Roberto Di Girolamo

参加作品

Inferno Rosso: Joe D'Amato on the Road of Excess
Self
Who was Joe D’amato- Aristide Massaccesi under his civil status? A genius of horror in the USA, a master of eroticism in France, the king of porn in Italy. A man with a thousand pseudonyms capable of making over 200 films while simultaneously holding the roles of producer, director, author, director of photography and even camera operator. An artisan of cinema as he liked to call himself, capable of working on all film genres. From spaghetti western to post-atomic, decamerotic to glossy eroticism, and blockbuster porn to bloody horror. Guided by the aesthetics of extremes and supported by an undeniable technical ability, Joe D’Amato pushed himself, and the viewer, beyond all limits following with dedication three rigid principles that have become his stylistic code: Amaze, Shock, Scandalize.
Dracula 3D
Producer
When Englishman Jonathan Harker visits the exotic castle of Count Dracula, he is entranced by the mysterious aristocrat. But upon learning that the count has sinister designs on his wife, Mina, Harker seeks help from vampire slayer Van Helsing.
The Ferpect Crime
Producer
A playboy has the tables turned on him when he finds himself being used as a plaything by an undesirable woman.
桃色画報
Producer
Lies, subterfuge, betrayal and mischief. Fallo! is a collection of six stories based on the joys of sexuality and the eroticism of a new generation of women.
Love Deal
Producer
Joaquín goes to Russia for business. There he falls in love with Tatiana, a young and beautiful interpreter who asks her to accompany him on his return as a maid - secretary - interpreter - lover or whatever.
The Lawless Land
Art Direction
Action-adventure set in a world of the near-future, where young love is forbidden among the lower classes. Nevertheless, one couple defies their police-state world to fight and hold on to whatever love they can find.
Scalps
Screenplay
The commander of a Texan fort in the Civil War refuses to surrender to the Northerners, and tries to buy the local Indian tribe chief's daughter. The sage man refuses, and the Southerners massacre the tribe and abduct the young squaw anyway. The noble squaw manages to escape, and hides out with a rough rancher, who dislikes Indians, but hates the Southerners more. The odd couple joins forces, and tactics, to exert ultimate vengeance on the men at the fort.