Director of Photography
In the final decades of the 20th century, the Philippines was a country where low-budget exploitation-film producers were free to make nearly any kind of movie they wanted, any way they pleased. It was a country with extremely lax labor regulations and a very permissive attitude towards cultural expression. As a result, it became a hotbed for the production of cheapie movies. Their history and the genre itself are detailed in this breezy, nostalgic documentary.
Director of Photography
As Australian cinema broke through to international audiences in the 1970s through respected art house films like Peter Weir's "Picnic At Hanging Rock," a new underground of low-budget exploitation filmmakers were turning out considerably less highbrow fare. Documentary filmmaker Mark Hartley explores this unbridled era of sex and violence, complete with clips from some of the scene's most outrageous flicks and interviews with the renegade filmmakers themselves.
Director of Photography
1971년 런던 동부, 카 딜러 ‘테리’(제이슨 스태덤)는 옛 애인 ‘마틴’(섀프론 버로즈) 으로 부터 경보장치가 24시간 동안 해제되는 로이드 은행을 털자는 제안을 받는다. 절호의 찬스라고 판단한 ‘테리’는 포르노 배우 ‘데이브’, 사진 작가 ‘케빈’, 콘코리트 전문가 ‘밤바스’, 양복 전단사 ‘가이’, 새 신랑 ‘에디’를 불러 모으고..... 평범하게 살아가던 아마추어 7인의 일당이 의기투합하게 된다. 이들은 13m의 지하 터널을 뚫고 은행에 도착, 전문가 못지 않은 실력으로 수백개 금고에 보관중이던 돈과 보석을 챙겨 400억원의 짜릿한 한탕에 성공한다. 하지만 이들의 뒤를 쫓는 것은 경찰만이 아니었다. MI5(영국군사정보국)와 범죄 조직까지 테리 일당을 먼저 찾기 위해 혈안이 된다. 그들이 마침내 훔친 것 중에는 돈 외에도 무언가 더 있다는 사실을 알게 되는데...
Director of Photography
젊은 여피족 부부가 한적한 바다에서 항해를 하다 태풍을 만나 길을 헤매던 중 황량한 섬에서 괴한들을 만나게 된다는 내용의 호러물
Cinematography
A young woman takes a babysitting job during a bad thunderstorm. She begins to receive frightening phone calls from a young boy who claims he needs help. It seems that the boy's abusive father has locked him up somewhere, and he can't get out. The woman calls the police so they can trace the boy's call, and then they all learn the shocking truth about the boy's whereabouts.
