Juan Barberini

A father and son, isolated in a dilapidated country house, try to survive a hellish summer. Between hunting days and campfire nights, the son begins to perceive a strange connection between his father and the nature that surrounds them. An ancestral secret is about to be revealed.

Everyone is locked up, but Clementina and the man she's quarantined with won't stop working. We know little about him, and even less about her: we just see over and over again her mysterious face, which seems to defy everything.

Fernando, a naval officer, arrives in the city of Rosario to work on an oil tanker. But his move seems to conceal other motives.

It’s the first day of shooting a low-budget independent film. Juan, the director, tries to shoot a sex scene with Malena and Julián, two inexperienced young actors. But he also secretly keeps the camera running in between takes, in an attempt to capture brief moments of intimacy. Hours go by and the scene doesn’t seem to come out right. Weariness, repetition, and communication problems pile up as Juan tries to convince the actress to show more of her body. Violence will emerge as the shooting crumbles.

It’s the first day of shooting a low-budget independent film. Juan, the director, tries to shoot a sex scene with Malena and Julián, two inexperienced young actors. But he also secretly keeps the camera running in between takes, in an attempt to capture brief moments of intimacy. Hours go by and the scene doesn’t seem to come out right. Weariness, repetition, and communication problems pile up as Juan tries to convince the actress to show more of her body. Violence will emerge as the shooting crumbles.

O despertar sexual de um adolescente revela assustadoras vulnerabilidades quando ele é atraído para um submundo de chantagem e exploração.

Dois homens se encontram na pitoresca Barcelona e depois de um sexo suado e bate-papo pós-coito, Javi (Ramón Pujol) revela que ele e Ocho (Juan Barberini) já se conheceram vinte anos atrás. Enquanto a história volta para o Fim do Século 20 mencionado no título, o filme explora como as pessoas e as coisas que elas querem (ou não) mudam ao longo do tempo, traçando um retrato completo e profundamente emocional desses dois homens, suas bagagens e arrependimentos em um filme comovente.

As mesmas quatro actrizes ligam os seis episódios, divididos em quatro partes, que trespassam vários géneros cinematográficos deste filme argentino de Mariano Llinás com 13 horas e meia de duração. Do musical à série B, dos espiões aos filmes franceses antigos, com o melodrama ou o mistério pelo meio.

In the Smug art world, innocence perishes. This is the discovery experienced firsthands by Penelope, a young woman who, after embarking on a series of insignificant relationships, arrives at a field of new experiences, some sort of moral abyss she will find herself trapped in more and more.

Delfina returns from New York to a small riverside town in the province of Buenos Aires. There she visits a tomb of an older woman and one of a younger woman, named Julia, who is identical to her.

Inès, a professional photographer, decides to complete a book she is working on before she gives birth to her first child. This photography project, related to the memories of her childhood, always brings her back to the same place: the family home in southern Argentina that shaped her youth and forged her character. It also contains the only photo Inès still has of her with her father, before he disappeared as a victim of the military dictatorship. This photo is the starting point of a jigsaw puzzle of fragmentary memories about the relationships Inès had with her mother and her brother.

During a terrifying night in Buenos Aires, five urban legends unfold in the most surprising way possible. While a politician is accused of being responsible for an urban tragedy in which fifteen people died, in Buenos Aires various stories based on urban legends intersect.

Agustín (32) returns to the city where he was born, after 6 years of absence, to watch the legal process in which he will be tried for the - supposedly - murder of his father and mother. Alone and in constant alert, he begins to experience acts of violence. Agobiado, he meets an enigmatic and unpredictable young woman who shows him other ways of experiencing isolation.

Um casal carrega cem mil dólares para comprar uma casa. O proprietário não chega e a venda é adiada em 24 horas. Tensos eles precisam esconder o dinheiro em um lugar seguro. Nesse tempo de espera, as emoções revelam suas verdadeira faces.

Taking a breather from the crisis of her marriage, a surgeon named Celina visits the country house of an old friend who she hasn't seen since their university days. When she gets there, she realizes that something is going on with Paula, her friend's step daughter. Soon she learns that Paula attempted suicide, but Celina is in no shape to help anyone, because she is fleeing a dark secret of her own and has come to the worst place of all possible places to save herself. In the limbo of this hellish little town, her ghosts are reborn, infecting everyone around her...

Wake up in the morning. He feels bad. He brushes his teeth after vomiting. Record the house reviewing drawings, a model and a written photo that makes him smile. He returns it to the cork of old familiar images. Make breakfast for two. Waits.

Film in two cities divided by one river: Buenos Aires, Montevideo. Two cities divided by one story: the death of Francisco. One death divided in two parts: an investigation, an escape.

Quando Roque (Esteban Lamothe) ingressa na Universidade de Buenos Aires, ele não tem muito interesse em assistir às aulas. Ele só presta atenção na bela professora Paula (Romina Paula), uma jovem funcionária muito engajada na política universitária. Por chamar a atenção dela, Roque decide apoiar as reivindicações estudantis.

In a small town near the mountains of Argentina, Juana tries to commit suicide but ends up in a coma instead, to the great pain of her daughter Marta. Her other daughter Mercedes comes from Buenos Aires but is less interested in her mother's condition than in possibly getting her money. Marta's husband has a great offer for a piece of land owned by Juana, but can't do anything while she is in a coma.

A young couple. A luxurious hotel room. A wedding party.