kenji Murakami, Nobuhiro Yamashita, Kenji Onishi, Tetsuaki Matsue and more... By far the most interesting sequence is with Kenji Onishi (“A Burning Star”). Wielding a super-8 camera, Onishi documents his own interview, taking random shots of street-life and buildings. He leavens his monologue with statements bordering between cliché and outré. “A movie that aims to make a message is boring.”
ライブテープ
Writer
Musicians perform live in the street in this one-take film.
ライブテープ
Director
Musicians perform live in the street in this one-take film.
あんにょん由美香
Director
Don't get it twisted: Yumika Hayashi is way more than just a porn star. She's a Rorschach test, film theory with curves, her screen image throwing off endless refractions within the hearts of those who knew her, loved her, or just got off to her. The "iron woman" of Japanese erotic film, best known for critically-acclaimed pink eiga LUNCHBOX, Hayashi died in 2005 at age 35, but in ANNYONG YUMIKA, the new documentary by Tetsuaki Matsue (LIVE TAPE), Yumika's legend is reborn, her passion made immortal. (Description by Subway Cinema)
セックスと嘘とビデオテープとウソ
Director
童貞。をプロデュース
Writer
A documentary film-maker gives two virgins each a video camera so that they can film their lives in modern Japan.
童貞。をプロデュース
Director
A documentary film-maker gives two virgins each a video camera so that they can film their lives in modern Japan.
セキ☆ララ
Editor
在日コリアンである自身の家族の肖像を描いた「あんにょんキムチ」の松江哲明監督が、アダルトビデオ業界に生きる在日二世、三世の姿をカメラに収めた異色のAVドキュメンタリー。在日韓国人三世の新人女優・相川ひろみと彼女の生まれ故郷・尾道を旅する第1部、中国人留学生のAV女優・杏奈と在日朝鮮人二世のベテランAV男優・花岡じったの1日デートを収めた第2部で構成。正式招待された山形国際ドキュメンタリー映画祭では、映画祭での“アダルトビデオ”の上映ということで大きな話題となった。
セキ☆ララ
Writer
在日コリアンである自身の家族の肖像を描いた「あんにょんキムチ」の松江哲明監督が、アダルトビデオ業界に生きる在日二世、三世の姿をカメラに収めた異色のAVドキュメンタリー。在日韓国人三世の新人女優・相川ひろみと彼女の生まれ故郷・尾道を旅する第1部、中国人留学生のAV女優・杏奈と在日朝鮮人二世のベテランAV男優・花岡じったの1日デートを収めた第2部で構成。正式招待された山形国際ドキュメンタリー映画祭では、映画祭での“アダルトビデオ”の上映ということで大きな話題となった。
セキ☆ララ
Director
在日コリアンである自身の家族の肖像を描いた「あんにょんキムチ」の松江哲明監督が、アダルトビデオ業界に生きる在日二世、三世の姿をカメラに収めた異色のAVドキュメンタリー。在日韓国人三世の新人女優・相川ひろみと彼女の生まれ故郷・尾道を旅する第1部、中国人留学生のAV女優・杏奈と在日朝鮮人二世のベテランAV男優・花岡じったの1日デートを収めた第2部で構成。正式招待された山形国際ドキュメンタリー映画祭では、映画祭での“アダルトビデオ”の上映ということで大きな話題となった。
Strange Days: The Making of Strange Circus
Producer
The Making of Strange Circus
Strange Days: The Making of Strange Circus
Editor
The Making of Strange Circus
Strange Days: The Making of Strange Circus
Director
The Making of Strange Circus
ほんとにあった!呪いのビデオ10
Director
消防団員の訓練の様子を収めたビデオ。背後のビルの屋上から飛び降りる黒い人影が...。話題騒然の第10弾!
ほんとにあった!呪いのビデオ9
Director
一般投稿による心霊映像を集めたオリジナルホラーシリーズ第9弾。骨董市で買った8ミリフィルムに、恐怖の映像が写っている「校舎」、廃村となったある場所を訪れた主人公が撮影した建物に奇妙なものが写っている「廃村」他、全3エピソードを収録する。
ほんとにあった!呪いのビデオ8
Director
一般投稿による心霊映像を集めたオリジナルホラー第8弾。ある女性が友人宅に泊まった時に撮影されたビデオ。その画面の中に不可解な影を発見した「幽体」、ある男女が入ったラブホテルの部屋に奇妙なノートが置かれた「ラブホテル」など、全5話を収録。
発情家庭教師 先生の愛汁
Sachiko Hanai is a call girl. One day she is caught up in a gunfight and is shot in the forehead. Instead of killing her, the bullet in her head gives her psychic powers. She also accidentally comes into possession of a cylinder containing George W. Bush's finger, whose fingerprint is designed to launch a nuclear missile, and international spies are soon chasing her.
ばかのハコ船
Jun
Daisuke and his girlfriend have failed at selling a smelly health drink named Akajiru in Tokyo, amassing five million yen in debts. In order to recover financially, they retreat to Daisuke's island hometown.
怪奇!アンビリーバブル 3
Director
This is the third installment in the popular series focusing on ghost photography! This work pursues various kinds of ghost photos, such as photos in which the subject turns around, or photos in which there are unexpected bruises, as well as the terrifying experiences associated with the photos.
ロスト・ヴァージン やみつき援助交際
Spread over three time periods (Summer 10 Years Ago/Summer 5 Years Ago/This Summer), Lost Virgin tells the tale of good-time girl Chisato (Sasaki), hungry for new experiences yet ultimately in search of emotional fulfilment.
あんにょんキムチ
himself
Japan and Korea have had a troubled relationship over the centuries, and discrimination against Korean residents in Japan has been legendary. But how important is the issue of race to a younger generation born and raised in the country? Tetsuaki Matsue, a third-generation zainichi attempts to get to grips with the issue of his own national identity in this autobiographical video documentary made as the then 21-year-old director's graduation project from the Japan Academy of the Moving Image. (Midnight Eye)
あんにょんキムチ
Director
Japan and Korea have had a troubled relationship over the centuries, and discrimination against Korean residents in Japan has been legendary. But how important is the issue of race to a younger generation born and raised in the country? Tetsuaki Matsue, a third-generation zainichi attempts to get to grips with the issue of his own national identity in this autobiographical video documentary made as the then 21-year-old director's graduation project from the Japan Academy of the Moving Image. (Midnight Eye)