Luis Ortega
出生 : 1980-07-12, Buenos Aires, Argentina
略歴
Luis Ortega was born in Buenos Aires in 1980. In 1999, at the age of nineteen, he directed his first feature film, Caja Negra, which received multiple international awards and launched him as one of the most promising and innovative filmmakers in Argentina. Since then, he developed a filmography with a strong signature, becoming one of the most daring and attractive voices in the independent Latin American scene, including Monobloc, Dromómanos and Lulú. In 2015, he wrote and directed Historia De Un Clan, a widely popular and critically acclaimed eleven-episode series. In 2016, he also directed the first two episodes of the successful series El Marginal.
Writer
At night a traveling flash runs through the streets of Buenos Aires hell, illuminating even the most remote roads. It's easy to mistake it for an angel. Its light, volatile step numbs the city and condenses the glances. It takes refuge in subways and tunnels under the ground. It comes off time. It tempts the dead to come back. It is The Light. The comfort of the homeless.
Director
At night a traveling flash runs through the streets of Buenos Aires hell, illuminating even the most remote roads. It's easy to mistake it for an angel. Its light, volatile step numbs the city and condenses the glances. It takes refuge in subways and tunnels under the ground. It comes off time. It tempts the dead to come back. It is The Light. The comfort of the homeless.
Screenplay
ブロンドの巻き毛に透き通る瞳、艶やかに濡れた瞳、磁器のように滑らかな白い肌―。神様が愛をこめて創ったとしか思えない美しすぎる17歳の少年、カルリートス。彼は欲しい物は何でも手に入れ、目障りな者は誰でも殺す。息をするように、ダンスを踊るように、ナチュラルに優雅に。やがて新しい学校で会った、荒々しい魅力を放つラモンと意気投合したカルリートスは、二人で様々な犯罪に手を染めていく。だが、カルリートスは、どんなに悪事を重ねても満たされない想いに気づき始める―。
Director
ブロンドの巻き毛に透き通る瞳、艶やかに濡れた瞳、磁器のように滑らかな白い肌―。神様が愛をこめて創ったとしか思えない美しすぎる17歳の少年、カルリートス。彼は欲しい物は何でも手に入れ、目障りな者は誰でも殺す。息をするように、ダンスを踊るように、ナチュラルに優雅に。やがて新しい学校で会った、荒々しい魅力を放つラモンと意気投合したカルリートスは、二人で様々な犯罪に手を染めていく。だが、カルリートスは、どんなに悪事を重ねても満たされない想いに気づき始める―。
Writer
Two young urchins turn the streets of Buenos Aires into their own magical playground, in this vibrant portrait of young love.
Director
Two young urchins turn the streets of Buenos Aires into their own magical playground, in this vibrant portrait of young love.
Director
Writer
Director of Photography
Five wanderers roam around Buenos Aires and it’s wild outskirts. God, schizophrenia and alcoholism is what gathers them in the search for salvation. A love triangle and the obsession over a little pig in the religiosity of the ghetto; a mental institution patient who finds an unstable emotional partner desperate for love; and the doctor of this story, an alcoholic, dangerous for himself and others, who heads without hesitation toward self destruction.
Screenplay
Five wanderers roam around Buenos Aires and it’s wild outskirts. God, schizophrenia and alcoholism is what gathers them in the search for salvation. A love triangle and the obsession over a little pig in the religiosity of the ghetto; a mental institution patient who finds an unstable emotional partner desperate for love; and the doctor of this story, an alcoholic, dangerous for himself and others, who heads without hesitation toward self destruction.
Director
Five wanderers roam around Buenos Aires and it’s wild outskirts. God, schizophrenia and alcoholism is what gathers them in the search for salvation. A love triangle and the obsession over a little pig in the religiosity of the ghetto; a mental institution patient who finds an unstable emotional partner desperate for love; and the doctor of this story, an alcoholic, dangerous for himself and others, who heads without hesitation toward self destruction.
Writer
Julieta and Federico are parents of three boys, it is a high class family. He is a successful architect. They receive the visit of Tito, uncle of Federico, a gray man who has just left the prison. Tito wants to go to the sea and Federico proposes to go to a house that he himself built for some friends, but Federico stays in the city, working.
Director
Julieta and Federico are parents of three boys, it is a high class family. He is a successful architect. They receive the visit of Tito, uncle of Federico, a gray man who has just left the prison. Tito wants to go to the sea and Federico proposes to go to a house that he himself built for some friends, but Federico stays in the city, working.
Follows a man as he silently goes through the desperation of a break-up. He aimlessly wanders the streets, meeting the night people of Buenos Aires; loners, thieves, fugitives, homeless, suicides, lovers and the ghost of the lost lover.
Luis Ortega's apocalyptic third feature follows a group of five survivors as they embark on a journey that will force them to face their fears, dreams and longings in their quest for salvation across the Fijman River.
Director
Luis Ortega's apocalyptic third feature follows a group of five survivors as they embark on a journey that will force them to face their fears, dreams and longings in their quest for salvation across the Fijman River.
Director
The godmother and Perla are the world to "the little girl," a world defined by the four walls of a studio apartment with one window looking nowhere. Only space and alter the monotony, the blood transfusion sessions to which must be submitted Pearl and almost anonymous sexual encounters of the baby.
Writer
It tells the story of three characters: a young woman who works at a dry cleaner, a father who leaves prison and the Salvation Army, and an old woman.
Director
It tells the story of three characters: a young woman who works at a dry cleaner, a father who leaves prison and the Salvation Army, and an old woman.
