Self
As Australian cinema broke through to international audiences in the 1970s through respected art house films like Peter Weir's "Picnic At Hanging Rock," a new underground of low-budget exploitation filmmakers were turning out considerably less highbrow fare. Documentary filmmaker Mark Hartley explores this unbridled era of sex and violence, complete with clips from some of the scene's most outrageous flicks and interviews with the renegade filmmakers themselves.
Himself
A documentary exploring Bill Douglas' struggle from childhood poverty to acclaimed filmmaker of Comrades and the Trilogy.
Producer
A mom of three buys a cheap, old house. However, the backyard cubby-house is cursed with pure evil that took the previous owner's two kids and her kids are next.
Producer
When her practical joker boyfriend dies, a young woman recalls all the pranks he pulled as she tries to figure out who murdered him.
Producer
An invisible force is killing women in Sydney and stealing their eyes.
Gantry
A patient at a private clinic for sufferers of sexual dysfunction begins a tentative affair with one of the other patients while a killer stalks the institution.
Producer
A patient at a private clinic for sufferers of sexual dysfunction begins a tentative affair with one of the other patients while a killer stalks the institution.
Writer
A patient at a private clinic for sufferers of sexual dysfunction begins a tentative affair with one of the other patients while a killer stalks the institution.
Producer
The story of "The Tolpuddle Martyrs". A group of 19th century English farm labourers who formed one of the first trade unions and started a campaign to receive fair wages.
Associate Producer
After the start of WW2, a mother takes her children from Sydney to the countryside.
Producer
Based on a true story, James Coburn portrays a military lawyer assigned to defend a confessed psychotic killer. Set in the context of WWII and the uneasy US-Australian military alliance. The accused killer claims to have killed 3 women in order to possess their voices. Despite the defense lawyer's concerns that the killer is not fit to stand trial, the US military presses forward with the case and its desire to have the killer executed in order to strengthen the shaky alliance.
Producer
Private Detective Mike Hayes (Guy Doleman), is working on a divorce case, when he stumbles upon a series of cover-ups that leads to a corpse. His investigation takes him into the lievs of two families living in the Sydney suburbs. Although they look like ordinary people, one of them is the killer. Hayes meets the strange teenager David Prentice (David Franklin), who keeps a violent crime scrapbook, and Val Meadows (Diane McLean), the mistress who believes that someone is trying to kill her. The more the investigation deepens, the more twisted and complex it becomes. It appears the only people who hate Val enough to want her dead, are her own family. Could it be her two sons, alienated by her dominant nature, her lover, or even her best friend?
Director
Private Detective Mike Hayes (Guy Doleman), is working on a divorce case, when he stumbles upon a series of cover-ups that leads to a corpse. His investigation takes him into the lievs of two families living in the Sydney suburbs. Although they look like ordinary people, one of them is the killer. Hayes meets the strange teenager David Prentice (David Franklin), who keeps a violent crime scrapbook, and Val Meadows (Diane McLean), the mistress who believes that someone is trying to kill her. The more the investigation deepens, the more twisted and complex it becomes. It appears the only people who hate Val enough to want her dead, are her own family. Could it be her two sons, alienated by her dominant nature, her lover, or even her best friend?
Producer
On her 16th birthday, Alison Findlay and two of her friends make contact with a spirit, who warns Alison of impending doom on her 19th birthday. Three years later, on the eve of turning 19, Alison returns home and makes a strange discovery in her family's backyard.
Executive Producer
Three attractive socialites working for charity turn to robbery to keep a special primary school for underprivileged children open.
Associate Producer
A man is brutally beaten so he and 4 others head to the beach for refuge and relaxation. It soon becomes clear that they've been imprisoned by person or persons unknown. Then an unknown mad killer begins picking off the vacationers, one by one.
Producer
Associate Producer
Unmarried, beautiful and talented, Melanie Hilton discovers she is pregnant. The editor of a woman's magazine, she decides to have her baby and take leave from her job. Caught between her ex-lover and a colleague who wants to marry her, Melanie must find a solution or an alternative to her problem. When she falls in love with a woman, she questions the value of the traditional value unit.
Executive Producer
A beautiful woman, Kate (Tina Grenville), is released from a sanatorium unaware that while she was away her husband John (George Lazenby) has begun an affair with her sister Marianne (Wendy Hughes). The two sisters live together in a creepy apartment block while John is away, and find themselves stalked by some mysterious strangers.
Associate Producer
Further adventures of the "Number 96" (1972) crew, on the big screen.
Executive Producer
1974年当時のオーストラリアの暴走族カルチャーをリアルに取り入れ、シドニーを舞台に、政治家暗殺事件に巻き込まれた暴走族「墓掘り軍団」と事件解明のため軍団に潜入した刑事ストーンの活躍を描いたバイオレンスアクション。
Executive In Charge Of Production
Paul Lawrence is a working class man who dates Cara, sells shirts at a Sydney department store, and dreams of attending art school. Cara leaves for London and Paul becomes the protege of designer Marie Rosefield. Through this he enters the 'set', the world of Sydney art society. Rosefield is friends with Mark Broniski, an artist who commissions Paul to design a set for British stage director, John L. Fredericks. Paul is helped by art student Tony Brown, who is dating Paul's cousin, Kim Sylvester. Paul and Tony begin a homosexual affair. Kim's mother Peggy has an affair with Boronoski.
