Phoebe Legere

A fictionalized documentary about a group of artists in residence at the Yaddo Foundation, one of the oldest artist residencies in the USA, located in Saratoga Springs, Upstate New York. Through this film, the group made a collective experiment that deals with the individual experience of the process of creating a masterpiece. As the movie unfolds, the characters go crazy with their own questions, revealing the anguish of artistic creation.

A fictionalized documentary about a group of artists in residence at the Yaddo Foundation, one of the oldest artist residencies in the USA, located in Saratoga Springs, Upstate New York. Through this film, the group made a collective experiment that deals with the individual experience of the process of creating a masterpiece. As the movie unfolds, the characters go crazy with their own questions, revealing the anguish of artistic creation.

A fictionalized documentary about a group of artists in residence at the Yaddo Foundation, one of the oldest artist residencies in the USA, located in Saratoga Springs, Upstate New York. Through this film, the group made a collective experiment that deals with the individual experience of the process of creating a masterpiece. As the movie unfolds, the characters go crazy with their own questions, revealing the anguish of artistic creation.

What makes a rebel? This 78 minute documentary probes the psyche of bad-boy publisher and free speech warrior Barney Rosset, whose mid-century legal and cultural battles smashed sexual and political taboos in the United States — unleashing the counter-culture of the 1960s and introducing millions of young intellectuals to the most radical currents in literature, film, theater and politics. In his late eighties, coming to terms with his life, Barney Rosset began to obsessively sculpt an autobiographical 15′ x 22′ surreal wall mural, embedded with jewel-like vignettes crafted out of found objects, each a clue to the conflicts and obsessions that drove Barney’s lifetime rebellion against authority. A cast of artists, a neurologist, and a shaman connect the clues and piece together Barney’s life.

How I Learned to Love the Numbers is a New York film and at the same time the study of a young man suffering from an obsessive-compulsive disorder (OCD). The Berlin filmmaker Oliver Sechting (37) and his co-director Max Taubert (23) travel to New York with the idea of documenting the art scene there. However, the project is quickly overshadowed by Oliver's OCD, and the two directors fall prey to a conflict that becomes the central theme of their film. Encounters with such artists as film directors Tom Tykwer (Cloud Atlas), Ira Sachs (Keep The Lights On), and Jonathan Caouette (Tarnation) or the transmedia artist Phoebe Legere seem more and more to resemble therapy sessions. At last, Andy Warhol-Superstar Ultra Violet succeeds in opening a new door for Oliver.

After making it to the top of the charts, members of the Silver Boulders, a popular tween rock band, find themselves undermined by internal squabbling as the bandmates seek different creative directions.

Blond Storm and Black Tempest, two female super-hero wrestlers, found a rock band to fight the Marquis de Slime, an ancient demon, in a gothic and magical Paris.

Blond Storm and Black Tempest, two female super-hero wrestlers, found a rock band to fight the Marquis de Slime, an ancient demon, in a gothic and magical Paris.

Blond Storm and Black Tempest, two female super-hero wrestlers, found a rock band to fight the Marquis de Slime, an ancient demon, in a gothic and magical Paris.

Harry Griswald is a NYPD cop who is possessed with the spirit of a great Kabuki master. This has made him 'the chosen one' to do battle with 'the evil one'. He is also out to do good deeds and fight crime in the name of the law. The only problem is that a number of corrupt people in the community and their henchmen want him dead so that they can gain power when 'the evil one' come to take over the world. Sgt. Kabukiman must use his special superpowers to outsmart and out-fight the bad guys.

A former drug lord returns from prison determined to wipe out all his competition and distribute the profits of his operations to New York's poor and lower classes in this stylish and ultra violent modern twist on Robin Hood.

Toxie finds he has nothing to do as a superhero, as he has ridden his city of evil. So he decides to go to work for a major corporation, which he discovers may be the evilest of all his adversaries.

From 1983 to 1989, New Yorker Nelson Sullivan captured more than 1,900 hours of video footage and saved most of it on VHS tapes, making a collection of 601 episodes documenting his everyday life in the East-Village, as well as following some flamboyant local icons like RuPaul, Sylvia Miles, and Phoebe Legere.

The Toxic Avenger is lured to Tokyo, Japan by the evil corporation Apocalypse Inc. So while the Toxic Avenger is fighting crime in Tokyo, Apocalypse Inc. spread evil in Tromaville.

A young woman wanders around New York City and stumbles across a number of strange characters and settings that represent the "underground" areas of the city. She sees stand up comedy in Central Park, a prostitution auction, a voodoo ceremony, an S&M club, and a number of very interesting performance artists. These are just a few of the sights and sounds of New York that she encounters.

A crumbling pier, its walls covered with graffiti and erotic frescoes reminiscent of pagan Pompeii, the locus of the seduction rituals of men longing for men, is the focus of this meditation on gay cruising at the height of sexual freedom before AIDS. Shot in 1982, this is the first segment of a film capturing the life, death, and rebirth of the legendary “sex piers” over the last three decades.