Fernando Guzzoni
出生 : 1983-07-30, Santiago, Chile
略歴
Fernando Guzzoni is a film director, screenwriter and producer. In 2008 with only 24 years he released the documentary La Colorina (2008) based on the poet Stella Díaz Varín, supported by the Fondo de Fomento Audiovisual de Chile.
With this documentary he won the award for Best Film at the Trieste Film Festival and the award for Best Director at SANFIC. During 2010 Guzzoni was one of the six beneficiaries among 180 applicants for the Cannes Film Festival's Cinefondation Residence, where he obtained an important grant given by the Festival to write the script of his first feature film Carne de perro (2012) in Paris.
This film was screened at the San Sebastian International Film Festival and gained international recognition by winning the Kutxa award for best film in the New Directors section among 16 countries. The film received more than 15 international awards.
In 2016 he released his third feature film Jesus (2016) which was shown at the Toronto Film Festival and at the San Sebastian Festival's official competition. He won numerous awards including Best Actor at the Turin Film Festival in Italy.
He is now developing his third feature film Blanquita.
Screenplay
Blanca turns on an 18-year old teen who returns to the juvenile center she ran away from at 15, but this time with a baby. She asks the priest in charge to take her in, but they are inadvertently caught up in an investigation on child prostitution, and the relentless media and political attention that comes with it.
Director
Blanca turns on an 18-year old teen who returns to the juvenile center she ran away from at 15, but this time with a baby. She asks the priest in charge to take her in, but they are inadvertently caught up in an investigation on child prostitution, and the relentless media and political attention that comes with it.
Thanks
Three friends are part of a fascist opposition group in the chaotic Chile of the early 70's and together commit a political crime that changes the history of the country and incidentally involves them in a betrayal that separates them forever.
Script Consultant
Michelsen, an older trucker who is lonely and sick, while traveling through Patagonia meets someone on the highway who reminds him of his daughter, whom he has not seen in years.
Man at the Soda machine
Martina was a famous singer in Argentina during the late 90s, who's become completely frigid and disenchanted with love. The arrival of a so-called sister, alongside her attractive boyfriend, compel Martina to go to Chile with one objective in mind: getting back her libido.
Camera Operator
18-year-old Jesús lives with his stern, somewhat unaffectionate father in Santiago, Chile. When not doing drugs, having casual sex or simply slouching in front of the TV, Jesús and his friends perform in a K-pop boyband. But his routine is thrown into chaos one evening when he and his drunken posse viciously assault a young gay man and leave him for dead. It’s an act that propels Jesús into a profound moral crisis which have severe consequences.
Writer
18-year-old Jesús lives with his stern, somewhat unaffectionate father in Santiago, Chile. When not doing drugs, having casual sex or simply slouching in front of the TV, Jesús and his friends perform in a K-pop boyband. But his routine is thrown into chaos one evening when he and his drunken posse viciously assault a young gay man and leave him for dead. It’s an act that propels Jesús into a profound moral crisis which have severe consequences.
Director
18-year-old Jesús lives with his stern, somewhat unaffectionate father in Santiago, Chile. When not doing drugs, having casual sex or simply slouching in front of the TV, Jesús and his friends perform in a K-pop boyband. But his routine is thrown into chaos one evening when he and his drunken posse viciously assault a young gay man and leave him for dead. It’s an act that propels Jesús into a profound moral crisis which have severe consequences.
Screenplay
Alejandro, a solitary, fragile and unpredictable man is crushed by the hostility of his mysterious past.
Director
Alejandro, a solitary, fragile and unpredictable man is crushed by the hostility of his mysterious past.
Idea
Portrait of the Chilean poet Stella Díaz Varín (1926 -2006), who was called “La colorina” because of her red hair. Anarchist, communist, agitator, boxer, grandmother, alcoholic — the first punk in history, as it were. Based on accounts of fellow-travelers.
Screenplay
Portrait of the Chilean poet Stella Díaz Varín (1926 -2006), who was called “La colorina” because of her red hair. Anarchist, communist, agitator, boxer, grandmother, alcoholic — the first punk in history, as it were. Based on accounts of fellow-travelers.
Researcher
Portrait of the Chilean poet Stella Díaz Varín (1926 -2006), who was called “La colorina” because of her red hair. Anarchist, communist, agitator, boxer, grandmother, alcoholic — the first punk in history, as it were. Based on accounts of fellow-travelers.
Director
Portrait of the Chilean poet Stella Díaz Varín (1926 -2006), who was called “La colorina” because of her red hair. Anarchist, communist, agitator, boxer, grandmother, alcoholic — the first punk in history, as it were. Based on accounts of fellow-travelers.
