Patrix Meesaiyaat

参加作品

The Scar
Art Direction
Two peasants in rural Bang Kapi, Bangkok of Thailand in 1930s. Kwan and Riam are the son and daughter of rival village chiefs. They both loved and give to the vow to die in the river if their doesn't love each other. Until someday, Riam's father disapproves of the relationship. He wants his daughter to marry with the son of a nobleman. A tragedy of romance between their relationship begins like the wound.
Jan Dara: The Finale
Art Direction
Jan Dara returns to Bangkok to take revenge against Wisnan, the man who has made his life a living hell. The fire of vengeance consumes him to such an extent that he’s becoming the man he hated all his life. Jan continues his descent into the dark side. He wants to see those who wronged him suffer.
Jan Dara: The Beginning
Production Design
Set in the 1930s, the story recounts the growing pains of Jan, whose mother dies while giving birth to him and who’s intensely hated by his sadistic and debauched father. Jan grows up with his stepmother, and he struggles to reconcile his guilt and longing with different women in his life.
Jan Dara: The Beginning
Art Direction
Set in the 1930s, the story recounts the growing pains of Jan, whose mother dies while giving birth to him and who’s intensely hated by his sadistic and debauched father. Jan grows up with his stepmother, and he struggles to reconcile his guilt and longing with different women in his life.
スコーピオン・キング3
Production Design
世界で最も強力な支配者であるホルスは、王国を失う危機に瀕していた。非情な戦士である兄のタラスが、強大な軍隊を擁して戻ってきたのだ。タラスは、ホルスにとって最後の同盟国であるラムサンのもとに兵を進めていた。ホルスは“スコーピオン王”マサイアスと、屈強な戦士オラフにラムサンを守る任務を与える。2人の奮闘によって窮地を脱したラムサンの王は、マサイアスに褒美としてタラスのもとに囚われている娘のシルダ姫との婚約を持ちかける。
At the Gate of the Ghost
Production Design
In this worthy adaptation of the Japanese film Rashomon, a young monk is left to determine the truth behind three competing perspectives after a bandit’s disturbing murder trial.