Juan Barberini

A father and son, isolated in a dilapidated country house, try to survive a hellish summer. Between hunting days and campfire nights, the son begins to perceive a strange connection between his father and the nature that surrounds them. An ancestral secret is about to be revealed.

Everyone is locked up, but Clementina and the man she's quarantined with won't stop working. We know little about him, and even less about her: we just see over and over again her mysterious face, which seems to defy everything.

アルゼンチン第3の都市ロサリオ。船員フェルナンドは、この町でタンカー乗員の職を得た。ある時、彼は同僚のいとこで若く美しいメリッサと出会い、恋に落ちる。一方、かつての恋人ガブリエラに未練を残すフェルナンドは、SNSで彼女が結婚してブエノスアイレスに暮らしていることを知り、連絡を取る。再会した彼女は人妻でありながらも奔放に情欲を楽しんでいた。フェルナンドはそんな彼女と関係を持ってしまうのだが……。

It’s the first day of shooting a low-budget independent film. Juan, the director, tries to shoot a sex scene with Malena and Julián, two inexperienced young actors. But he also secretly keeps the camera running in between takes, in an attempt to capture brief moments of intimacy. Hours go by and the scene doesn’t seem to come out right. Weariness, repetition, and communication problems pile up as Juan tries to convince the actress to show more of her body. Violence will emerge as the shooting crumbles.

It’s the first day of shooting a low-budget independent film. Juan, the director, tries to shoot a sex scene with Malena and Julián, two inexperienced young actors. But he also secretly keeps the camera running in between takes, in an attempt to capture brief moments of intimacy. Hours go by and the scene doesn’t seem to come out right. Weariness, repetition, and communication problems pile up as Juan tries to convince the actress to show more of her body. Violence will emerge as the shooting crumbles.

Ezequiel, a sixteen-year-old gay teenager in his sexual awakening, meets a boy of twenty-one. They quickly start a relationship and the situation unravels unexpectedly.

Two men meet in Barcelona and after spending a day together they realize that they have already met twenty years ago.

An enormous effort of narrative complexity made up of six independent, successive stories, connected by the same four actresses living very different experiences in very different universes…

In the Smug art world, innocence perishes. This is the discovery experienced firsthands by Penelope, a young woman who, after embarking on a series of insignificant relationships, arrives at a field of new experiences, some sort of moral abyss she will find herself trapped in more and more.

Delfina returns from New York to a small riverside town in the province of Buenos Aires. There she visits a tomb of an older woman and one of a younger woman, named Julia, who is identical to her.

Inès, a professional photographer, decides to complete a book she is working on before she gives birth to her first child. This photography project, related to the memories of her childhood, always brings her back to the same place: the family home in southern Argentina that shaped her youth and forged her character. It also contains the only photo Inès still has of her with her father, before he disappeared as a victim of the military dictatorship. This photo is the starting point of a jigsaw puzzle of fragmentary memories about the relationships Inès had with her mother and her brother.

During a terrifying night in Buenos Aires, five urban legends unfold in the most surprising way possible. While a politician is accused of being responsible for an urban tragedy in which fifteen people died, in Buenos Aires various stories based on urban legends intersect.

Agustín (32) returns to the city where he was born, after 6 years of absence, to watch the legal process in which he will be tried for the - supposedly - murder of his father and mother. Alone and in constant alert, he begins to experience acts of violence. Agobiado, he meets an enigmatic and unpredictable young woman who shows him other ways of experiencing isolation.

A couple must hold on to $100,000 for 24 hours as they wait to buy a house. As the time ticks by, the true nature of their love unravels.

Taking a breather from the crisis of her marriage, a surgeon named Celina visits the country house of an old friend who she hasn't seen since their university days. When she gets there, she realizes that something is going on with Paula, her friend's step daughter. Soon she learns that Paula attempted suicide, but Celina is in no shape to help anyone, because she is fleeing a dark secret of her own and has come to the worst place of all possible places to save herself. In the limbo of this hellish little town, her ghosts are reborn, infecting everyone around her...

Wake up in the morning. He feels bad. He brushes his teeth after vomiting. Record the house reviewing drawings, a model and a written photo that makes him smile. He returns it to the cork of old familiar images. Make breakfast for two. Waits.

Film in two cities divided by one river: Buenos Aires, Montevideo. Two cities divided by one story: the death of Francisco. One death divided in two parts: an investigation, an escape.

Roque starts University in Buenos Aires but he is not particularly interested in attending classes or working towards a degree. Instead, he dedicates his time to one of the many groups vying for control of the university, motivated less by grand political ideals than by a wish to get close to Paula, an attractive young teacher heavily involved in internal university politics.

In a small town near the mountains of Argentina, Juana tries to commit suicide but ends up in a coma instead, to the great pain of her daughter Marta. Her other daughter Mercedes comes from Buenos Aires but is less interested in her mother's condition than in possibly getting her money. Marta's husband has a great offer for a piece of land owned by Juana, but can't do anything while she is in a coma.

A young couple. A luxurious hotel room. A wedding party.