Peter Mumford

DC Douglas, John Viener and Beau Marie star in the film following the titular Santa – intent on turning “Naughty-Listers” good, Santa becomes a superhero dubbed Santaman. When an evil plot complicates his mission, Santa must band together with two latch key kids to find a way to stop the ultimate “Naughty-Lister” before Christmas disappears forever.

Based on a poem published in 1810 with more ethnographic than dramatic focus, Britten constructed a sombre parable about the conflict between the masses and the individual. The maritime atmosphere, the crudity of people’s lives and passions, and the complex, impenetrable personality of the protagonist come together in a tragedy which ferments and explodes in the din of silence and hearsay. New production of the Teatro Real, in co-production with the Royal Opera House Covent Garden of London, the Opéra national of Paris and the Teatro dell’Opera of Rome

Christopher Wheeldon's Within the Golden Hour is based around seven couples separating and intermingling, to music by Vivaldi and Ezio Bosso and lit with the rich colours suggested by sunset. In Flight Pattern, Crystal Pite combines Górecki's haunting “Symphony of Sorrowful Songs” with a large dance ensemble to create a poignant and passionate reflection on migration. Between them, Medusa is new work inspired by the Greek myth, created for The Royal Ballet by the acclaimed choreographer Sidi Larbi Cherkaoui, which juxtaposes Purcell arias with an electronic score by Olga Wojciechowska.

The story of Peggy Sawyer, a talented young performer with stars in her eyes who gets her big break on Broadway.

Mezzo-soprano Clémentine Margaine reprises her remarkable portrayal of opera’s ultimate seductress, a triumph in her 2017 debut performances, with impassioned tenors Yonghoon Lee and Roberto Alagna as her lover, Don José. Omer Meir Wellber and Louis Langrée share conducting duties for Sir Richard Eyre’s powerful production, a Met favorite since its 2009 premiere.

Last week, Andrew was that guy with his girl lunching in KFC, discussing apartments and making plans for the future. Today he’s in Moscow, in an undisclosed hotel room, on the run and at risk of assassination. Last week, a nobody. This week, America’s Most Wanted: a man who humiliated his country with one touch of a button. Mike Bartlett’s darkly comic new play explores the unexpected, bewildering, and life-changing consequences of challenging the status quo at a global level. As the State grows more powerful because of technology, and technology grows more powerful because of the State, where do the self-appointed protectors of the rights of the citizen stand? Heroes? Or traitors?

Last week, Andrew was that guy with his girl lunching in KFC, discussing apartments and making plans for the future. Today he’s in Moscow, in an undisclosed hotel room, on the run and at risk of assassination. Last week, a nobody. This week, America’s Most Wanted: a man who humiliated his country with one touch of a button.

September 2015 marks the 300th anniversary of the death of King Louis XIV of France and this documentary looks at how Louis XIV not only had a personal passion and talent for dance, but supported and promoted key innovations, like the invention of dance notation and the founding of the world's first ballet school, that would lay the foundations for classical ballet to develop.

Georgian mezzo-soprano Anita Rachvelishvili gives a dynamic performance as Bizet’s iconic gypsy, the woman who lives by her own rules. Aleksandrs Antonenko is Don José, the soldier who falls under her spell, and Ildar Abdrazakov plays Escamillo, the swaggering bullfighter who takes Carmen away from Don José—an action that seals Carmen’s tragic fate. Anita Hartig is Micaëla, and Pablo Heras-Casado conducts Richard Eyre’s hit production, set in 1930s Spain.

Star tenor Jonas Kaufmann brings aching intensity and vocal charisma to the tortured title hero of Massenet’s Goethe adaptation. Sophie Koch, in her Met debut, is an appealing and elegant Charlotte, the object of Werther’s passionate affection that will lead to tragedy. Lisette Oropesa as Sophie, David Bižić as Albert, and Jonathan Summers as Le Bailli co-star. Richard Eyre’s atmospheric production is conducted by rising maestro Alain Altinoglu.

Two young lovers, Claudio and Hero, are to be married imminently but the devious scheming of a resentful Prince looks set to thwart the nuptials. Meanwhile, marriage seems inconceivable for reluctant lovers Beatrice and Benedick whose endless witty sparring threatens to keep them apart forever. Directed by Josie Rourke, Artistic Director of the Donmar Warehouse, Much Ado About Nothing is one of Shakespeare’s great plays and reminds us all of the failings and triumphs of the human condition in our never ending search for perfect love.

National Theatre Live is an initiative operated by the Royal National Theatre in London, which broadcasts live via satellite, performances of their productions to movie theaters, cinemas and arts centres on the world. The second production, All's Well That Ends Well, showed at a total of around 300 screens, and today, the number of venues that show NT Live productions has grown to around 700.

Contemporary dance company Adventures In Motion Pictures' triumphant modern re-interpretation of Swan Lake, with its cast of male swans, has turned tradition upside down and has taken the ballet fraternity by storm. Never has such a contemporary re-working of a traditional ballet thrilled both ardent critics and modern dance enthusiasts in such equal measure. Originally broadcast on the PBS series "Great Performances" (season 26, episode 15).

Contemporary dance company Adventures In Motion Pictures' triumphant modern re-interpretation of Swan Lake, with its cast of male swans, has turned tradition upside down and has taken the ballet fraternity by storm. Never has such a contemporary re-working of a traditional ballet thrilled both ardent critics and modern dance enthusiasts in such equal measure. Originally broadcast on the PBS series "Great Performances" (season 26, episode 15).

Mozart and Da Ponte use the theme of "fiancée swapping", which dates back to the 13th century; notable earlier versions are found in Boccaccio's Decameron and Shakespeare's play Cymbeline. Elements from Shakespeare's The Taming of the Shrew are also present. Furthermore, it incorporates elements of the myth of Procris as found in Ovid's Metamorphoses, vii.[10] Place: Naples Time: the 18th century