Kan Yanagiya

港町税務署のやり手調査官・板倉亮子は、管内のパチンコ店の所得隠しを発見したり、老夫婦の経営する食品スーパーの売上計上漏れを指摘するなど、地味な仕事を続けている。そんなある日、実業家・権藤英樹の経営するラブホテルに脱税のにおいを感じ、調査を行うが、強制調査権限のない税務署の業務の限界もあり、巧妙に仕組まれた権藤の脱税を暴くことができずにいた。 そんな中、亮子は強制調査権限を持つ国税局査察官（通称「マルサ」）に抜擢される。着任早々に功績をあげ、やがて仲間からの信頼も得るようになった亮子。ある日、権藤に捨てられた愛人・剣持和江からマルサに密告の電話が入る。亮子は税務署員時代から目をつけていた権藤の調査を自ら進んで引き受ける。亮子の努力が実を結び、権藤に対する本格的な内偵調査が始まる事になった。暴力団、政治家、銀行がからんだ大型脱税との戦いが始まった。

Sex games by students at a junior high school are exposed by the principal and teachers, but the tables are turned in favor of the students.

Second movie in the yoidore hakase serie

When an only child is struck by a car and dies, the child's mother seeks vengeance against the driver in this thrilling drama. The car was driven by the wife of a company president who is having an affair. The woman's husband manages to buy silence about the incident, but the victim's mother discovers the identity of the driver. After she secures a job in the home of the company president and his philandering spouse, the woman plans to murder the couple's son when he reaches the age of her late son.

The first film with Tetsuro Tamba as a detective. An exciting drama about the pursuit of a criminal, which takes place in Yokohama. Tamba enthusiastically plays a police inspector who pursues a criminal who kidnapped his sister.

Yutaro Kida, a worker at the Sasebo Naval Arsenal, volunteers for the navy but finds himself a cook's mate in the galley of a gunboat. But his dream is eventually realized when he is transferred to the new and powerful destroyer Yukikaze which he helped to build. When the Pacific War breaks out Yukikaze performs valiantly in the South Pacific, and while on shore leave, Kida meets and falls in love with Yukiko, younger sister of his commander.

After a bombing raid destroys the family store and her husband, Reiko rebuilds and runs the shop out of love stopped short by destruction.

戦国の世の雑兵、負けて逃げるは卑怯者、討たれて死ぬのはあほう者。昨日は南軍、今日は北軍、旗色まかせの雑兵たちがまき起こす爆笑の渦…！

1962 Japanese movie

Two obaachans become fast friends listening to music in front of a record store. They both boast about their loving sons but in reality, one had just escaped a retirement home and the other was looking for an escape from her son and daughter-in-law. With nowhere to go, the two wander around, befriending a cosmetics salesman and a kind waitress who give them beer. This biting social satire starring two memorable grandmothers, scripted by Yôko Mizuki, picked up on Japan’s aging population problem far ahead of its time.

A comedy of a high-spirited geisha, Koharu, who is at risk of being trapped in a conspiracy to take over a lucrative diamond mine business.

Popular geisha Koharu suspects that Yusaku, a handsome stranger she falls in love with, is involved in a robbery of precious diamond.

An elderly woman, Ume Matsumoto, complained to the First Investigation Department that her son Hirasaka, who runs a shoe store, had disappeared. The ominous foreboding of the First Investigation Department hit the mark, it turned out that the discovered unidentified body of the drowned man was Hirasaka. Moreover, the land in front of the station, owned by Hirasaka, was sold by someone. Suspecting that this is a planned murder, the Investigative Group, fearing the escape of the criminal, begins to act secretly, without creating an investigation headquarters.

Sheriff Goro goes undercover to investigate drug smugglers.

Young geisha Kohana scrambles to realize her dream of bringing back her grandmother’s restaurant business.

Kaji is sent to the Japanese army labeled Red and is mistreated by the vets. Along his assignment, Kaji witnesses cruelties in the army and revolts against the abusive treatment against the recruit Obara. He also sees his friend Shinjô Ittôhei defecting to the Russian border, and he ends in the front to fight a lost battle against the Russian tanks division.

The sixth and last Moonlight Mask film in the original series produced by Toei in the 1950s.

Fifth Moonlight Mask theatrical film.

Fourth Moonlight Mask theatrical film.

Japanese family drama.

The 3rd Moonlight Mask movie from the 50s.

Asako, a former telephone operator once heard the voice of a murder suspect which has continued to haunt her. Years later her husband invites his boss, Hamazaki, over for dinner and she realises his voice is suspiciously like that of the killer. Before she can investigate further, Hamazaki is found dead and her husband becomes the prime suspect.

Best friends Gentaro and Sanpei become fateful enemies when Sanpei steals a secret document revealing the identity of the chosen successor to the Tokugawa Shogun. Gentaro of the Owari clan sets out to retrive the invaluable document.

A young, struggling couple are making every sacrifice so they will one day in the not-too-distant-future, have enough money to get married. As they have agreed on this procedure, it comes as a shock to the young woman to find out from her husband-to-be that he just loaned all the money they had saved to a friend. She is understandably miffed, and a big disagreement results. But after some time goes by, she discovers why the friend needed the money so badly, and the couple are back on solid footing again.

Sayuri, a young woman born to a simple life on a farm, moves to Tokyo to pursue a life long dream of becoming a singer. Through dance, music, and songs, this story shows how a girl raised on a farm was able to make her dream a reality, with the love of those around her.

Second Moonlight Mask theatrical film.

First Moonlight Mask theatrical film.

山間の小駅。この駅の灯だけが、真暗闇に侘しく光っていた。ホームには、水害で不通になった列車が立往生。午前二時を指す時計の掛かった駅の待合室には、傲慢そうな重役夫妻、セールスマン、男女学生、オンリーさんの夏子、老夫婦、小粋な三十女と愛人、家出した田舎娘など足止めをくった乗客でごった返していた。この騒ぎから取り残されたように静かに佇む乳呑み児を抱いた時枝の側には、一本の手錠でつながれた刑事と殺人犯・森が立っていた。一同はバスで次の駅まで出ることになったが、いよいよ出発という時「銀行を襲撃して現金二千万円を奪った二人組のギャングが、この方面に立ち廻った形跡がある」という悪い知らせが入った。 動揺した乗客は次々とバスを降り、十四名を乗せたボロボロのバスが暗夜の中を出発した。ギャングと山崩れの恐怖に怯える夜が明けると、一同には明るさが戻ったが、時技と森だけは暗い表情を崩さなかった。行く手には、とうてい渡れそうもない朽ち果てた橋。しかしバリバリと音をたてながら、バスは危うくも橋を渡りきった。さらにバスが進むと、前方に青年が飛び出してきた。バスに乗り込んで来た二人連は、大きなボストンバックを提げていたー。

It’s been five years since her husband had passed away. Fuyuko lives in the quiet suburbs, in a small but loving home with her three beautiful daughters. Haruko, the eldest, is the lead vocalist in a band. Natsuko is the conscientious type, who spends her days in ballet classes beautifying herself. The youngest of the three, Akiko is a bookworm who found her niche in philosophy. Although the sisters may appear to have nothing in common, there is one thing they all agree on; "Mom needs a new husband".

Roppeita is big in size, clumsy and full of energy. When his grandfather orders him to move out to Tokyo to save a sinking milk delivery business a distant relative of his runs, he encounters the most strangest of clientele.

Japanese "kayo" film centered around the song "Wakai omawari-san" by Shiro Sone.

Japanese drama film.

Japanese drama film.

南部友助は自分の創設した南部産業株式会社の社長を退いたが、老いてもなお血気盛んで、娘たちには恋の狂言廻しをかってでていた。そんな友助をめぐり、様々な出来事が巻き起こる。娘夫婦が友助に内緒で見合いをセッティング。初恋の女性・八重ちゃんとの20年ぶりの再会。果たして友助の青春は甦るのか？

East-West Transportation, headquartered in Tokyo, operates daily scheduled cargo flights on the Tokaido Road from Tokyo to Osaka and back, as the name suggests. Daikichi was a driver working for the East-West transportation company, and Rokuheita served as his assistant. The Daikichi truck, which was packed with luggage today, has left for its destination. And soon after Daikichi's truck left, Rokuheita heard a cat meowing from behind, so Daikichi stopped the car and turned to check the cargo, and there in a large basket he saw a crying baby...

Japanese drama film.

Shigeki Kachi, Tosuke Satomura, and Nanako, who belong to the theater company Vuanbert around Dosa, withdrew at the indignation of the chairman Hayashi and seeked their own careers in the film industry.

A reporter Takuo, who is sleeping in the newspaper room of the Maichō newspaper company, receives a sudden report from a reporter that the missing Akiyama JNR president was found dead.

Shows the devastation caused by the atomic bomb, and by use of a fictional storyline, portrays the struggle of the ordinary Japanese people in dealing with the aftermath.

Following the Second World War, the lives of various people in a poverty-stricken area of Tokyo are entertwined. Pachinko parlor girls, shoeshine boys, a maker of costume jewelry, and a streetcorner artist all struggle to make their livings and to find happiness in difficult surroundings.

Jidai-geki by Kiyoshi Saeki

When a group of young geologists declares a mountainside marked for residential development unstable, they are met with scorn on two fronts. On one end, they must contend with the local villagers who balk at the prospect of relocation; on the other, they face the ambitions of the headstrong lumber baron, whose actions will only further destabilize the land. Their pleas for reason ignored, the scientists can do little but observe as nature runs its inevitable course.

Five women classmates from a college in Tokyo are on the first stretch of a walking tour when one of them, Masako, falls ill at a railway station. Osen, a middle-aged maid from a nearby inn, takes her in and nurses her, assisted by Dr. Minami, a young physician who diagnoses her illness as a mild case of pneumonia. With Masako in good hands and needing a few days to recuperate, her classmates continue their tour. Masako’s recovery, however, is hampered by her spoiled and immature nature and her determination to punish the world for the loss of her mother.

A Japanese adaptation of Guy de Maupassant's short story Boule de Suif, directed by Kimura Keigo

This little seen early work by Ichikawa was produced during the director's Shintoho period (1947-51). Written by Kaneto Shindô and featuring Ryô Ikebe as a young policeman it is part crime drama, part social study. Definitely not an undiscovered masterpiece, but still a must for Ichikawa buffs.

The Angry Street includes a great deal of location shooting in the rebuilt city, including downtown streets, residential neighborhoods, the campus of the University of Tokyo, and the high life of jazzy dance halls. Sudo (Hara Yasumi) and Mori (Uno Jukichi) are two university students who make money by picking up rich girls in dance clubs and conning them into giving them cash. Mori is the brains of the operation, and Sudo is the suave dancer who picks up the girls. Over the course of the film, Sudo becomes involved with three different girls and is drawn into the gangster milieu, which he seems unable to resist even though he is responsible for his mother, grandmother, and sister, Masako (Wakayama Setsuko). In this world of bad boys and girls, Masako is the pillar of strength and moral virtue who finally enables Mori to straighten out.

A film by Kiyoshi Saeki

Three humorous love stories set in rural Japan.

A bad day gets worse for young detective Murakami when a pickpocket steals his gun on a hot, crowded bus. Desperate to right the wrong, he goes undercover, scavenging Tokyo’s sweltering streets for the stray dog whose desperation has led him to a life of crime. With each step, cop and criminal’s lives become more intertwined and the investigation becomes an examination of Murakami’s own dark side.

The premature death of a young mother serves as inspiration for her husband and son.

A bizarre murder at a hot springs resort threatens to disrupt an Edo detective's (Hasegawa) vacation. When his hot-blooded wife (Yamada) starts snooping around, however, he finds himself reluctantly drawn in to the case.

This epic depicts the battle between Uesugi Kenshin and Takeda Shingen. The focus of the story is the struggle by the unit leader in charge of the main supply wagons and the supply troops to transport materiel to the Uesugi army. To this are added episodes involving an itinerant woman.

This film depicts a troupe of wandering kabuki players traveling through rural Japan.

This film attempts to reconstruct the tension of the Battle of Shanghai through an episode in an understated way, introducting its story in a documentary mode. In the film story, Japan's marine regiment protects Japanese residents and Chinese refugees-women and young children-from rampant street fighting, Shanhai Rikusentai unsparingly uses its first eight minutes for an official-mannered self-justification of the war. From the viewpoint of explaining Japan's military operation,the narration refers to the city s spatial division in sync with maps on screen.

亡くなった父親の財産を母子が食いつぶし、唯一の頼りは叔父の株投資。しかしその叔父も相場で失敗して、追い詰められるが、末っ子の娘以外は現実を見ようとしない。

A half brother and sister work at a hotel in Hakone respectively as a porter and a souvenir shop clerk. They are close. One day a woman named Hasegawa checks into the hotel in order to recuperate in a calm environment with fresh air. She is the mother of the store employee. The mother and daughter were separated due to the Kanto earthquake. The girl was practically raised by her older half brother.

Japanese adaptation of LES MISERABLES. The last film of director Itami took inspiration from Les Miserables. Transpiring during the Southwestern War of 1877 in Japan, which was the last civil war in the country, a criminal escapes prison only to be found by a monk. The criminal decides to turn a new leaf based on their conversation and goes on to become a town's mayor. He hears news of a mistaken arrest and identity. The revelation of truth is the start of a series of miseries.