Hiroshi Harada
Nascimento : 1962-06-13, Gunma Prefecture, Japan
História
Hiroshi Harada suffered from bullying during his childhood, a frequent theme in his films. His career as an entertainer began in 1976.
Between 1987 and 1992 he worked on the adaptation of Midori: the girl with the camellias, a manga by ero-guro author Suehiro Maruo . Due to the controversy of the film, Harada had trouble financing it and had to do most of the work on his own. Over the years it would become a cult film, as well as being one of the few (if not the only) anime of the ero-guro genre .
For the rest of the 90s , Harada remained anonymous using pseudonyms such as Hisaaki Etsu. In 2006 he directed the Humanoid Monster Bem series, the highest-budget play of his career up to that point. In Latin America the series was released by Animax .
In 2012 he directed 5 shorts for the anthological series Folktales from Japan which, as its name suggests, adapts popular tales from Japanese culture.
Producer
A girl reflects on her memories of her grandfather.
Thanks
Director
The latest from Hiroshi Harada, an adaptation of a Kondō Yōko’s manga, first conceived in 1995, but completed more than 20 years later.
Producer
Born and raised in Kyoto, 17 years old Takatoyo spends all his summer holidays in his hometown. However, this time will be different. Takatoyo will experience his first love and first challenges, creating memories that will take him out of his ordinary life.
Producer
High school student Izumi Kawashima, whose daily routine is rating newspaper articles, finds a wallet containing a large sum of cash. Instead of returning the wallet to its owner, Izumi decides to lend a substantial portion of the money to a middle-aged male acquaintance. She eventually returns the wallet to its owner, a wealthy high-school boy named Koki, who notices the missing money, and as compensation, asks Izumi to do something for his friend – to create a newspaper that brings happiness to its reader.
Producer
A middle-aged businessman has become unhealthily obsessed with a schoolgirl with whom he shares his daily commute. When he tries to make a direct connection with her, it creates dire complications.
Music
A multimedia animation (traditional paintings with digital effects) that Hiroshi Harada produced in the mid-90s.
Director
A multimedia animation (traditional paintings with digital effects) that Hiroshi Harada produced in the mid-90s.
Animation
A multimedia animation (traditional paintings with digital effects) that Hiroshi Harada produced in the mid-90s.
Animation
Uma garotinha vendedora de flores perde a mãe e se encontra perdida no mundo, até que ela recebe um convite para participar de um circo, mas ela não esperava que essa fosse ser a pior escolha de sua vida.
Writer
Uma garotinha vendedora de flores perde a mãe e se encontra perdida no mundo, até que ela recebe um convite para participar de um circo, mas ela não esperava que essa fosse ser a pior escolha de sua vida.
Executive Producer
Uma garotinha vendedora de flores perde a mãe e se encontra perdida no mundo, até que ela recebe um convite para participar de um circo, mas ela não esperava que essa fosse ser a pior escolha de sua vida.
Director
Uma garotinha vendedora de flores perde a mãe e se encontra perdida no mundo, até que ela recebe um convite para participar de um circo, mas ela não esperava que essa fosse ser a pior escolha de sua vida.
Key Animation
Decidido a provar aos amigos que Sun Wukong existiu e que era parecido consigo, Nobita utiliza a máquina do tempo de Doraemon para viajar ao passado e encontrá-lo. Depois de o ver com os seus próprios olhos, Nobita regressa ao presente para contar o que viu. Suspeitando que seja mentira, Gigante ameaça Nobita dizendo que, se for mentira, poderá usar uma das invenções do Doraemon à sua vontade. Com o passar do tempo, e sem Sun Wukong aparecer, Doraemon utiliza uma consola de jogos do futuro para simular que Nobita é o rei macaco. Mas ocorre um acidente e vários demónios saem do jogo, ficando presos no passado mundo real, o que provoca uma mudança no presente. Cabe então a Nobita e aos seus amigos regressar mais uma vez ao passado como heróis da lenda "Viagem ao Oeste" e devolver os demónios ao videojogo.
Music
The story of child violence and the national violence. And the problem of the old Japanese environmental pollution.
Director
The story of child violence and the national violence. And the problem of the old Japanese environmental pollution.
Creator
The story of child violence and the national violence. And the problem of the old Japanese environmental pollution.
Music
An 8mm animated short that was produced by Hiroshi Harada in his early college years.
Cinematography
An 8mm animated short that was produced by Hiroshi Harada in his early college years.
Animation
An 8mm animated short that was produced by Hiroshi Harada in his early college years.
Director
An 8mm animated short that was produced by Hiroshi Harada in his early college years.
Music
An 8mm animation that was produced by Harada during his high school years.
Animation
An 8mm animation that was produced by Harada during his high school years.
Director
An 8mm animation that was produced by Harada during his high school years.
Director
Said to draw inspiration from the writings of Sigmund Freud and European mythology, My Brother Became A Sheep was an 8mm animation produced at the time Harada was a sophomore in high school.
Animation
An 8mm animation produced by Hiroshi Harada in his high school years.
Director
An 8mm animation produced by Hiroshi Harada in his high school years.
