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1981. Hubert Bonisseur de la Bath, aka OSS 117, is back. For this new mission - more delicate, more dangerous and more torrid than ever - he is forced to team up with a young new colleague, the promising OSS 1001.
Costume Design
Amin has come from Senegal to work in France, leaving behind his wife Aïcha, and their three children. He leads a solitary life in France, where the only space he occupies is his home and the building sites on which he works. Most of his earnings are sent to Senegal. One day, he meets a woman, Gabrielle, and a relationship is born.
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Revolves around Castro, who was once a very famous TV host, but as he grows old, his popularity is dwindling.
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Costume Design
An epic, untold story that brings to life the inspiring saga of the World Cup and the three determined men who created it. Driven by their vision and passion, three men, overcame their doubts and fought obstacles and scandals to make the World Cup a reality. Spanning the tumultuous 20th Century, this timeless saga celebrates the event that became the most popular sporting event in the world.
Costume Design
Jean, a forty-year-old struggling, out-of-work actor has hit rock bottom. Although open to any kind of work, he can't get a break. At the unemployment office, his counselor has a rather odd proposal: he can get a job helping the police reconstruct crime scenes, by standing in for the dead victim. Jean's obsession for detail impresses the detectives, allowing him to take a leading role in a sensitive investigation in Megève ski resort, during low season, after a series of murders
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Once upon a time in 2012, three brothers lived happily. One day their mom fell into a coma. So Henri, Philippe, and Louis suddenly started wondering about the meaning of their lives and were swamped by a wave of existential doubts. An entirely new situation for this bourgeois trio in their forties, one which opened a door to the novel and indeed the forbidden... and to the big bad wolf!
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1950年代のフランスを舞台に、“タイプライター早打ち大会”に挑むある田舎娘の奮闘を描いたサクセス・エンタテインメント。ロマン・デュリス演じるキュートな主人公や、ポップな50年代カルチャーにも注目だ。レジス・ロワンサル監督。
Costume Design
Ombline, a 20-year-old woman, is sent to prison for three years after committing a violent assault on a police officer. Just when she has lost all hope for the future, she discovers that she is pregnant. The law allows her to rear her newborn for the first 18 months of its life, after which time the child must be given up and placed into state care. Ombline has no intention of surrendering her beloved little boy and is prepared to do anything to convince the authorities that she is capable of rearing the child after she has left prison. As her maternal instincts assert themselves, the young woman finds she has a cause worth fighting for, and an opportunity to rebuild her shattered life…
Costume Design
French top secret agent, Hubert Bonisseur de la Bath, is sent to Rio to buy microfilms from a running nazi. To do so, he has to team up with Mossad secret services.
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Secret agent OSS 117 foils Nazis, beds local beauties, and brings peace to the Middle East.
Costume Design
The true story of the rise to power and brutal assassination of the formerly vilified and later redeemed leader of the independent Congo, Patrice Lumumba. Using newly discovered historical evidence, Haitian-born and later Congo-raised writer and director Raoul Peck renders an emotional and tautly woven account of the mail clerk and beer salesman with a flair for oratory and an uncompromising belief in the capacity of his homeland to build a prosperous nation independent of its former Belgian overlords. Lumumba emerges here as the heroic sacrificial lamb dubiously portrayed by the international media and led to slaughter by commercial and political interests in Belgium, the United States, the international community, and Lumumba's own administration; a true story of political intrigue and murder where political entities, captains of commerce, and the military dovetail in their quest for economic and political hegemony.
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The idea for this film about a generation and its lost ideals came to Romain Goupil after attending several funerals of friends in the fall of 1996, where the '68 generation, now in influential positions in media or politics, kept meeting each other. It seemed as if the revolution that they had tried to make was being buried with each coffin. A MORT LA MORT is in some ways an homage to this generation, now in their fifties. They were a privileged generation that thought that they could change the world, doing everything that their parents failed to do. There were no actual deaths in France as there were in Germany or Italy, but the system was not ideal for personal issues or for love. There was always a scapegoat for the injustices of the world, be it capitalism or imperialism. That way the blame could be placed somewhere else. Some of the '68 generation are still faithful to the principles of their youth and still continue to fight for the illusions of the past.
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Châtelaine Marie-Agnès de Bayonnette lives in her family home with her cousin Solange. The lives of the two old ladies are governed by the traditional codes of aristocracy. When Marie-Agnès died, the heirs from Russia had to fight over the estate with a Japanese company that wanted to buy the property.
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A death in the family. Patrick dies and his three sisters gather at their parents' home in Normandy. Anne, the oldest, is steady, married with two children, showing little emotion. Isabelle, who's cut herself off from her family for eight years, returns from Paris. Claude, Patrick's twin and still a student, grieves for her other half. Along with their parents, each must face family grievances first before they can grieve together for Patrick. Then comes the revelation of how he died, and new feelings come to the fore. Can a death help a family to heal, coax an aging mother back to sanity, bring a couple into each other's arms, and enable two sisters to grow?
Costume Design
Events in an idyllic African village are shown in detail in the period just before logging trucks come in and cut down the forest around the villagers, forcing them to move into the wretched shantytowns that surround major cities throughout the undeveloped world. Despite the familiar premise, this surprisingly unsentimental film by Georgian director Otar Ioselliani has several things going for it, beginning with the cinematography and including the natural and unaffected (non-professional) performances of the villagers.
Costume Design
On the day Jean Gabin dies, a kidnaper who also takes a fortune in jewels heisted from Cartiers murders Simon Verini's wife. (Simon was fencing the jewels for a youthful gang who robbed Cartiers; he suspects them of the murder.) He's framed for the theft and spends ten years in prison, writing to his daughter, Marie-Sophie, who's 11 when he's sent away. Released, he reconnects to Marie-Sophie and to the young thieves, seeks revenge, and is quickly arrested again. She doesn't know what to make of her father, retreats to her Swiss fiancé, and is flummoxed when one of the young thieves falls for her. Is resolution possible when crime cuts across families and romance?
