Patrix Meesaiyaat

Filmes

The Scar
Art Direction
Two peasants in rural Bang Kapi, Bangkok of Thailand in 1930s. Kwan and Riam are the son and daughter of rival village chiefs. They both loved and give to the vow to die in the river if their doesn't love each other. Until someday, Riam's father disapproves of the relationship. He wants his daughter to marry with the son of a nobleman. A tragedy of romance between their relationship begins like the wound.
Jan Dara: The Finale
Art Direction
Jan Dara returns to Bangkok to take revenge against Wisnan, the man who has made his life a living hell. The fire of vengeance consumes him to such an extent that he’s becoming the man he hated all his life. Jan continues his descent into the dark side. He wants to see those who wronged him suffer.
Jan Dara: The Beginning
Production Design
Set in the 1930s, the story recounts the growing pains of Jan, whose mother dies while giving birth to him and who’s intensely hated by his sadistic and debauched father. Jan grows up with his stepmother, and he struggles to reconcile his guilt and longing with different women in his life.
Jan Dara: The Beginning
Art Direction
Set in the 1930s, the story recounts the growing pains of Jan, whose mother dies while giving birth to him and who’s intensely hated by his sadistic and debauched father. Jan grows up with his stepmother, and he struggles to reconcile his guilt and longing with different women in his life.
O Escorpião Rei 3: Batalha Pela Redenção
Production Design
Expulso de seu antigo reino e após perder sua amada, Mathayus (Victor Webster) se tornou um assassino de aluguel. Ele é contratado por Hórus (Ron Perlman), o rei do Egito, para proteger seu povo do ataque de um tirano impiedoso e de seus impiedosos guerreiros. Como pagamento, o rei oferece a Mathayus a mão de sua filha em casamento e o Olho dos Deus, um lendário objeto com poderes sobrenaturais, que pode ser a grande chance do guerreiro reconquistar a glória perdida .
At the Gate of the Ghost
Production Design
O jovem monge budista Arnont (Mario Maurer) tem dúvidas sobre sua fé desde que testemunhou o conhecido gângster Singh Kam (Dom Hetrakul) decapitado por um crime que ele pode não ter cometido. Diz-se que ele matou o rico senhor da guerra Larh-Fah (Ananda Everingham) por inveja e ciúme. Muitos também assumem que Kam estava tendo um caso com a esposa de Larh-Fah, Kham-Kaew (Cherrn Boonyasak). Arnont é citado como testemunha na audiência. E ele não é o único: um fazendeiro (Petchtai Wongkamlao) e um mendigo (Pongpat Wachirabunjong) também viram o crime com seus próprios olhos. Durante uma tempestade, os três se abrigam em uma caverna e contam uns aos outros como testemunharam o assassinato.