Jane Campion

Lucy, a former child actor, seeks enlightenment at a retreat led by spiritual leader Elon while she navigates her close yet turbulent relationship with her stunt-performer daughter, Dylan.

The growing friendship between two women as they hit the road in an electric car looking for endings and reconciliation.

Director Julie Bertuccelli paints Jane Campion’s portrait with great precision, humor and admiration, telling the tale of the first-ever woman to win the Palme d’Or in 1993.

Get a rare glimpse into the creative process of Academy Award-winning filmmaker Jane Campion as she shares her memories of making "The Power of the Dog."

Get a rare glimpse into the creative process of Academy Award-winning filmmaker Jane Campion as she shares her memories of making "The Power of the Dog."

威圧的だがカリスマ性に満ちた牧場主。弟の新妻とその息子である青年に対して冷酷な敵意をむき出しにしてゆくが、やがて長年隠されてきた秘密が露呈し...。

威圧的だがカリスマ性に満ちた牧場主。弟の新妻とその息子である青年に対して冷酷な敵意をむき出しにしてゆくが、やがて長年隠されてきた秘密が露呈し...。

威圧的だがカリスマ性に満ちた牧場主。弟の新妻とその息子である青年に対して冷酷な敵意をむき出しにしてゆくが、やがて長年隠されてきた秘密が露呈し...。

Jane Campion's "The Piano", Palme d'Or at Cannes in 1993, retold in a single minute of animation by Inés Sedan.

J is in their early teens and lives in the countryside. J has been diagnosed with Gender Identity Disorder, goes by the selected pronoun “they”, and takes hormone blockers to suspend puberty. While J’s parents are away, their older sister and her Iranian boyfriend are assigned the duties of house-sitting and looking after J.

A story about small cruelties, adult bullying, and the power of a brothers unconditional love for his complex little sister.

Actors Anne Dorval, Suzanne Clément, Monia Chokri, Gaspard Ulliel, Vincent Cassel, Niels Schneider and Melvil Poupaud discuss working with the young Canadian director Xavier Dolan, who has conquered the hearts of both cinema lovers and prestigious festival juries with his films. To French actress Nathalie Baye, he seems very experienced despite his young age, while Cannes Director Thierry Frémaux says he may be insolent, but everyone agrees he is passionate, creative, a perfectionist and... in a hurry.

From Martin Scorsese to Jane Campion, from Emir Kusturica to Quentin Tarantino, some of the greatest recipients of this trophy recall special moments relating to the award ceremony which closes the Cannes Film Festival. This film brings to light moving and personal stories, as surprising as they are varied, which all contribute to further enhancing the legend of the Palme d’Or.

The story of the gold-plated statuette that became the film industry's most coveted prize, AND THE OSCAR GOES TO... traces the history of the Academy itself, which began in 1927 when Louis B. Mayer, then head of MGM, led other prominent members of the industry in forming this professional honorary organization. Two years later the Academy began bestowing awards, which were nicknamed "Oscar," and quickly came to represent the pinnacle of cinematic achievement.

Its the annual Christmas Eve concert at the Marigold House Assisted Living Facility. All her friends are dying and Florence wants out. When the facility double books two rival Elvis impersonators, Florence takes the opportunity for one last hurrah.

The creative process at the heart of creating TV series Top of the Lake (2013). From the writing process with long-time collaborator Gerard Lee to shooting in New Zealand, filmmaker Jane Campion struggles and rises to the occasion.

At the 60th anniversary of Cannes Film Festival, 34 famous directors are followed by camera.

世界で最も美しい詩を生み出しながら、25歳という若さで他界した英国詩人ジョン・キーツの半生を映画化。キーツ最期の恋をジェーン・カンピオン監督が繊細に描き上げている。主演はアビー・コーニッシュ。

世界で最も美しい詩を生み出しながら、25歳という若さで他界した英国詩人ジョン・キーツの半生を映画化。キーツ最期の恋をジェーン・カンピオン監督が繊細に描き上げている。主演はアビー・コーニッシュ。

8 shorts centered around 8 themes directed by 8 famous film directors involved and sharing their opinion on progress, on the set-backs and the challenges our planet faces today.

Short film by Jane Campion. Part of the collective film To Each His Own Cinema.

A collective film of 33 shorts directed by different directors about their feeling about cinema.

A story through a child's eyes about living through a drought.

A story through a child's eyes about living through a drought.

A documentary on a 13-year-old Japanese girl abducted by North Korean spies.

A program of short films from some of the cinema's greatest diectors. Curated by Emir Kusturica and Stephen Frears. - George Lucas "1.42.08 to Qualify" (1966) - Ridley Scott "A Boy and a Bicycle" (1965) - Robert Zemeckis "The Lift" (1972) - Tony Scott "One of the Missing" (1969) - Emir Kusturica "Guernica" (1978) - Luc Besson "L'avant dernier" (1981) - Lars von Trier "Nocturne" (1980) - Terry Gilliam "Storytime" (1968) - Paul Verhoeven "A Lizzard Too Much" (1960) - Roman Polanski "Le gros et le maigre" (1960) - Jane Campion "Peel" (1982) - Stephen Frears "The Burning" (1967)

Following the gruesome murder of a young woman in her neighborhood, an English teacher living in New York City — as if to test the limits of her own safety —propels herself into an impossibly risky sexual liaison with a police detective.

Following the gruesome murder of a young woman in her neighborhood, an English teacher living in New York City — as if to test the limits of her own safety —propels herself into an impossibly risky sexual liaison with a police detective.

This documentary provides a glimpse into the making of Jane Campion's 1990 film.

The film consists largely of a series of interviews with female filmmakers from several different countries and filmmaking eras. Some, such as Agnès Varda and Catherine Breillat (both from France), have been making films for decades in a conscious effort to provide an alternative to the male filmmaking model; others, such as Moufida Tlatli (Tunisia) and Carine Adler (England), are relative newcomers to directing, and their approaches seem more personal and less political. The film as a whole manages to cover some important topics in the feminist debate about film -- how does one construct a female gaze, how can one film nude bodies without objectifying the actors (of either sex), what constitutes a strong female role -- while also making it clear that “women’s film” comprises as many different approaches to filmmaking as there are female filmmakers.

For the first time in 15 years, all four siblings in a family show up to care for their dying mother, who is only given a couple of weeks to live. One comes from America with her two children. A divorced sister also comes with her child and sneaks off regularly to meet a mystery man who may be her ex-husband. The third & youngest daughter is an unmarried nurse aware of her ticking biological clock. The only son chases after his grumpy father who seems to not care a whit about his wife's circumstances. The four are also faced my their mother's dreams to accomplish a few things before she dies - to visit a beach she had visited in the past, to see her youngest married, and to visit Paris. She also wants to be embalmed and be honored with a 21 gun salute. Thus the whole group has to set off in the quest to fulfill their mother's wishes.

While on a journey of discovery in exotic India, beautiful young Ruth Barron falls under the influence of a charismatic religious guru. Her desperate parents then hire PJ Waters, a macho cult de-programmer who confronts Ruth in a remote desert hideaway. But PJ quickly learns that he's met his match in the sexy, intelligent and iron-willed Ruth.

While on a journey of discovery in exotic India, beautiful young Ruth Barron falls under the influence of a charismatic religious guru. Her desperate parents then hire PJ Waters, a macho cult de-programmer who confronts Ruth in a remote desert hideaway. But PJ quickly learns that he's met his match in the sexy, intelligent and iron-willed Ruth.

A documentary about the making of Jane Campion's 'The Portrait of a Lady'.

ヘンリー・ジェイムズの原作恋愛大河小説をジェーン・カンピオン監督が映画化。ニコール・キッドマン、ジョン・マルコビッチら豪華キャストで、自由を愛する生き方を貫いたある貴婦人の人生を描いた名作。

19世紀の半ば、スコットランドからニュージーランドへ写真結婚で嫁ぐエイダ。旅のお供は娘のフロラと一台のピアノ。エイダは6歳の時から口がきけず、ピアノが彼女の言葉だった。夫のスチュアートはそのピアノを重すぎると浜辺に置き去りにし、原住民に同化している男ベインズの土地と交換してしまう。ベインズはエイダに“ピアノ・レッスン”をしてくれればピアノを返すというが……。

19世紀の半ば、スコットランドからニュージーランドへ写真結婚で嫁ぐエイダ。旅のお供は娘のフロラと一台のピアノ。エイダは6歳の時から口がきけず、ピアノが彼女の言葉だった。夫のスチュアートはそのピアノを重すぎると浜辺に置き去りにし、原住民に同化している男ベインズの土地と交換してしまう。ベインズはエイダに“ピアノ・レッスン”をしてくれればピアノを返すというが……。

Based on the autobiographical work of New Zealand writer Janet Frame, this production depicts the author at various stage of her life. Afflicted with mental and emotional issues, Frame grows up in an impoverished family and experiences numerous tragedies while still in her youth, including the deaths of two of her siblings. Portrayed as an adult by Kerry Fox, Frame finds acclaim for her writing while still in a mental institution, and her success helps her move on with her life.

A young woman struggling to maintain a relationship with her boyfriend has her life upturned by the arrival of her estranged, maladjusted sister "Sweetie".

A young woman struggling to maintain a relationship with her boyfriend has her life upturned by the arrival of her estranged, maladjusted sister "Sweetie".

A young woman struggling to maintain a relationship with her boyfriend has her life upturned by the arrival of her estranged, maladjusted sister "Sweetie".

A young woman struggling to maintain a relationship with her boyfriend has her life upturned by the arrival of her estranged, maladjusted sister "Sweetie".

The story of the end of a friendship between two teenage girls, told backwards over the course of nine months.

The difficulty of separating sexual fantasy and reality becomes apparent in an investigation of an alleged sexual harassment case.

The difficulty of separating sexual fantasy and reality becomes apparent in an investigation of an alleged sexual harassment case.

This early short from director Jane Campion concerns a group of teenage girls in the 1960s.

This early short from director Jane Campion concerns a group of teenage girls in the 1960s.

Early short film by Jane Campion.

A series of the awkward trials of everyday living.

A series of the awkward trials of everyday living.

A series of the awkward trials of everyday living.

A series of the awkward trials of everyday living.

A series of the awkward trials of everyday living.

After throwing his orange peel out of the car window, a boy is kicked out of the car by his father, and forced to pick up every piece.

After throwing his orange peel out of the car window, a boy is kicked out of the car by his father, and forced to pick up every piece.

After throwing his orange peel out of the car window, a boy is kicked out of the car by his father, and forced to pick up every piece.

Jane Campions first short film (Sydney College of the Arts)

Esther, a film composer going through a dry spell, moves in with her boyfriend Michael only to find out that he still keeps his Ex-girlfriend's belongings in his closet. What follows is an emotional roller coaster of a film exploring the great lengths an artist chooses to go to for the sake of inspiration.