Kazuyuki Izutsu
Рождение : 1952-12-13, Nara Prefecture, Japan
История
Film director, screenwriter, and film critic.
Screenplay
Director
Screenplay
Kota (Satoshi Tsumabuki) hears about an impending 1.5 billion yen gold bar heist from his friend Kitagawa (Tadanobu Asano), a former college classmate, and decides to take part. The gold bar sits in the basement of the HQ of Sumita Bank. Helping Kota and Kitagawa are bank security employee Noda (Kenta Kiritani), a North Korean spy pretending to be a college student (Shim Chang-Min), Kitagawa's younger brother Haruki (Junpei Mizobata) and a former elevator engineer (Toshiyuki Nishida). These 6 men are about to carry the boldest of schemes to bypass the bank's high-tech defense system.
Director
Kota (Satoshi Tsumabuki) hears about an impending 1.5 billion yen gold bar heist from his friend Kitagawa (Tadanobu Asano), a former college classmate, and decides to take part. The gold bar sits in the basement of the HQ of Sumita Bank. Helping Kota and Kitagawa are bank security employee Noda (Kenta Kiritani), a North Korean spy pretending to be a college student (Shim Chang-Min), Kitagawa's younger brother Haruki (Junpei Mizobata) and a former elevator engineer (Toshiyuki Nishida). These 6 men are about to carry the boldest of schemes to bypass the bank's high-tech defense system.
Director
Two men, a freeter (played by Shusuke Fukutoku) and a man who used to be a non-combat solider (played by Junpei Goto), becomes involved in a cruel crime.
Director
In 1974, during the height of the recession, a Japanese Korean family relocates to Tokyo to raise money and seek better treatment for their ill son.
Screenplay
Киото. 1968 год. Между молодежью из местного клуба карате и школы, где учатся корейцы, идет постоянная вражда. Но сердцу не прикажешь – «каратист» Косукэ влюбился в сестру вожака корейцев Кён Чжи. Чтобы ей понравиться, парень начинает учиться корейскому языку и игре на гитаре, надеясь когда-нибудь сыграть любимую песню Кён Чжи о ее родине. Благодаря знакомству с девушкой, Косукэ находит друзей среди корейцев и понимает, что их и японцев многое разделяет…
Director
Киото. 1968 год. Между молодежью из местного клуба карате и школы, где учатся корейцы, идет постоянная вражда. Но сердцу не прикажешь – «каратист» Косукэ влюбился в сестру вожака корейцев Кён Чжи. Чтобы ей понравиться, парень начинает учиться корейскому языку и игре на гитаре, надеясь когда-нибудь сыграть любимую песню Кён Чжи о ее родине. Благодаря знакомству с девушкой, Косукэ находит друзей среди корейцев и понимает, что их и японцев многое разделяет…
Himself
Documentary filmmaker Kenjiro Fujii takes a look at the history of a distinctly Japanese brand of softcore pornography in this extensive examination of the "pinku eiga" genre (ピンク映画 Pinku eiga or Pinkeiga). For more than 40 years, so-called "pink" films have served as both a key source of revenue for the Japanese film industry as well as a launching pad for the careers of such mainstream filmmakers as Kiyoshi Kurosawa. After providing a detailed history of the still-profitable and popular genre through interviews with a variety of behind-the-scenes players and clips from such classic pink films as Fish Bait Boobies, director Fujii shifts his focus to the production of an upcoming pink film to offer a glimpse into the creative and stylistic evolution of the genre.
Writer
A James Brown fanatic gangster decided to disband his own gang and see his long lost daughter before entering prison. Hoping to change his mind, his underlings planned to kidnap James Brown to convince him to perform privately for their boss.
Director
A James Brown fanatic gangster decided to disband his own gang and see his long lost daughter before entering prison. Hoping to change his mind, his underlings planned to kidnap James Brown to convince him to perform privately for their boss.
Gun seller
After his girlfriend commits suicide, a man becomes embroiled in gang warfare attempting to obtain a gun in hopes to kill himself.
Screenplay
Телевидение – вот заветная мечта героев картины. Все они буквально одержимы одним желанием — обязательно попасть в финал популярнейшей японской телепередачи под названием «Нодо Дзиман». Сотни энтузиастов-любителей еженедельно ожесточённо соревнуются в искусстве пения ради того, чтобы однажды воскресным вечером появиться в «священном» прямом эфире. Самое смешное заключается в том, что все участники передачи «А я пою лучше» воспринимают конкурс абсолютно серьёзно! На этот раз компания подобралась ещё та: певица в стиле «энка», великовозрастный неудачник, комплексующая старшеклассница и пенсионер, внук которого наотрез отказывается ходить в школу…
Director
Телевидение – вот заветная мечта героев картины. Все они буквально одержимы одним желанием — обязательно попасть в финал популярнейшей японской телепередачи под названием «Нодо Дзиман». Сотни энтузиастов-любителей еженедельно ожесточённо соревнуются в искусстве пения ради того, чтобы однажды воскресным вечером появиться в «священном» прямом эфире. Самое смешное заключается в том, что все участники передачи «А я пою лучше» воспринимают конкурс абсолютно серьёзно! На этот раз компания подобралась ещё та: певица в стиле «энка», великовозрастный неудачник, комплексующая старшеклассница и пенсионер, внук которого наотрез отказывается ходить в школу…
Director
Кисивада — пригород Осака, где живут главные герои фильма — два друга-старшеклассника Тюмба и Котэцу, а также их друзья и враги. Кисивадские пацаны дерутся… потому что дерутся. Потому, что не знают другого способа проявления гормонального всплеска. Потому что для их возраста это норма, одно из главных правил повседневной жизни.
Hiroshi Hatakeyama
Assistant police inspector Aida is assigned to investigate the murder of a former gang member. When a justice ministry official is killed days later in a similar manner, he begins to suspect that something bigger is going on...
Screenplay
Kaori, who can find nothing in her daily life but sex with her male friend Taro, suddenly meets a middle-aged man named Kosuke. She hopes that Kosuke will quench her thirst, but is disappointed to learn that he has a woman named Naomi. Upon learning of Kaori's feelings for him, Taro...
Director
Kaori, who can find nothing in her daily life but sex with her male friend Taro, suddenly meets a middle-aged man named Kosuke. She hopes that Kosuke will quench her thirst, but is disappointed to learn that he has a woman named Naomi. Upon learning of Kaori's feelings for him, Taro...
Director
Writer
Director
Writer
Director
Three stories with horror and science fiction elements. 1st episode: "The Curse of Tutankhamen" (Tsutankâmen no noroï) by Kazuyuki Izutsu. With Naoto Takenaka. Two clans of Yakuza clash in a bar. 2nd episode: "They came back, tonight too" (Yatsura wa konya mo yattekita) by Kiyoshi Kurosawa. With Renji Ishibashi. A polar writer is pursued by two mysterious mountebanks. 3rd episode: "I want to come back to this day" (Ano hi ni kaeritai) by Banmei Takahashi. With Toshiyuki Nagashima. A couple who robbed a bank decides to separate to escape the police.
Screenplay
After returning from the Burmese front in WWII, a man finds trouble brewing back home.
Director
After returning from the Burmese front in WWII, a man finds trouble brewing back home.
Director
The story of beautiful Christian nun, Kyoko who is the object of affection for two very different men - one the happy-go-lucky yakuza gangster, Haruhiko who is the next-in-line to takeover the ragtag "Tenryu Gumi" gang and the other bumbling police detective Kumashiro. The Tenryu Gumi is a collection of misfits and other troublemakers but are relatively peaceful due to their Christian beliefs. Their bitter rivals are the more traditional "Kuroiwa Gumi", a much more sadistic and violent group led by godfather Kuroiwa.
Director
Straight to video film directed by Kazuyuki Izutsu
Director
Kanako returns from the USA to a troubled mother who witnessed a man leaving a murder scene and is consequently under persistent threat. For the time being.
Director
Producer
An ardent culture-vulture youth, previously charged for the murder of a woman when he was young, plans to hold hostage a local bank.
Original Concept
Following a stint in reform school, Ryu (Shinsuke Shimada) returns to his home, the Minami area of Osaka, accompanied by his new friend Ko (Takeshi Masu). He's greeted by his friends, Chabo (Ryusuke Matsumoto) and Ken (Bang-ho Cho). They seek to forge their own path through a multitude of rival gangs in Kita and Minami, including the Hokushin Alliance, backed by the yakuza, the Hope Association, and various other minor factions, including Zainichi Korean groups. What follows is a wild, fast-paced story of violence, revenge, betrayal, and discrimination, that never loses its sense of humor.
Director
Following a stint in reform school, Ryu (Shinsuke Shimada) returns to his home, the Minami area of Osaka, accompanied by his new friend Ko (Takeshi Masu). He's greeted by his friends, Chabo (Ryusuke Matsumoto) and Ken (Bang-ho Cho). They seek to forge their own path through a multitude of rival gangs in Kita and Minami, including the Hokushin Alliance, backed by the yakuza, the Hope Association, and various other minor factions, including Zainichi Korean groups. What follows is a wild, fast-paced story of violence, revenge, betrayal, and discrimination, that never loses its sense of humor.
Director
1979 pink film.