Costume Designer
Terceira parte das aventuras de Hubert Bonisseur, que acontece na África nos anos 80.
Costume Design
Amin has come from Senegal to work in France, leaving behind his wife Aïcha, and their three children. He leads a solitary life in France, where the only space he occupies is his home and the building sites on which he works. Most of his earnings are sent to Senegal. One day, he meets a woman, Gabrielle, and a relationship is born.
Costume Designer
Castro (Jean-Pierre Bacri) é um ex-apresentador de TV que se reúne com velhos amigos, incluindo sua ex-esposa, em uma grande festa nos arredores de Paris. No decorrer da festa, torna-se óbvio que o sucesso mudou Castro, que costumava compartilhar as visões políticas idealistas de sua ex-esposa, mas agora tem uma perspectiva mais realista, senão cínica, da vida.
Costume Design
Costume Design
Um grupo de jovens europeus decide reunir-se em torno de um projeto único: criar uma Federação Internacional de Futebol, que regule e promova a nível internacional a prática do futuro desporto-rei. Mais de 100 anos depois, esta instituição atravessou as maiores alterações e rupturas do século pela mão de dirigentes como Jules Rimet, João Havelange e Sepp Blatter.
Costume Design
Um ex-ator arranja um emprego para interpretar as vítimas em uma encenação de homicídio, onde brilha com o oficial civil que investiga o crime na vida real.
Costume Design
Once upon a time in 2012, three brothers lived happily. One day their mom fell into a coma. So Henri, Philippe, and Louis suddenly started wondering about the meaning of their lives and were swamped by a wave of existential doubts. An entirely new situation for this bourgeois trio in their forties, one which opened a door to the novel and indeed the forbidden... and to the big bad wolf!
Costume Design
Aos 21 anos de idade, Rose Pamphule mora com seu pai e estar prestes a casar com o pacífico filho de um garagista. Ela poderia virar uma dona de casa, mas a jovem tem planos mais ambiciosos. Ela sai de sua cidade e tenta um emprego de datilógrafa no escritório de seguros de Louis. Mesmo se suas habilidades como secretária são fraquíssimas, o homem fica impressionado com a velocidade com a qual Rose consegue digitar. Logo o espírito competidor de Louis se desperta: ele decide aceitar Rose como sua secretária, contanto que ela treine para participar da competição de datilógrafa mais rápida do país.
Costume Design
Ombline, a 20-year-old woman, is sent to prison for three years after committing a violent assault on a police officer. Just when she has lost all hope for the future, she discovers that she is pregnant. The law allows her to rear her newborn for the first 18 months of its life, after which time the child must be given up and placed into state care. Ombline has no intention of surrendering her beloved little boy and is prepared to do anything to convince the authorities that she is capable of rearing the child after she has left prison. As her maternal instincts assert themselves, the young woman finds she has a cause worth fighting for, and an opportunity to rebuild her shattered life…
Costume Design
Em 1967, o espião francês Hubert Bonisseur de la Bath (Jean Dujardin), o Agente 117, é enviado em uma missão especial. Considerado o melhor no seu trabalho, ele viaja até o Rio de Janeiro para tentar encontrar um ex-nazista do alto escalão que depois da Segunda Guerra Mundial, se refugiou no Brasil. Com esse objetivo em mente, ele viaja do Rio até Brasília e também passa pelas Cataratas do Iguaçu, tudo ao lado de outro agente, que também está nessa missão com ele. Ao ritmo de bossa nova, o que era pra ser uma viagem de trabalho se transforma em uma aventura e também em uma história de amor.
Costume Design
Egito, 1955. Hubert Bonisseur de la Bath (Jean Dujardin), o agente 117, é enviado pelo presidente da França para uma missão secreta no Cairo. Já no aeroporto é recebido por Larmina El Akmar Betouche (Bérénice Bejo), uma bela egípcia que tem por função ajudá-lo em seu trabalho. Na cidade o agente 117 precisa investigar o assassinato de seu melhor amigo e frustar os planos de uma seita rebelde.
Costume Design
The true story of the rise to power and brutal assassination of the formerly vilified and later redeemed leader of the independent Congo, Patrice Lumumba. Using newly discovered historical evidence, Haitian-born and later Congo-raised writer and director Raoul Peck renders an emotional and tautly woven account of the mail clerk and beer salesman with a flair for oratory and an uncompromising belief in the capacity of his homeland to build a prosperous nation independent of its former Belgian overlords. Lumumba emerges here as the heroic sacrificial lamb dubiously portrayed by the international media and led to slaughter by commercial and political interests in Belgium, the United States, the international community, and Lumumba's own administration; a true story of political intrigue and murder where political entities, captains of commerce, and the military dovetail in their quest for economic and political hegemony.
Costume Design
The idea for this film about a generation and its lost ideals came to Romain Goupil after attending several funerals of friends in the fall of 1996, where the '68 generation, now in influential positions in media or politics, kept meeting each other. It seemed as if the revolution that they had tried to make was being buried with each coffin. A MORT LA MORT is in some ways an homage to this generation, now in their fifties. They were a privileged generation that thought that they could change the world, doing everything that their parents failed to do. There were no actual deaths in France as there were in Germany or Italy, but the system was not ideal for personal issues or for love. There was always a scapegoat for the injustices of the world, be it capitalism or imperialism. That way the blame could be placed somewhere else. Some of the '68 generation are still faithful to the principles of their youth and still continue to fight for the illusions of the past.
Costume Design
Châtelaine Marie-Agnès de Bayonnette lives in her family home with her cousin Solange. The lives of the two old ladies are governed by the traditional codes of aristocracy. When Marie-Agnès died, the heirs from Russia had to fight over the estate with a Japanese company that wanted to buy the property.
Costume Design
A death in the family. Patrick dies and his three sisters gather at their parents' home in Normandy. Anne, the oldest, is steady, married with two children, showing little emotion. Isabelle, who's cut herself off from her family for eight years, returns from Paris. Claude, Patrick's twin and still a student, grieves for her other half. Along with their parents, each must face family grievances first before they can grieve together for Patrick. Then comes the revelation of how he died, and new feelings come to the fore. Can a death help a family to heal, coax an aging mother back to sanity, bring a couple into each other's arms, and enable two sisters to grow?
Costume Design
Events in an idyllic African village are shown in detail in the period just before logging trucks come in and cut down the forest around the villagers, forcing them to move into the wretched shantytowns that surround major cities throughout the undeveloped world. Despite the familiar premise, this surprisingly unsentimental film by Georgian director Otar Ioselliani has several things going for it, beginning with the cinematography and including the natural and unaffected (non-professional) performances of the villagers.
Costume Design
On the day Jean Gabin dies, a kidnaper who also takes a fortune in jewels heisted from Cartiers murders Simon Verini's wife. (Simon was fencing the jewels for a youthful gang who robbed Cartiers; he suspects them of the murder.) He's framed for the theft and spends ten years in prison, writing to his daughter, Marie-Sophie, who's 11 when he's sent away. Released, he reconnects to Marie-Sophie and to the young thieves, seeks revenge, and is quickly arrested again. She doesn't know what to make of her father, retreats to her Swiss fiancé, and is flummoxed when one of the young thieves falls for her. Is resolution possible when crime cuts across families and romance?
