Sylvia
妹夫婦の家に居候しているバニー(エシー・デイヴィス)は、必死に働きながら、離れて暮らす娘と再び一緒に生活することを夢見ていた。ある日バニーは、妹の夫ビーバンがめいのトーニャ(トーマシン・マッケンジー)に言い寄るさまを見る。バニーはそのことをビーバンに問い詰めるが、家を追い出されてしまう。住む家もなくしたバニーはトーニャと一緒に、娘を奪還することを思いつく。
Loma
"This singular, bleakly funny, R-rated vision of Kiwi life clinches King's position as the most distinctive new voice in NZ film, as insistent and inescapable as The Warehouse jingle." - New Zealand International Film Festival director Bill Godsen. Made at the beginning of the digital revolution, this micro-budget feature went on to win several awards and be selected for major Fests incl. Toronto, Locarno, Edinburgh, and Melbourne.
Marge
A female psychologist wants to understand the minds of a confessed serial killer who spent the last five years in a mental hospital because of his state.
Miss Stewart
純粋でいて残酷、あまりにも多感な二人の女子高生が夢見る幻想と現実。夢に溺れる二人は、ついには自分達の領域を侵すものを抹殺しようとする……。実際に起きた事件の映画化で、彼女たちが犯行に駆り立てられるまでを鮮明に解き明かした、ピーター・ジャクソン監督による心理ドラマ。
Ruth Scarry
Anthropologist Max Scarry mysteriously disappears while doing excavation/research of a lost New Zealand tribe on a remote island. His wife and his twin brother Edward are clueless as to what could have happened, a situation complicated by their city's police suspecting that one of the brothers murdered a local prostitute who was found with a strange tribal charm on her body matching one found in Max's abandoned hut. What most certainly isn't helping matters is the strange behavior of Max's daughter as she seems to have visions beyond possibility, warnings of a supernatural threat and her uncle's fate - and she's the film's narrator, to boot. Edward decides to go to the island to find out exactly what happened, but the deeper he goes into the mystery the more perilous and unknowable his world becomes, leading towards a shocking fate that raises more questions than it answers. (cont. http://view-from-the-paperhouse.blogspot.de/2014/10/the-threat-of-ancient-echoes-lost-tribe.html)
