Phoebe Legere

A fictionalized documentary about a group of artists in residence at the Yaddo Foundation, one of the oldest artist residencies in the USA, located in Saratoga Springs, Upstate New York. Through this film, the group made a collective experiment that deals with the individual experience of the process of creating a masterpiece. As the movie unfolds, the characters go crazy with their own questions, revealing the anguish of artistic creation.

A fictionalized documentary about a group of artists in residence at the Yaddo Foundation, one of the oldest artist residencies in the USA, located in Saratoga Springs, Upstate New York. Through this film, the group made a collective experiment that deals with the individual experience of the process of creating a masterpiece. As the movie unfolds, the characters go crazy with their own questions, revealing the anguish of artistic creation.

A fictionalized documentary about a group of artists in residence at the Yaddo Foundation, one of the oldest artist residencies in the USA, located in Saratoga Springs, Upstate New York. Through this film, the group made a collective experiment that deals with the individual experience of the process of creating a masterpiece. As the movie unfolds, the characters go crazy with their own questions, revealing the anguish of artistic creation.

What makes a rebel? This 78 minute documentary probes the psyche of bad-boy publisher and free speech warrior Barney Rosset, whose mid-century legal and cultural battles smashed sexual and political taboos in the United States — unleashing the counter-culture of the 1960s and introducing millions of young intellectuals to the most radical currents in literature, film, theater and politics. In his late eighties, coming to terms with his life, Barney Rosset began to obsessively sculpt an autobiographical 15′ x 22′ surreal wall mural, embedded with jewel-like vignettes crafted out of found objects, each a clue to the conflicts and obsessions that drove Barney’s lifetime rebellion against authority. A cast of artists, a neurologist, and a shaman connect the clues and piece together Barney’s life.

How I Learned to Love the Numbers is a New York film and at the same time the study of a young man suffering from an obsessive-compulsive disorder (OCD). The Berlin filmmaker Oliver Sechting (37) and his co-director Max Taubert (23) travel to New York with the idea of documenting the art scene there. However, the project is quickly overshadowed by Oliver's OCD, and the two directors fall prey to a conflict that becomes the central theme of their film. Encounters with such artists as film directors Tom Tykwer (Cloud Atlas), Ira Sachs (Keep The Lights On), and Jonathan Caouette (Tarnation) or the transmedia artist Phoebe Legere seem more and more to resemble therapy sessions. At last, Andy Warhol-Superstar Ultra Violet succeeds in opening a new door for Oliver.

After making it to the top of the charts, members of the Silver Boulders, a popular tween rock band, find themselves undermined by internal squabbling as the bandmates seek different creative directions.

Blond Storm and Black Tempest, two female super-hero wrestlers, found a rock band to fight the Marquis de Slime, an ancient demon, in a gothic and magical Paris.

Blond Storm and Black Tempest, two female super-hero wrestlers, found a rock band to fight the Marquis de Slime, an ancient demon, in a gothic and magical Paris.

Blond Storm and Black Tempest, two female super-hero wrestlers, found a rock band to fight the Marquis de Slime, an ancient demon, in a gothic and magical Paris.

Harry Griswald is a NYPD cop who is possessed with the spirit of a great Kabuki master. This has made him 'the chosen one' to do battle with 'the evil one'. He is also out to do good deeds and fight crime in the name of the law. The only problem is that a number of corrupt people in the community and their henchmen want him dead so that they can gain power when 'the evil one' come to take over the world. Sgt. Kabukiman must use his special superpowers to outsmart and out-fight the bad guys.

한때 마약 왕이었던 프랭크 화이트는 오랜 징역형을 마친 후, 뉴욕으로 돌아와 자신의 사업에 방해되는 인물들을 제거해 나간다. 그 과정에서 총격 살인 사건을 벌인 부하들이 경찰에 체포되자 유능한 변호사를 통해 막대한 보석금을 내고 그들을 석방시킨다. 그리고 자신이 예전에 살던 동네의 병원을 현대화하기 위해 마약 사업으로 번 돈을 기부 하며 정치계와 손을 잡는 등 점점 거물이 되어 간다. 한편 이러한 과정을 알고 있는 경찰 몇 명이 상부의 허락도 없이 프랭크 일당을 습격을 하는데…

1989 년 미국 슈퍼 히어로 코미디 튄 영화이며 Toxic Avenger 프랜차이즈의 세 번째 작품입니다. Lloyd Kaufman과 Michael Herz가 감독했습니다

From 1983 to 1989, New Yorker Nelson Sullivan captured more than 1,900 hours of video footage and saved most of it on VHS tapes, making a collection of 601 episodes documenting his everyday life in the East-Village, as well as following some flamboyant local icons like RuPaul, Sylvia Miles, and Phoebe Legere.

조용해진 트로마빌에서 목표를 잃은 톡시는 무료함에 시달린다. 이때 ‘어포칼립스 주식회사’라는 또다른 악당들이 나타난다. 악당들의 사주를 받은 정신과 주치의는 톡시에게 “진짜 아버지를 찾아가 만나야만 억압이 풀리고 우울증이 해소될 것”이라는 프로이트적인 정신분석을 내린다. 이를 곧이들은 톡시는 아버지를 찾아 일본 도쿄로 떠나고, 그 틈을 타 악당들은 트로마빌을 장악하고 악행을 저지르기 시작한다. 1편의 인기에 힘입어 만들어진 속편으로, 여전한 하드고어 영상과 업그레이드된 블랙 유머가 돋보이는 작품.

A young woman wanders around New York City and stumbles across a number of strange characters and settings that represent the "underground" areas of the city. She sees stand up comedy in Central Park, a prostitution auction, a voodoo ceremony, an S&M club, and a number of very interesting performance artists. These are just a few of the sights and sounds of New York that she encounters.

A crumbling pier, its walls covered with graffiti and erotic frescoes reminiscent of pagan Pompeii, the locus of the seduction rituals of men longing for men, is the focus of this meditation on gay cruising at the height of sexual freedom before AIDS. Shot in 1982, this is the first segment of a film capturing the life, death, and rebirth of the legendary “sex piers” over the last three decades.