Kazuyuki Izutsu

Kota (Satoshi Tsumabuki) hears about an impending 1.5 billion yen gold bar heist from his friend Kitagawa (Tadanobu Asano), a former college classmate, and decides to take part. The gold bar sits in the basement of the HQ of Sumita Bank. Helping Kota and Kitagawa are bank security employee Noda (Kenta Kiritani), a North Korean spy pretending to be a college student (Shim Chang-Min), Kitagawa's younger brother Haruki (Junpei Mizobata) and a former elevator engineer (Toshiyuki Nishida). These 6 men are about to carry the boldest of schemes to bypass the bank's high-tech defense system.

Kota (Satoshi Tsumabuki) hears about an impending 1.5 billion yen gold bar heist from his friend Kitagawa (Tadanobu Asano), a former college classmate, and decides to take part. The gold bar sits in the basement of the HQ of Sumita Bank. Helping Kota and Kitagawa are bank security employee Noda (Kenta Kiritani), a North Korean spy pretending to be a college student (Shim Chang-Min), Kitagawa's younger brother Haruki (Junpei Mizobata) and a former elevator engineer (Toshiyuki Nishida). These 6 men are about to carry the boldest of schemes to bypass the bank's high-tech defense system.

Two men, a freeter (played by Shusuke Fukutoku) and a man who used to be a non-combat solider (played by Junpei Goto), becomes involved in a cruel crime.

In 1974, during the height of the recession, a Japanese Korean family relocates to Tokyo to raise money and seek better treatment for their ill son.

1968年、京都。高校2年生の康介（塩谷瞬）は、担任からの指示で親友の紀男（小出恵介）と敵対する朝鮮高校に親善サッカーの試合を申し込みに行く。そこで康介は音楽室でフルートを吹くキョンジャ（沢尻エリカ）に一目惚れするが……。

1968年、京都。高校2年生の康介（塩谷瞬）は、担任からの指示で親友の紀男（小出恵介）と敵対する朝鮮高校に親善サッカーの試合を申し込みに行く。そこで康介は音楽室でフルートを吹くキョンジャ（沢尻エリカ）に一目惚れするが……。

Documentary filmmaker Kenjiro Fujii takes a look at the history of a distinctly Japanese brand of softcore pornography in this extensive examination of the "pinku eiga" genre (ピンク映画 Pinku eiga or Pinkeiga). For more than 40 years, so-called "pink" films have served as both a key source of revenue for the Japanese film industry as well as a launching pad for the careers of such mainstream filmmakers as Kiyoshi Kurosawa. After providing a detailed history of the still-profitable and popular genre through interviews with a variety of behind-the-scenes players and clips from such classic pink films as Fish Bait Boobies, director Fujii shifts his focus to the production of an upcoming pink film to offer a glimpse into the creative and stylistic evolution of the genre.

A James Brown fanatic gangster decided to disband his own gang and see his long lost daughter before entering prison. Hoping to change his mind, his underlings planned to kidnap James Brown to convince him to perform privately for their boss.

A James Brown fanatic gangster decided to disband his own gang and see his long lost daughter before entering prison. Hoping to change his mind, his underlings planned to kidnap James Brown to convince him to perform privately for their boss.

After his girlfriend commits suicide, a man becomes embroiled in gang warfare attempting to obtain a gun in hopes to kill himself.

Traditional Japanese pop singer Reiko (Muroi) decides to enter a well-known TV program for amateur singers along with a confused teenager (Ôtomo) and a 40-year-old father of four (Bito).

Traditional Japanese pop singer Reiko (Muroi) decides to enter a well-known TV program for amateur singers along with a confused teenager (Ôtomo) and a 40-year-old father of four (Bito).

Chunba and Kotetsu, grows up in the working class neighborhood of Kishiwada in Osaka in the mid-seventies. Their life in school is a never-ending series of fights and reprisals against rival gangs landing them in trouble with organised crime and in the juvenile court.

目黒区の住宅街の路上で頭部に独特な“突き傷”がある元暴力団員の死体が見つかる事件が発生し、警視庁捜査一課の合田警部補は被害者の身辺を調査し始める。その一方、ある法務省刑事局の職員が同じような“突き傷”のある遺体となって見つかる。合田は警察内部のしがらみに苦労しながらも、元暴力団員と法務省職員の両方に、ある弁護士が関係していたことを知る。やがて捜査線上に水沢という謎の青年の存在が浮上してくる。

Kaori, who can find nothing in her daily life but sex with her male friend Taro, suddenly meets a middle-aged man named Kosuke. She hopes that Kosuke will quench her thirst, but is disappointed to learn that he has a woman named Naomi. Upon learning of Kaori's feelings for him, Taro...

Kaori, who can find nothing in her daily life but sex with her male friend Taro, suddenly meets a middle-aged man named Kosuke. She hopes that Kosuke will quench her thirst, but is disappointed to learn that he has a woman named Naomi. Upon learning of Kaori's feelings for him, Taro...

Three stories with horror and science fiction elements. 1st episode: "The Curse of Tutankhamen" (Tsutankâmen no noroï) by Kazuyuki Izutsu. With Naoto Takenaka. Two clans of Yakuza clash in a bar. 2nd episode: "They came back, tonight too" (Yatsura wa konya mo yattekita) by Kiyoshi Kurosawa. With Renji Ishibashi. A polar writer is pursued by two mysterious mountebanks. 3rd episode: "I want to come back to this day" (Ano hi ni kaeritai) by Banmei Takahashi. With Toshiyuki Nagashima. A couple who robbed a bank decides to separate to escape the police.

After returning from the Burmese front in WWII, a man finds trouble brewing back home.

After returning from the Burmese front in WWII, a man finds trouble brewing back home.

六甲山にある聖サフラン教会のシスターである今日子がオルガンで賛美歌を演奏している。天竜組の二代目の天竜晴彦はヤクザでありながら、その端正な美しさから今日子に惚れ抜いており、子分にクリスチャンの洗礼を受けさせてしまった。また晴彦同様、今日子に恋心を寄せる刑事の神代は、実家が天台宗の寺で、これまた厚いカベが。ところが今日子自身はというと、ある嵐の日に運命的に出会った英二に密かに想いを寄せていた。周囲の人々の思いが交錯する中、今日子の運命は思いがけない方向へ進み始めるのだった。

Straight to video film directed by Kazuyuki Izutsu

アメリカ留学から帰国した北里可奈子は、死の間際に母の浪子から衝撃的な告白を受ける。コールガール殺人事件を目撃した浪子は、娘を殺すと脅迫されたため、無実の人間に罪を着せ自殺に追い込んでしまったのだという。真犯人は北里家の身近な人間だというが、その名を告げる前に息を引き取ってしまった。浪子の通夜が行われ、北里産業の雇われ社長の円谷、その息子で可奈子に結婚を迫る正彦、無表情で得体の知れない社長秘書の水原、主治医の菊井など、怪しい人間が続々と現れる。

少年院あがりで、20歳のときに「30歳になるまでに何かドデカいことをやったる!」と誓った竹田明夫。それまでの生活を一変させるため、パーマをかけ、胸に刺青を入れキャバレーのボーイになった。同じ店のナンバー・ワン・ホステスの三千代を強引にくどき同棲を始める…。

万博を3年後に控えた大阪を舞台に、ケンカと遊びに明け暮れる少年たちを描いた青春バイオレンス。ピンク映画を手がけてきた井筒和幸監督の名を一躍世間に知らしめた井筒監督の代表作の1本。昭和42年。大阪ではキタの北神同盟とミナミのホープ会の二大グループが激しい抗争を繰り返していた。そんな中、少年院帰りのリュウと仲間のケン、チャボは、徒党を組むことを良しとせず、自由に生きることをモットーとしていた。やがて、ある事件をきっかけに3人はホープ会を叩きのめすのだった……。

万博を3年後に控えた大阪を舞台に、ケンカと遊びに明け暮れる少年たちを描いた青春バイオレンス。ピンク映画を手がけてきた井筒和幸監督の名を一躍世間に知らしめた井筒監督の代表作の1本。昭和42年。大阪ではキタの北神同盟とミナミのホープ会の二大グループが激しい抗争を繰り返していた。そんな中、少年院帰りのリュウと仲間のケン、チャボは、徒党を組むことを良しとせず、自由に生きることをモットーとしていた。やがて、ある事件をきっかけに3人はホープ会を叩きのめすのだった……。

1979 pink film.