Mikhail Brashinsky

After experiencing a terrible tragedy, the hero leaves his former life. Everything that seemed important goes into the past — work, success, the usual rhythms of a big city. But the world of people refuses to let him go, bursts into his chosen solitude, beckons with new opportunities. Unexpectedly for himself, the hero finds a new home, where he seems to find peace, love and answers to his painful questions. But are these the right answers? And what price will you have to pay to survive and remain yourself?

After experiencing a terrible tragedy, the hero leaves his former life. Everything that seemed important goes into the past — work, success, the usual rhythms of a big city. But the world of people refuses to let him go, bursts into his chosen solitude, beckons with new opportunities. Unexpectedly for himself, the hero finds a new home, where he seems to find peace, love and answers to his painful questions. But are these the right answers? And what price will you have to pay to survive and remain yourself?

Sasha, Pasha and Lesha meet at a therapy course for men traumatized by women. Yes, there are some, because in the world of strong women, many men have lost themselves. But our heroes do not want to be victims, they decide to "go on the warpath" and restore justice. One problem - they are still slobs.

The film follows two student cinematographers who, as the war approaches Moscow, refuse to be evacuated and instead volunteer to be front-line cameramen capturing the horrors of war and heroism of the soviet soldiers. At the same time, we witness another storyline taking place in the US. After the premiere screening of the already completed documentary “Moscow Strikes Back”, one of the members of the Academy Awards selection committee is trying to persuade his fellow colleagues to establish a new category of Best Documentary in the upcoming Oscars event.

A young Finnish woman escapes an enigmatic love affair in Moscow by boarding a train to the arctic port of Murmansk. Forced to share the long ride and a tiny sleeping car with a larger than life Russian miner, the unexpected encounter leads the occupants of Compartment No. 6 to face major truths about human connection.

The Golden Moose restaurant was a Turku legend. An old-fashioned funky establishment, opened in 1968 and seemingly never having changed since then. A meeting place for friends and family. A shrine for hundreds of locals. A place many called home. A family – for those who served there, as well as those being served. Now, in December 2016, the building has been bought by a major Finnish retail corporation in order to open a new supermarket, and the restaurant has to close its doors forever…

The Golden Moose restaurant was a Turku legend. An old-fashioned funky establishment, opened in 1968 and seemingly never having changed since then. A meeting place for friends and family. A shrine for hundreds of locals. A place many called home. A family – for those who served there, as well as those being served. Now, in December 2016, the building has been bought by a major Finnish retail corporation in order to open a new supermarket, and the restaurant has to close its doors forever…

A modern take on the classic novel by Alexander Pushkin. Vladimir is a successful banker and a regular at trendy night clubs. Masha is a diligent graduate of a British college and a loving daughter. It looks like they have bright future ahead. However, an unexpected quarrel between two eccentric fathers forces their offspring to live through the conflict of Pushkin's novel.

A group of Russian tourists go on a shopping spree to the neighboring Finland - only to be attacked by Finnish cannibals. We focus on a middle-aged woman and her teenage son who is shooting the film, as we watch it, on his cell-phone.

A group of Russian tourists go on a shopping spree to the neighboring Finland - only to be attacked by Finnish cannibals. We focus on a middle-aged woman and her teenage son who is shooting the film, as we watch it, on his cell-phone.

A group of Russian tourists go on a shopping spree to the neighboring Finland - only to be attacked by Finnish cannibals. We focus on a middle-aged woman and her teenage son who is shooting the film, as we watch it, on his cell-phone.

A group of Russian tourists go on a shopping spree to the neighboring Finland - only to be attacked by Finnish cannibals. We focus on a middle-aged woman and her teenage son who is shooting the film, as we watch it, on his cell-phone.

A two days from the life of Pyotr Drozdov, a highly ranked official from Moscow, which he spends with young museum employee Masha.

A documentary on the Russian Koreans. The lives of 8 individuals of Korean descent all of whom share the name Victor Tsoy, which is also the name of the biggest Russian rock star of the 1980s, are explored.

A documentary on the Russian Koreans. The lives of 8 individuals of Korean descent all of whom share the name Victor Tsoy, which is also the name of the biggest Russian rock star of the 1980s, are explored.

A documentary on the Russian Koreans. The lives of 8 individuals of Korean descent all of whom share the name Victor Tsoy, which is also the name of the biggest Russian rock star of the 1980s, are explored.

Ira is Russian. Ivan Tashkov, too. She is 23 years old, lives in Geneva with her mother and knows very little about her homeland. Tashkov is a supposed gangster of the Russian mafia, and is in jail waiting to be judged. Ira, who is searching for her roots and her own path in life, happens to be the interpreter of Tashkov's defense lawyer, and gets instantly captivated by of this powerful, cultured and manipulative man.

The plot is not developed; in the film we see a man (he) and a woman (she) who, in fact, are neither connected nor familiar with each other; they casually met in hospital. "She" (Viktoria Tolstoganova) does not see that she is in danger in connection with her plan to use a tape with illegally made recordings as compromising evidence in court. "He" (Il'ia Shakunov, an actor of the Petersburg TYuZ) is a gay translator who, after the random meeting with her, is pursued by her image which frequently pops up in front of him. As a consequence, his relationship with a young boy no longer satisfies him. Both he and she lose sight of the meaning of life, because of their own inability to see others and to see love, as perception relies on proximity instead of distance.

The plot is not developed; in the film we see a man (he) and a woman (she) who, in fact, are neither connected nor familiar with each other; they casually met in hospital. "She" (Viktoria Tolstoganova) does not see that she is in danger in connection with her plan to use a tape with illegally made recordings as compromising evidence in court. "He" (Il'ia Shakunov, an actor of the Petersburg TYuZ) is a gay translator who, after the random meeting with her, is pursued by her image which frequently pops up in front of him. As a consequence, his relationship with a young boy no longer satisfies him. Both he and she lose sight of the meaning of life, because of their own inability to see others and to see love, as perception relies on proximity instead of distance.

The plot is not developed; in the film we see a man (he) and a woman (she) who, in fact, are neither connected nor familiar with each other; they casually met in hospital. "She" (Viktoria Tolstoganova) does not see that she is in danger in connection with her plan to use a tape with illegally made recordings as compromising evidence in court. "He" (Il'ia Shakunov, an actor of the Petersburg TYuZ) is a gay translator who, after the random meeting with her, is pursued by her image which frequently pops up in front of him. As a consequence, his relationship with a young boy no longer satisfies him. Both he and she lose sight of the meaning of life, because of their own inability to see others and to see love, as perception relies on proximity instead of distance.