Tom Braidwood

Amazon Falls tells the story of a faded B-movie actress JANA who refuses to let go of her dream of being a star. Famous for her roles in Amazon movies where she portrayed a variety of pre-Xena warrior-princesses, she desperately tries to keep her leg in the B-movie game, and pursues her career with a zealous fervor.

In 1957 a fiery object crashes into a mountaintop in the California desert, bringing the threat of disaster to Earth. Out of the flying saucer escapes a murderous creature, the Ghota, bent on destroying all life forms on the planet. A benevolent alien from the spaceship, Urp, inhabits the body of Ted Lewis, an astronomer and with the help of Tammy, a diner waitress, sets out to save mankind.

This version of "El Ingenioso Hidalgo Don Quijote De La Mancha" brings the ancient tale to modern day but all the old familiar names are there. As in Cervantes's tale, Don Quixote is persistent in his belief in chivalry and honor. He clings to the old ways and is reluctant to give way to modern behaviors. He sees things in a different way, the smoke stack of a factory is a beast to be conquered, his bicycle is his trusty steed and the hapless man stranded by a transit strike who tries to help suddenly finds himself to be the sidekick to the deluded Quixote.

Xファイル課の閉鎖後、現場任務にまわされたFBI捜査官のモルダーとスカリーは、ビル爆破事件の責任を問われ、左遷の危機にさらされる。スカリーが辞職の決意を固めたと知って、やけ酒をあおるモルダー。そんな彼に、父の友人と名乗る医師が接近。爆破されたビルに、謎の死を遂げた少年と救助隊員の死体があったことを告げる。これをきっかけに事件の調査を始めたモルダーは、おそるべきエイリアン・ウィルスと、その背後にある秘密機関の正体に近づいていく。

My American Cousin is a Canadian drama film, released in 1985. Written and directed by Sandy Wilson based on her own childhood, the film stars Margaret Langrick as Sandy Wilcox, a pre-teen girl growing up on a ranch in rural Penticton, British Columbia in the late 1950s. Sandy's longing to be treated as an adult is roused even further when her older American cousin Butch Walker (John Wildman) comes for a visit. The cast also includes Richard Donat, Jane Mortifee, Babz Chula and Camille Henderson.

By the turn of the 20th century, Butch Cassidy, the Sundance Kid, Billy the Kid and virtually all of the West's legendary outlaws are either dead or in jail pending execution. Well, all, except train robber and escape artist extraordinaire, Harry Tracy. As the last survivor of the Wild Bunch, Tracy pulls off a series of profitable robberies before making his way west to Portland, Oregon, in search of Catherine Tuttle -- a judge's daughter who has captured his heart. But on the way, Tracy is betrayed, arrested, and imprisoned. However, no jail can hold him for long and after making his escape, Tracy becomes the target of the largest manhunt in the history of North America.

Limited Engagement (1976) sums up Braidwood's concerns for "media conditioning" and both artist's and public's responsibility for the discourse of images. This film situates the viewer as respondent in its presentation of coded (connotative) media language construction and deconstruction. Limited Engagement utilizes a "psycho-sexual" narrative that revolves around two shots which are (as in Backbone) looped and played off a manipulated sound track. Braidwood's primary concern is to generate a violent and provoking film text that contrasts "the giving of life" with "the taking of life."

Backbone is an essay on structures and metaphors of war, mechanization, dehumanization. It reveals not a paralysis of "guilt" but a reaction (against horror) that asserts itself through command of language. The premise that Braidwood employs is related to the leftist strategy "which asserts that what people believe, and thus the way they will behave, can be changed by the very form of the way in which they are represented," a formalism expressed in the Soviet publication of the twenties, Novy Lef Lef.