David Hannay

As Australian cinema broke through to international audiences in the 1970s through respected art house films like Peter Weir's "Picnic At Hanging Rock," a new underground of low-budget exploitation filmmakers were turning out considerably less highbrow fare. Documentary filmmaker Mark Hartley explores this unbridled era of sex and violence, complete with clips from some of the scene's most outrageous flicks and interviews with the renegade filmmakers themselves.

A documentary exploring Bill Douglas' struggle from childhood poverty to acclaimed filmmaker of Comrades and the Trilogy.

A mom of three buys a cheap, old house. However, the backyard cubby-house is cursed with pure evil that took the previous owner's two kids and her kids are next.

When her practical joker boyfriend dies, a young woman recalls all the pranks he pulled as she tries to figure out who murdered him.

An invisible force is killing women in Sydney and stealing their eyes.

A patient at a private clinic for sufferers of sexual dysfunction begins a tentative affair with one of the other patients while a killer stalks the institution.

A patient at a private clinic for sufferers of sexual dysfunction begins a tentative affair with one of the other patients while a killer stalks the institution.

A patient at a private clinic for sufferers of sexual dysfunction begins a tentative affair with one of the other patients while a killer stalks the institution.

영국 도싯셔의 탈퍼들이라는 마을에서 노동조합을 결성했다는 이유로 1834년 3월 7년 동안의 오스트레일리아 유배형을 선고받은 6명의 농업 노동자. 이들 가운데 지도자인 조지 러블리스(또는 러블레이스)와 제임스 러블리스 형제는 영국 전역에 노동조합 운동의 물결이 크게 일어났던 1833~34년에 농업노동자 공제조합 지부를 결성했다. 휘그당 정부는 노동계급의 불만이 대규모로 분출되는 것에 놀라 탈퍼들의 노동자 6명(러블리스 형제, 제임스 브라인, 토머스 스탠필드와 그의 아들 존, 제임스 해밋)을 체포했다. 표면상 이유는 그들이 불법적인 선서식을 거행했다는 것이었지만, 실제 이유는 유산 계급의 횡포에 나날이 어려워져만 가는 무산 계급들의 생존을 위한, 형편없는 수준의 임금이었지만 그것만이라도 지키기 위해 조합을 결성했기 때문이었다. 법치국가라는 제도의 미명하에 치루어진 법정에서 이들 6명은 역시 유산 계급인 적대적인 판사와 배심원들에게서 유죄판결을 받았지만 상대적으로 열악한 생활고에 시달리던 당시 민중에게는 영웅이 되어 버렸다. 결국 유배형에 처해져 영국에서 지구 반대편인 오스트레일리아까지 긴 항로를 떠나 길고 험한 수형 생활을 면치 못하게 되는데... 이 판결 직후 영국 전역에서 민중의 반발이 일어났다. 특히 런던에서는 대규모 시위가 벌어져, 미래의 차티스트 운동 지도자들이 시위에 많이 가담했다. 정부는 민중의 감정을 묵살하다가 결국 1836년 3월에야 형벌을 면제하고 만다.

After the start of WW2, a mother takes her children from Sydney to the countryside.

Based on a true story, James Coburn portrays a military lawyer assigned to defend a confessed psychotic killer. Set in the context of WWII and the uneasy US-Australian military alliance. The accused killer claims to have killed 3 women in order to possess their voices. Despite the defense lawyer's concerns that the killer is not fit to stand trial, the US military presses forward with the case and its desire to have the killer executed in order to strengthen the shaky alliance.

Private Detective Mike Hayes (Guy Doleman), is working on a divorce case, when he stumbles upon a series of cover-ups that leads to a corpse. His investigation takes him into the lievs of two families living in the Sydney suburbs. Although they look like ordinary people, one of them is the killer. Hayes meets the strange teenager David Prentice (David Franklin), who keeps a violent crime scrapbook, and Val Meadows (Diane McLean), the mistress who believes that someone is trying to kill her. The more the investigation deepens, the more twisted and complex it becomes. It appears the only people who hate Val enough to want her dead, are her own family. Could it be her two sons, alienated by her dominant nature, her lover, or even her best friend?

Private Detective Mike Hayes (Guy Doleman), is working on a divorce case, when he stumbles upon a series of cover-ups that leads to a corpse. His investigation takes him into the lievs of two families living in the Sydney suburbs. Although they look like ordinary people, one of them is the killer. Hayes meets the strange teenager David Prentice (David Franklin), who keeps a violent crime scrapbook, and Val Meadows (Diane McLean), the mistress who believes that someone is trying to kill her. The more the investigation deepens, the more twisted and complex it becomes. It appears the only people who hate Val enough to want her dead, are her own family. Could it be her two sons, alienated by her dominant nature, her lover, or even her best friend?

On her 16th birthday, Alison Findlay and two of her friends make contact with a spirit, who warns Alison of impending doom on her 19th birthday. Three years later, on the eve of turning 19, Alison returns home and makes a strange discovery in her family's backyard.

Three attractive socialites working for charity turn to robbery to keep a special primary school for underprivileged children open.

A man is brutally beaten so he and 4 others head to the beach for refuge and relaxation. It soon becomes clear that they've been imprisoned by person or persons unknown. Then an unknown mad killer begins picking off the vacationers, one by one.

Unmarried, beautiful and talented, Melanie Hilton discovers she is pregnant. The editor of a woman's magazine, she decides to have her baby and take leave from her job. Caught between her ex-lover and a colleague who wants to marry her, Melanie must find a solution or an alternative to her problem. When she falls in love with a woman, she questions the value of the traditional value unit.

A beautiful woman, Kate (Tina Grenville), is released from a sanatorium unaware that while she was away her husband John (George Lazenby) has begun an affair with her sister Marianne (Wendy Hughes). The two sisters live together in a creepy apartment block while John is away, and find themselves stalked by some mysterious strangers.

Further adventures of the "Number 96" (1972) crew, on the big screen.

공해가 심각한 어느 해변 도시에서 환경 보존에 관한 연설이 열리던 중 연사가 총에 맞아 숨지는 사건이 발생한다. 마침 주변에는 한 무리의 히피족이 있었고 우연히 그중의 하나가 연사에게 총을 쏘는 암살자를 목격한다. 하지만 그 사건 이후 세명의 히피가 연이어 의문의 죽음을 당하게 되자 조사를 위해 형사 스톤이 히피족에 잠입한다. 스톤은 히피의 생활 습관에 따라 누더기 옷을 입고 오른쪽 귀를 뚫은 후 그들과 함께 생활 하기 시작하는데...

Paul Lawrence is a working class man who dates Cara, sells shirts at a Sydney department store, and dreams of attending art school. Cara leaves for London and Paul becomes the protege of designer Marie Rosefield. Through this he enters the 'set', the world of Sydney art society. Rosefield is friends with Mark Broniski, an artist who commissions Paul to design a set for British stage director, John L. Fredericks. Paul is helped by art student Tony Brown, who is dating Paul's cousin, Kim Sylvester. Paul and Tony begin a homosexual affair. Kim's mother Peggy has an affair with Boronoski.