James St. James

James St. James

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James St. James

参加作品

Workhorse Queen
Self
After an unlikely casting onto a reality television show, 47-year old suburban telemarketer Ed Popil leaves his job to pursue a full-time entertainment industry career as his drag queen alter ego, 1960’s era housewife Mrs. Kasha Davis.
Reklaw
Producer
A team of altruistic vigilantes destroy evidence to keep as many people from prison as possible, but when one of their crime scene clean-ups is revisited by the killer, the strength of their convictions is tested.
Freak Show
Novel
The story of teenager Billy Bloom who, despite attending an ultra conservative high school, makes the decision to run for homecoming queen.
Glory Daze: The Life and Times of Michael Alig
A review of the wild New York City nightlife of the 90s. The cast of characters who made up the infamous Club Kids speak candidly about that era, culminating with Alig's release from incarceration.
Fun with Dick and Jane
Scary KostMart Shopper
After Dick Harper loses his job at Globodyne in an Enron-esque collapse, he and his wife, Jane, turn to crime in order to handle the massive debt they now face. Two intelligent people, Dick and Jane actually get pretty good at robbing people and even enjoy it -- but they have second thoughts when they're reminded that crime can hurt innocent people. When the couple hears that Globodyne boss Jack McCallister actually swindled the company, they plot revenge.
The 80s: Downtown
A look at the culture of 1980s New York.
Party Monster: The Shockumentary
Himself
Tells the story of the rise and fall of Michael Alig, a kid from Middle America who aspired to take the place of Andy Warhol. Michael quickly rose to become the biggest party promoter in New York and King of the so-called Club Kids. But after spiraling into drug addiction, Michael brutally murdered his roommate Angel Melendez.
Nelson Sullivan
Nelson Sullivan, a videographer in Manhattan circa 1983 to 1989, documented a large chunk of the final six years of his life, capturing his days and nights with drag queens and other NYC outcasts of the time. His style takes on a "home movie quality" that captures a lost - and now romanticized - American era in all of its mundane glory.