Director of Photography
In the final decades of the 20th century, the Philippines was a country where low-budget exploitation-film producers were free to make nearly any kind of movie they wanted, any way they pleased. It was a country with extremely lax labor regulations and a very permissive attitude towards cultural expression. As a result, it became a hotbed for the production of cheapie movies. Their history and the genre itself are detailed in this breezy, nostalgic documentary.
Director of Photography
As Australian cinema broke through to international audiences in the 1970s through respected art house films like Peter Weir's "Picnic At Hanging Rock," a new underground of low-budget exploitation filmmakers were turning out considerably less highbrow fare. Documentary filmmaker Mark Hartley explores this unbridled era of sex and violence, complete with clips from some of the scene's most outrageous flicks and interviews with the renegade filmmakers themselves.
Director of Photography
日陰の過去を捨て、家庭を築こうとしている小さな自動車ディーラーのTerry。マルティーンは、テリーが昔住んでいた地域の美しいモデルで、テリーが天使ではないことを知っている。マルティーンが銀行強盗の計画を提案すると、テリーはその危険性を認識しながらも、これが一生に一度のチャンスかもしれないと考える。才気あふれる強盗団がロイズ銀行の貸金庫に忍び込むと、大金の他に、ロンドンの悪名高い裏社会のギャングから政府高官、さらには英国王室までをも巻き込む秘密が箱に入っていることがすぐにわかった。この強盗事件は数日間にわたって英国中の話題をさらったが、政府の箝口令により、この事件に関するすべての報道は途絶えてしまった。
Director of Photography
A couple becomes lost in a massive storm and seek refuge at a nearby farmhouse, only to be captured by deranged killers.
Cinematography
A young woman takes a babysitting job during a bad thunderstorm. She begins to receive frightening phone calls from a young boy who claims he needs help. It seems that the boy's abusive father has locked him up somewhere, and he can't get out. The woman calls the police so they can trace the boy's call, and then they all learn the shocking truth about the boy's whereabouts.
