Carlos Bodelón

参加作品

ジュリエッタ
Art Direction
The film spans 30 years in Julieta’s life from a nostalgic 1985 where everything seems hopeful, to 2015 where her life appears to be beyond repair and she is on the verge of madness.
Endless Night
Art Direction
Ellesmere Island, northern Canada, 1908. Josephine, a brave but naive woman, embarks on a dangerous journey through inhospitable regions in search of her husband, the explorer Robert Peary, who tries to find a route to the North Pole.
アサイラム 監禁病棟と顔のない患者たち
Supervising Art Director
19世紀末のイギリス。オックスフォードの医学生エドワードは実習のため、革新的な治療でうわさのストーンハースト精神病院を訪れる。患者に薬を使わず、自由に院内を動き回らせるというこれまでにない光景に驚くエドワードだったが、院内の様子がどこかおかしいことに気付く。そして、彼はイライザという美しい患者と出会う。
私が、生きる肌
Art Direction
最愛の妻を亡くして以来、完ぺきな肌の開発研究に打ち込む天才形成外科医のロベル(アントニオ・バンデラス)。あらゆるモラルを打ち捨ててしまった彼は、ある人物を監禁して禁断の実験に取り掛かることに。それは開発中の人工皮膚を全身にくまなく移植して、被験者を亡き妻へと作り変えてしまうことだった。着々と妻の代役を創造させていくロベルだったが、思いも寄らぬ事態が起こってしまう。
Desde que amanece apetece
Art Direction
Pelayo is leaving to work for his uncle Lorenzo and to find a nice girl to settle down with. Pelayo arrives to find out that Lorenzo's "business" is in fact a male strip show and Lorenzo's dancers are a laughing stock. Lorenzo has all his money tied up in his wedding with ex-prostitute Palmira. With Pelayo arriving life turns upside down. Can Lorenzo keep his infidelities a secret and his crew off the streets? Can Pelayo keep from falling for a prostitute on his way to finding a wife?
Desde que amanece apetece
Production Design
Pelayo is leaving to work for his uncle Lorenzo and to find a nice girl to settle down with. Pelayo arrives to find out that Lorenzo's "business" is in fact a male strip show and Lorenzo's dancers are a laughing stock. Lorenzo has all his money tied up in his wedding with ex-prostitute Palmira. With Pelayo arriving life turns upside down. Can Lorenzo keep his infidelities a secret and his crew off the streets? Can Pelayo keep from falling for a prostitute on his way to finding a wife?
キングダム・オブ・ヘブン
Art Direction
12世紀。妻子を亡くして生きる目的を失ったフランスの鍛冶職人バリアンだが、彼の親と名乗り出たイベリンの領主、騎士ゴッドフリーに誘われ、ともにエルサレムへ出発。道中、ある事件で命を落としたゴッドフリーは騎士の称号をバリアンに譲り、エルサレムに平和と愛に満ちた国家を築くよう息子に託す。バリアンが若きエルサレム王ボードワン4世やその妹シビラ姫と出会う一方、キリスト教徒とイスラム教徒の対立は激化していく。
La mujer de mi vida
Production Design
Ramón, an egocentric and successful film producer, is only interested in money and women. Shortly after receiving a Goya for his latest film, he learns that his friend Enrique, a forgotten actor who is going through a rough patch, needs help. He has contacted Faby, an undocumented Peruvian waitress who works in the slum where Enrique has felt ill. Fascinated by the girl, Ramón decides to solve her problems, marrying her to Enrique.
La Femme du cosmonaute
Production Design
Anna and her husband Jean-Paul have to face a long and difficult separation since Jean-Paul is a spationaut. Thanks to a video device they can see each other and communicate... But definitely not for the best!
Nobody Will Speak of Us When We're Dead
Set Decoration
Escaping gangsters trying to kill her because of being witness to a crime, Gloria (Victoria Abril), a young woman of lower class, comes back to Madrid, Spain and to her family. There she tries to find work and earn some money.
The White Dove
Set Designer
The story unfolds in Bilbao. Rocío (Emma Suárez), is in love with Mario (Antonio Banderas), a free rider with a lot of face that, to top it all, is partner of the business of her father, Domingo (Francisco Rabal) with whom she maintains incestuous relations. When Domingo passes away, both Mario and Rocío's mother have to put to the front of the business, finishing with the inheritance that could receive Rocío. In the midst of her frustration, a young business worker, secretly in love with Rocío, will try to have the legacy of her father end up in the hands of his rightful heiress.