Mikhail Brashinsky

Nascimento : 1965-05-10, Leningrad, USSR (St. Petersburg, Russia)

Filmes

Waves
Screenplay
After experiencing a terrible tragedy, the hero leaves his former life. Everything that seemed important goes into the past — work, success, the usual rhythms of a big city. But the world of people refuses to let him go, bursts into his chosen solitude, beckons with new opportunities. Unexpectedly for himself, the hero finds a new home, where he seems to find peace, love and answers to his painful questions. But are these the right answers? And what price will you have to pay to survive and remain yourself?
Waves
Director
After experiencing a terrible tragedy, the hero leaves his former life. Everything that seemed important goes into the past — work, success, the usual rhythms of a big city. But the world of people refuses to let him go, bursts into his chosen solitude, beckons with new opportunities. Unexpectedly for himself, the hero finds a new home, where he seems to find peace, love and answers to his painful questions. But are these the right answers? And what price will you have to pay to survive and remain yourself?
Lovers
Sasha, Pasha and Lesha meet at a therapy course for men traumatized by women. Yes, there are some, because in the world of strong women, many men have lost themselves. But our heroes do not want to be victims, they decide to "go on the warpath" and restore justice. One problem - they are still slobs.
First Oscar
Lev's father
The film follows two student cinematographers who, as the war approaches Moscow, refuse to be evacuated and instead volunteer to be front-line cameramen capturing the horrors of war and heroism of the soviet soldiers. At the same time, we witness another storyline taking place in the US. After the premiere screening of the already completed documentary “Moscow Strikes Back”, one of the members of the Academy Awards selection committee is trying to persuade his fellow colleagues to establish a new category of Best Documentary in the upcoming Oscars event.
Vagão nº 6
Guest at the Party
Uma jovem finlandesa foge de um enigmático caso amoroso em Moscou ao embarcar em um trem para o porto de Murmansk. Ela acaba forçada a compartilhar a longa viagem e um minúsculo vagão-dormitório com um minerador russo. Esse encontro inesperado leva os ocupantes do compartimento nº 6 a enfrentar a verdade sobre seus próprios desejos. Representante da Finlândia no Oscar 2022 de Filme Internacional. Vencedor do Grande Prêmio do Júri no Festival de Cannes 2021.?
The Last Meal
Editor
The Golden Moose restaurant was a Turku legend. An old-fashioned funky establishment, opened in 1968 and seemingly never having changed since then. A meeting place for friends and family. A shrine for hundreds of locals. A place many called home. A family – for those who served there, as well as those being served. Now, in December 2016, the building has been bought by a major Finnish retail corporation in order to open a new supermarket, and the restaurant has to close its doors forever…
The Last Meal
Director
The Golden Moose restaurant was a Turku legend. An old-fashioned funky establishment, opened in 1968 and seemingly never having changed since then. A meeting place for friends and family. A shrine for hundreds of locals. A place many called home. A family – for those who served there, as well as those being served. Now, in December 2016, the building has been bought by a major Finnish retail corporation in order to open a new supermarket, and the restaurant has to close its doors forever…
Dubrovsky
Writer
A modern take on the classic novel by Alexander Pushkin. Vladimir is a successful banker and a regular at trendy night clubs. Masha is a diligent graduate of a British college and a loving daughter. It looks like they have bright future ahead. However, an unexpected quarrel between two eccentric fathers forces their offspring to live through the conflict of Pushkin's novel.
Shopping Tour
Editor
A group of Russian tourists go on a shopping spree to the neighboring Finland - only to be attacked by Finnish cannibals. We focus on a middle-aged woman and her teenage son who is shooting the film, as we watch it, on his cell-phone.
Shopping Tour
Producer
A group of Russian tourists go on a shopping spree to the neighboring Finland - only to be attacked by Finnish cannibals. We focus on a middle-aged woman and her teenage son who is shooting the film, as we watch it, on his cell-phone.
Shopping Tour
Writer
A group of Russian tourists go on a shopping spree to the neighboring Finland - only to be attacked by Finnish cannibals. We focus on a middle-aged woman and her teenage son who is shooting the film, as we watch it, on his cell-phone.
Shopping Tour
Director
A group of Russian tourists go on a shopping spree to the neighboring Finland - only to be attacked by Finnish cannibals. We focus on a middle-aged woman and her teenage son who is shooting the film, as we watch it, on his cell-phone.
Two Days
A two days from the life of Pyotr Drozdov, a highly ranked official from Moscow, which he spends with young museum employee Masha.
Blood Type
Editor
A documentary on the Russian Koreans. The lives of 8 individuals of Korean descent all of whom share the name Victor Tsoy, which is also the name of the biggest Russian rock star of the 1980s, are explored.
Blood Type
Screenplay
A documentary on the Russian Koreans. The lives of 8 individuals of Korean descent all of whom share the name Victor Tsoy, which is also the name of the biggest Russian rock star of the 1980s, are explored.
Blood Type
Director
A documentary on the Russian Koreans. The lives of 8 individuals of Korean descent all of whom share the name Victor Tsoy, which is also the name of the biggest Russian rock star of the 1980s, are explored.
Tycoon's Interpreter
Screenplay
Ira is Russian. Ivan Tashkov, too. She is 23 years old, lives in Geneva with her mother and knows very little about her homeland. Tashkov is a supposed gangster of the Russian mafia, and is in jail waiting to be judged. Ira, who is searching for her roots and her own path in life, happens to be the interpreter of Tashkov's defense lawyer, and gets instantly captivated by of this powerful, cultured and manipulative man.
Black Ice
Editor
The plot is not developed; in the film we see a man (he) and a woman (she) who, in fact, are neither connected nor familiar with each other; they casually met in hospital. "She" (Viktoria Tolstoganova) does not see that she is in danger in connection with her plan to use a tape with illegally made recordings as compromising evidence in court. "He" (Il'ia Shakunov, an actor of the Petersburg TYuZ) is a gay translator who, after the random meeting with her, is pursued by her image which frequently pops up in front of him. As a consequence, his relationship with a young boy no longer satisfies him. Both he and she lose sight of the meaning of life, because of their own inability to see others and to see love, as perception relies on proximity instead of distance.
Black Ice
Screenplay
The plot is not developed; in the film we see a man (he) and a woman (she) who, in fact, are neither connected nor familiar with each other; they casually met in hospital. "She" (Viktoria Tolstoganova) does not see that she is in danger in connection with her plan to use a tape with illegally made recordings as compromising evidence in court. "He" (Il'ia Shakunov, an actor of the Petersburg TYuZ) is a gay translator who, after the random meeting with her, is pursued by her image which frequently pops up in front of him. As a consequence, his relationship with a young boy no longer satisfies him. Both he and she lose sight of the meaning of life, because of their own inability to see others and to see love, as perception relies on proximity instead of distance.
Black Ice
Director
The plot is not developed; in the film we see a man (he) and a woman (she) who, in fact, are neither connected nor familiar with each other; they casually met in hospital. "She" (Viktoria Tolstoganova) does not see that she is in danger in connection with her plan to use a tape with illegally made recordings as compromising evidence in court. "He" (Il'ia Shakunov, an actor of the Petersburg TYuZ) is a gay translator who, after the random meeting with her, is pursued by her image which frequently pops up in front of him. As a consequence, his relationship with a young boy no longer satisfies him. Both he and she lose sight of the meaning of life, because of their own inability to see others and to see love, as perception relies on proximity instead of distance.