Hiroshi Harada
出生 : 1962-06-13, Gunma Prefecture, Japan
略歴
Hiroshi Harada suffered from bullying during his childhood, a frequent theme in his films. His career as an entertainer began in 1976.
Between 1987 and 1992 he worked on the adaptation of Midori: the girl with the camellias, a manga by ero-guro author Suehiro Maruo . Due to the controversy of the film, Harada had trouble financing it and had to do most of the work on his own. Over the years it would become a cult film, as well as being one of the few (if not the only) anime of the ero-guro genre .
For the rest of the 90s , Harada remained anonymous using pseudonyms such as Hisaaki Etsu. In 2006 he directed the Humanoid Monster Bem series, the highest-budget play of his career up to that point. In Latin America the series was released by Animax .
In 2012 he directed 5 shorts for the anthological series Folktales from Japan which, as its name suggests, adapts popular tales from Japanese culture.
Producer
A girl reflects on her memories of her grandfather.
Thanks
人類を構成する最小の単位である細胞まで自然（水）とつながりがあること。
Director
The latest from Hiroshi Harada, an adaptation of a Kondō Yōko’s manga, first conceived in 1995, but completed more than 20 years later.
Producer
伝統が息づき、国内外から大勢の観光客が訪れる京都で生まれ育った赤田孝豊（高杉真宙）は、どこにでもいそうな高校2年生。将来への漠然とした不安を抱きつつ、思春期真っ盛りの同級生たちとの日常や、幼なじみのみこと（葵わかな）へのひそかな恋などを経験しながら、少しずつ成長していく。
Producer
High school student Izumi Kawashima, whose daily routine is rating newspaper articles, finds a wallet containing a large sum of cash. Instead of returning the wallet to its owner, Izumi decides to lend a substantial portion of the money to a middle-aged male acquaintance. She eventually returns the wallet to its owner, a wealthy high-school boy named Koki, who notices the missing money, and as compensation, asks Izumi to do something for his friend – to create a newspaper that brings happiness to its reader.
Producer
A middle-aged businessman has become unhealthily obsessed with a schoolgirl with whom he shares his daily commute. When he tries to make a direct connection with her, it creates dire complications.
Music
A multimedia animation (traditional paintings with digital effects) that Hiroshi Harada produced in the mid-90s.
Director
A multimedia animation (traditional paintings with digital effects) that Hiroshi Harada produced in the mid-90s.
Animation
A multimedia animation (traditional paintings with digital effects) that Hiroshi Harada produced in the mid-90s.
Animation
After losing her parents, young flower selling Midori is put up by a fairground group. She is abused and forced to slavery, until the arrival of an enigmatic magician of short stature, who gives her hope for a better future.
Writer
After losing her parents, young flower selling Midori is put up by a fairground group. She is abused and forced to slavery, until the arrival of an enigmatic magician of short stature, who gives her hope for a better future.
Executive Producer
After losing her parents, young flower selling Midori is put up by a fairground group. She is abused and forced to slavery, until the arrival of an enigmatic magician of short stature, who gives her hope for a better future.
Director
After losing her parents, young flower selling Midori is put up by a fairground group. She is abused and forced to slavery, until the arrival of an enigmatic magician of short stature, who gives her hope for a better future.
Key Animation
新入生歓迎会に際し、のび太の提案によって「西遊記」の劇をやることになった。孫悟空役をやりたかったのび太であったが、孫悟空役は出木杉に取られてしまい、実際の役は「村人その1」。セリフも「助けてくんろー!」の一言のみという、提案者とは思えない扱いだった。 孫悟空の存在を信じるのび太は、「本物に似ている人が孫悟空になるべきだ」と主張し、タイムマシンで7世紀のシルクロードへ向かう。そこでのび太そっくりの本物の孫悟空を目撃するが、誰も目撃談を信じない。仲間たちを連れ、再び唐へやって来たのび太だったが既に孫悟空はいない。仕方なくドラえもんのひみつ道具「ヒーローマシン」でのび太自ら孫悟空に成りすましたものの、調子に乗って結局ばれてしまった。のび太は、「ドラえもんの道具を使い放題」という無茶な約束に従わざるを得なくなり、ジャイアンが高笑いしながらタイムマシンを操縦する中、のび太とドラえもんは喧嘩になってしまうのだった。 落胆して現代に帰ったところ、なんとのび太の家族も知人もみんな妖怪になっており、現代は妖怪の世界と化していた。原因は唐の時代でヒーローマシンを使った際、マシンから妖怪たちが飛び出し、現実世界を荒らして三蔵法師を殺し、人類を滅ぼして人間に成り代ったため。 パラレルワールドになってしまった歴史を元に戻すには、唐の時代へ戻って妖怪たちを一匹残らず倒すしかない。本物の三蔵法師一行には、じわじわと妖怪たちの手が忍び寄る。5人は妖怪退治のため、ヒーローマシンで悟空や猪八戒に変身し、再び唐の時代へ向かう。
Music
The story of child violence and the national violence. And the problem of the old Japanese environmental pollution.
Director
The story of child violence and the national violence. And the problem of the old Japanese environmental pollution.
Creator
The story of child violence and the national violence. And the problem of the old Japanese environmental pollution.
Music
An 8mm animated short that was produced by Hiroshi Harada in his early college years.
Cinematography
An 8mm animated short that was produced by Hiroshi Harada in his early college years.
Animation
An 8mm animated short that was produced by Hiroshi Harada in his early college years.
Director
An 8mm animated short that was produced by Hiroshi Harada in his early college years.
Music
An 8mm animation that was produced by Harada during his high school years.
Animation
An 8mm animation that was produced by Harada during his high school years.
Director
An 8mm animation that was produced by Harada during his high school years.
Director
Said to draw inspiration from the writings of Sigmund Freud and European mythology, My Brother Became A Sheep was an 8mm animation produced at the time Harada was a sophomore in high school.
Animation
An 8mm animation produced by Hiroshi Harada in his high school years.
Director
An 8mm animation produced by Hiroshi Harada in his high school years.
